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Showing 25 Results of 7245

Photographic Portraiture: Rethinking Representation — PHO4112.01

Fall 2017
Instructor: Elizabeth White
Days & Time:
Credits: 4
This studio/ seminar contemplates historical and contemporary practices in photographic portraiture, considering how photographers negotiate their relationships with their subjects and reflect on notions of identity. Assignment prompts invite students to explore formal and conceptual strategies while readings provide theoretical context and encourage critical thinking
Visual Arts

Photographic Portraiture: Rethinking Representation — PHO4112.01

Fall 2021
Instructor: Liz White
Days & Time:
Credits: 4
This studio/ seminar invites students to engage both creatively and critically, by making work and through readings and discussions. Throughout the course, students will learn about historical and contemporary practices in photographic portraiture, drawn from a range of personal, popular, institutional, and artistic contexts, and consider how our multiple identities inform (and
Visual Arts

Photographs as Narratives — PHO2108.01

Spring 2024
Instructor: Carly Rudzinski
Days & Time:
Credits: 4
How do we read photographs? What are the stories contained within their borders? How does two, three, or a sequence of images in tandem convey a narrative? In this course, students are guided through a series of assignments that explore the photograph as a narrative pictorial space using analog and digital processes. Structurally the assignments may take a traditional
Visual Arts

Photographs as Narratives — PHO2108.01) (cancelled 4/25/2023

Fall 2023
Instructor: Terry Boddie
Days & Time:
Credits: 4
How do we read photographs? What are the stories contained within their borders? How does two, three, or a sequence of images in tandem convey a narrative? In this course, students are guided through a series of assignments that explore the photograph as a narrative pictorial space using analog and digital processes. Structurally the assignments may take a traditional
Visual Arts

Photographs as Narratives — PHO2108.01

Spring 2026
Instructor: Terry Boddie
Days & Time: WE 2:10pm-5:50pm
Credits: 4

How do we read photographs? What are the stories contained within their borders? How does two, three, or a sequence of images convey a narrative? In this intermediate course, students are guided through a series of assignments that explore the photograph as a narrative pictorial space using analog and digital processes. Structurally the assignments may take a traditional

Photography

Photography History 1 — AH2233.01

Spring 2022
Instructor: Carly Rudzinski
Days & Time:
Credits: 4
This introductory course investigates the fraught relationship between photography and history.  Photographs are often thought to record history. However, they frequently alter the course of the histories they purport to merely document. Through a series of case studies, we will explore the possibilities and perils of regarding photographs as factual evidence.
Visual Arts

Photography and Migration — PHO2462.01

Fall 2025
Instructor: Luiza Folegatti
Days & Time: TH 8:30am-12:10pm
Credits: 4

This course will introduce students to the components of storytelling in photographic series by examining migration as a theme and using photography as a research tool. Students will develop a robust sense of artistic ethics by studying representations of migration by photographers in diasporic communities and engaging methods for creating visual narratives around topics of

Photography

Photography and Migration — PHO2462.01

Fall 2024
Instructor: Luiza Folegatti
Days & Time:
Credits: 4
This course will introduce students to the components of storytelling in photographic series by examining migration as a theme and using photography as a research tool. Students will develop a robust sense of artistic ethics by studying representations of migration by photographers in diasporic communities and engaging methods for creating visual narratives around topics
Visual Arts

Photography and Migration — PHO2462.01

Fall 2023
Instructor: Carly Rudzinski
Days & Time:
Credits: 4
This course will introduce students to the components of storytelling in photographic series by examining migration as a theme  and using photography as a research tool. Students will develop a robust sense of artistic ethics by studying representations of migration by photographers in diasporic communities and engaging methods for creating visual narratives around topics
Visual Arts

Photography Foundation — PHO2302.01

Fall 2015
Instructor: Jonathan Kline
Days & Time: TBA
Credits: 4
What does it mean to study photography at Bennington? This course explores a wide range of approaches to the medium and introduces students to the various photographic genres with an emphasis on contemporary practice. The class will be primarily devoted to black and white analog materials and processes, including medium and large format cameras, light kits, and light meters
Visual Arts

Photography Foundation — PHO2302.01

Fall 2013
Instructor: Liz Deschenes
Days & Time: TBA
Credits: 4
The objective of this course is to provide the student with a proficiency in the basics of 35mm black and white photography. Class time will be spent working in the darkroom, lab demonstrations, and discussions of student work. In addition to technical lectures and reviews, a selection of images from the history of photography will be shown and discussed throughout the term.
Visual Arts

Photography Foundation — PHO2302.01

Spring 2015
Instructor: Liz Deschenes
Days & Time:
Credits: 4
The objective of this course is to provide the student with a proficiency in the basics of 35mm black and white photography. Class time will be spent working in the darkroom, lab demonstrations, and discussions of student work. In addition to technical lectures and reviews, a selection of images from the history of photography will be shown and discussed throughout the term.
Visual Arts

Photography Foundation — Section 4 - PHO2302.04

Fall 2014
Instructor: jonathan kline
Days & Time: TBA
Credits: 4
What does it mean to study photography at Bennington? This course explores a wide range of approaches to the medium and introduces students to the various photographic genres with an emphasis on contemporary practice. The class will be primarily devoted to black and white analog materials and processes, including medium and large format cameras, light kits, and light meters
Visual Arts

Photography Foundation — PHO2302.02

Fall 2015
Instructor: Jonathan Kline
Days & Time: TBA
Credits: 4
What does it mean to study photography at Bennington? This course explores a wide range of approaches to the medium and introduces students to the various photographic genres with an emphasis on contemporary practice. The class will be primarily devoted to black and white analog materials and processes, including medium and large format cameras, light kits, and light meters
Visual Arts

Photography Foundation — Section 3 - PHO2302.03

Fall 2014
Instructor: jonathan kline
Days & Time: TBA
Credits: 4
What does it mean to study photography at Bennington? This course explores a wide range of approaches to the medium and introduces students to the various photographic genres with an emphasis on contemporary practice. The class will be primarily devoted to black and white analog materials and processes, including medium and large format cameras, light kits, and light meters
Visual Arts

Photography Foundation — PHO2302.01

Fall 2018
Instructor: Jonathan Kline
Days & Time:
Credits: 4
What does it mean to study photography at Bennington? This course explores a wide range of approaches to the medium and introduces students to the various photographic genres with an emphasis on contemporary practice. The class will be primarily devoted to black and white analog materials and processes, including cameras, light kits, and light meters available at the College.
Visual Arts

Photography Foundation — PHO2302.02

Fall 2013
Instructor: Jonathan Kline
Days & Time: TBA
Credits: 4
The objective of this course is to provide the student with a proficiency in the basics of 35mm black and white photography. Class time will be spent working in the darkroom, lab demonstrations, and discussions of student work. In addition to technical lectures and reviews, a selection of images from the history of photography will be shown and discussed throughout the term.
Visual Arts

Photography Foundation — Section 2 - PHO2302.02

Fall 2014
Instructor: jonathan kline
Days & Time: TBA
Credits: 4
What does it mean to study photography at Bennington? This course explores a wide range of approaches to the medium and introduces students to the various photographic genres with an emphasis on contemporary practice. The class will be primarily devoted to black and white analog materials and processes, including medium and large format cameras, light kits, and light meters
Visual Arts

Photography Foundation — Section 1 - PHO2302.01

Fall 2014
Instructor: jonathan kline
Days & Time: TBA
Credits: 4
What does it mean to study photography at Bennington? This course explores a wide range of approaches to the medium and introduces students to the various photographic genres with an emphasis on contemporary practice. The class will be primarily devoted to black and white analog materials and processes, including medium and large format cameras, light kits, and light meters
Visual Arts

Photography Foundations — PHO2136.01

Spring 2019
Instructor: Terry Boddie
Days & Time:
Credits: 4
This is an analog film-based black-and-white photography course designed for those with little or no experience in photography. Emphasis will be placed on the application of technique in terms of personal expression through the selection and composition of subject matter. The course comprises technical lectures, darkroom demonstrations; lectures on historical and contemporary
Visual Arts

Photography Foundations — PHO2136.01

Spring 2020
Instructor: Terry Boddie
Days & Time:
Credits: 4
This is an analog film-based black-and-white photography course designed for those with little or no experience in photography. Emphasis will be placed on the application of technique in terms of personal expression through the selection and composition of subject matter. The course comprises technical lectures, darkroom demonstrations; lectures on historical and contemporary
Visual Arts

Photography Foundations — PHO2302.01

Spring 2017
Instructor: Liz Deschenes
Days & Time:
Credits: 4
The objective of this course is to provide students with a proficiency in the basics of 35mm black and white photography. Class time will be spent working in the darkroom, lab demonstrations discussions of student work. In addition to technical lectures and reviews, a selection of images from the history of photography will be shown and discussed throughout the semester. The
Visual Arts

Photography Foundations (Analog) — PHO2136.01

Fall 2019
Instructor: Jonathan Kline
Days & Time:
Credits: 4
What does it mean to study photography at Bennington? This course explores a wide range of approaches to the medium and introduces students to the various photographic genres with an emphasis on contemporary practice. The class will be devoted to both black and white and color analog materials and processes, including cameras, light kits, and light meters available at the
Visual Arts

Photography Foundations, Analog + Digital — PHO2136.01

Fall 2021
Instructor: Jonathan Kline
Days & Time:
Credits: 4
What does it mean to study photography at Bennington? This course explores a wide range of approaches to the medium and introduces students to the various photographic genres with an emphasis on contemporary practice. The first half of the class will be primarily devoted to black and white analog materials and processes, including an introduction to medium format cameras,
Visual Arts