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Showing 25 Results of 7795

Cultural Identity in Modern Italian Novel (in English Translation) — ITA2115.01

Instructor: Barbara Alfano
Days & Time: TBA
Credits: 4
How is Italy, and its cultures, reflected in its literature? How have Italian writers positioned themselves vis à vis the history of their country? How much of it all can we grasp in translation?  These are some of the questions that will guide us in our exploration of Modern Italian fiction. We will read in English a few Italian masterpieces that went on to win

Cultural Legacies of Argentina's "Dirty War" — LIT4263.01

Instructor: Marguerite Feitlowitz
Days & Time:
Credits: 4
The "Gentleman's Coup" of 1976 ushered in years of terror, the forced disappearances of 30,000 citizens, and the establishment of hundreds of secret torture centers. We will study not only the repression itself, but literary, artistic, architectural, and cinematic works of the repressive 1970s and their complicated aftermath to this day. You will be expected to keep a reading

Cultural Localities 1: Researching Culture — ANT4117.01

Instructor: miroslava prazak
Days & Time: TBA
Credits: 4
This advanced research seminar offers the opportunity for the student to design an anthropological research project similar to the type encountered in anthropology graduate programs. The project allows for detailed study of a society of the world, including its culture, politics, economy, world view, religion, expressive practices, and historical transformations. The initial

Cultural Localities I: Researching Culture — ANT4117.01

Instructor: Noah Coburn
Days & Time: TBA
Credits: 4
This advanced research seminar offers the opportunity for the student to design an anthropological research project similar to the type encountered in anthropology graduate programs. The project allows for detailed study of a society of the world, including its culture, politics, economy, world view, religion, expressive practices, and historical transformations. The initial

Cultural Localities II: Writing Culture — ANT4136.01

Instructor: Noah Coburn
Days & Time:
Credits: 4
***Time Change*** This advanced research seminar offers the opportunity for the student to implement an advanced study of a specific culture and issue as it is shaped by various social, political, religious and economic contexts. The course will begin with a discussion of contemporary issues in anthropological field research and the writing process, and will include issues

Cultural Localities II: Writing Culture — ANT4136.01

Instructor: Miroslava Prazak
Days & Time:
Credits: 4
This advanced research seminar offers the opportunity for the student to implement an advanced study of a specific culture and issue as it is shaped by various social, political, religious and economic contexts. The course will begin with a discussion of contemporary issues in anthropological field research and the writing process, and will include issues such as ethics, the

Cultural Studies: Amanda Knox in Translation — MOD2138.02

Instructor: barbara alfano
Days & Time: TBA
Credits: 1
This is the second of a two-module series that discusses the importance of approaching a different culture from its own perspective. The series, which includes "Cultural Studies: Learning Cultural Perspectives Through Ikebana," will help students experience the process of cross-cultural understanding. One of the interesting and controversial aspects of Knox's trial in Italy is

Cultural Studies: Learning Culture Through Ikebana — MOD2148.01

Instructor: ikuko yoshida
Days & Time: TBA
Credits: 1
This is the first of a two-module series that discusses the importance of approaching a different culture from its own perspective. The series, which includes Cultural Studies: Amanda Knox in Translation (MOD2138), will help students experience the process of cross-cultural understanding. The capacity to sense, let alone experience, another's point of view seems critical in

Culture and Public Health — ANT2112.01

Instructor: Rebecca Dinkel
Days & Time:
Credits: 4
Public health policies, practices, and the communication thereof, have radically been altered since the COVID-19 pandemic. This cultural shift has been encouraged through social media, which many have argued have spread misinformation about public health and medicine. This course examines how anthropology can be a tool for understanding societal and cultural framing of public

Culture in a Globalized World(cancelled 4/27/2023) — ANT4151.01

Instructor: Steve Moog
Days & Time:
Credits: 4
People have always been connected, but in the last 40 years, the frequency and magnitude of people’s global interactions have dramatically increased. Look at the clothing you have on today and think of how many people from how many different places were involved in what you are wearing. Social theorists have understood globalization as a consequence of economic forces that

Culture, Conflict, and Memory in Southeast Asia — ANT2122.01

Instructor: Timothy Karis
Days & Time: TBA
Credits: 4
Southeast Asia is a region with rich cultural diversity as well as an eventful political-economic history over the past century, its residents experiencing European colonialism, protracted wars, and tumultuous experiments with communism. Targeting the tensions and conflicts that have accompanied nation-building in Southeast Asia, this course uses ethnography, film, and

Culture, Environment and Sustainable Living — ANT2117.01

Instructor: Miroslava Prazak
Days & Time:
Credits: 4
In this seminar, we examine how Western and non-Western cultures, both past and present, perceive and shape key environmental and social issues. Through readings, discussions and films we will evaluate the potential of environmental and cultural studies to address some of the most urgent contemporary problems. To work toward an understanding of what is today called

Culture, Environment and Sustainable Living — ANT2117.01

Instructor: Miroslava Prazak
Days & Time:
Credits: 4
In this seminar, we examine how Western and non-Western cultures, both past and present, perceive and shape key environmental and social issues. Through readings, discussions and films we will evaluate the potential of environmental and cultural studies to address some of the most urgent contemporary problems. To work toward an understanding of what is today called

Culture, Environment and Sustainable Living — ANT2117.01

Instructor: Miroslava Prazak
Days & Time:
Credits: 4
In this seminar, we examine how Western and non-Western cultures, both past and present, perceive and shape key environmental and social issues. Through readings, discussions and films we will evaluate the potential of environmental and cultural studies to address some of the most urgent contemporary problems. To work toward an understanding of what is today called

Culture, Environment, and Sustainable Living — ANT2117.01

Instructor: Miroslava Prazak
Days & Time:
Credits: 4
In this seminar, we examine how Western and non-Western cultures, both past and present, perceive and shape key environmental and social issues. Through readings, discussions and films we will evaluate the potential of environmental and cultural studies to address some of the most urgent contemporary problems. To work toward an understanding of what is today called

Cup Lending Library — CER4108.01

Instructor: Aysha Peltz
Days & Time:
Credits: 4
All art is a form of communication. The ceramic cup is unusual in that it communicates, perhaps best, through touch. The Cup Lending Library is designed to facilitate this kind of communication on our campus. In this course, students will curate and make cups for a Cup Lending Library to be permanently installed in Crossett Library. The Cup Lending Library will act as an

CUPS: Mold Making and Slip Casting — CER2208.01

Instructor: Yoko Inoue
Days & Time: WE 2:10pm-5:50pm
Credits: 4

This is an introductory course of basic mold making and slip casting techniques for producing components to create a series of functional ware. This course focuses on the development of design concepts through exploration of slip casting methods, application of alteration and assemblage techniques and experimentation of prototype

CUPS: Mold Making and Slip Casting — CER2208.01

Instructor: Yoko Inoue
Days & Time: WE 2:10pm-5:50pm
Credits: 4

This is an introductory course of basic mold making and slip casting techniques for producing components to create a series of functional ware. This course focuses on the development of design concepts through exploration of slip casting methods, application of alteration and assemblage techniques and experimentation of prototype

CUPS: Mold Making and Slip Casting — CER2208.01

Instructor: Yoko Inoue
Days & Time:
Credits: 4
This is an introductory course of basic mold making and slip casting techniques for producing systemic components to create a series of functional ware. This course focuses on the development of design concepts through exploration of slip casting methods, application of alteration and assemblage techniques and experimentation of prototype makings to produce ceramic multiples

CUPS: Mold Making and Slip Casting Production Lab — CER2127.01

Instructor: Yoko Inoue
Days & Time: TBA
Credits: 2

This lab class is structured for students who are registered for CER 2208: CUPS: Slip Casting and Mold Making to achieve production goals. The two-hour mandatory lab will be guided by the faculty so that students can receive technical guidance and adequate support to establish their studio production practices and expand their

CUPS: Mold Making and Slip Casting Production Lab — CER2127.01

Instructor: Yoko Inoue
Days & Time: TBA
Credits: 2

This lab class is structured for students who are registered for CER2208 CUPS: Slip Casting and Mold Making to achieve production goals. The two-hour mandatory lab will be guided by the faculty so that students can receive technical guidance and adequate support to establish their studio production practices and expand their

Curator, Artist, Impresario: Modes of Exhibition Making — VA2244.01

Instructor: Anne Thompson
Days & Time:
Credits: 4
This introductory class traces the historical evolution of contemporary curatorial practice. We start with the early tradition of curators as experts and custodians of collections. Building on that foundation, we examine the twentieth-century emergence of the curator as a visionary impresario and producer of global exhibitions. Throughout, we consider how artists since the

Curator, Artist, Impresario: Modes of Exhibition Making — VA2244.01

Instructor: Anne Thompson
Days & Time:
Credits: 4
This introductory class traces the historical evolution of contemporary curatorial practice. We start with the early tradition of curators as experts and custodians of collections. Building on that foundation, we examine the twentieth-century emergence of the curator as a visionary impresario and producer of global exhibitions. Throughout, we consider how artists since the