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People have always been connected, but in the last 40 years, the frequency and magnitude of people’s global interactions have dramatically increased. Look at the clothing you have on today and think of how many people from how many different places were involved in what you are wearing. Social theorists have understood globalization as a consequence of economic forces that

Southeast Asia is a region with rich cultural diversity as well as an eventful political-economic history over the past century, its residents experiencing European colonialism, protracted wars, and tumultuous experiments with communism. Targeting the tensions and conflicts that have accompanied nation-building in Southeast Asia, this course uses ethnography, film, and

In this seminar, we examine how Western and non-Western cultures, both past and present, perceive and shape key environmental and social issues. Through readings, discussions and films we will evaluate the potential of environmental and cultural studies to address some of the most urgent contemporary problems. To work toward an understanding of what is today called

In this seminar, we examine how Western and non-Western cultures, both past and present, perceive and shape key environmental and social issues. Through readings, discussions and films we will evaluate the potential of environmental and cultural studies to address some of the most urgent contemporary problems. To work toward an understanding of what is today called

In this seminar, we examine how Western and non-Western cultures, both past and present, perceive and shape key environmental and social issues. Through readings, discussions and films we will evaluate the potential of environmental and cultural studies to address some of the most urgent contemporary problems. To work toward an understanding of what is today called

In this seminar, we examine how Western and non-Western cultures, both past and present, perceive and shape key environmental and social issues. Through readings, discussions and films we will evaluate the potential of environmental and cultural studies to address some of the most urgent contemporary problems. To work toward an understanding of what is today called

All art is a form of communication. The ceramic cup is unusual in that it communicates, perhaps best, through touch. The Cup Lending Library is designed to facilitate this kind of communication on our campus. In this course, students will curate and make cups for a Cup Lending Library to be permanently installed in Crossett Library. The Cup Lending Library will act as an

This lab class is structured for students who have completed CER2208 CUPS: Slip Casting and Mold Making (or equivalent introductory mold making and slip casting courses) to achieve independent production goals to create a series of  ceramic functional ware (cups). The two-hour weekly lab will be guided by the faculty so that

This is an introductory course of basic mold making and slip casting techniques for producing components to create a series of functional ware. This course focuses on the development of design concepts through exploration of slip casting methods, application of alteration and assemblage techniques and experimentation of prototype

This is an introductory course of basic mold making and slip casting techniques for producing systemic components to create a series of functional ware. This course focuses on the development of design concepts through exploration of slip casting methods, application of alteration and assemblage techniques and experimentation of prototype makings to produce ceramic multiples

This lab class is structured for students who are registered for CER2208 CUPS: Slip Casting and Mold Making to achieve production goals. The two-hour mandatory lab will be guided by the faculty so that students can receive technical guidance and adequate support to establish their studio production practices and expand their

This introductory class traces the historical evolution of contemporary curatorial practice. We start with the early tradition of curators as experts and custodians of collections. Building on that foundation, we examine the twentieth-century emergence of the curator as a visionary impresario and producer of global exhibitions. Throughout, we consider how artists since the

This introductory class traces the historical evolution of contemporary curatorial practice. We start with the early tradition of curators as experts and custodians of collections. Building on that foundation, we examine the twentieth-century emergence of the curator as a visionary impresario and producer of global exhibitions. Throughout, we consider how artists since the

How does augmenting and rearranging an exhibition change the meaning it communicates? This course explores this question via the raw material of an art show in Usdan Gallery. Term starts with the opening of “Unpacking the Vault,” curated by fall term students who researched objects from the college collection and constructed narrative strains about Bennington’s history. Spring

From Hong Kong’s Anti Extradition Bill, One Country/Two System, The "Umbrella Movement," China's One Belt One Road, COVID-19, the US-China trade war, China digital currency, LGBT right in Taiwan to Taiwan’s Election in 2020, among other topics, students will use authentic materials, such as print articles, videos and other media as springboards to analysis and

While movies such as Crouching Tiger, Hidden Dragon have helped Chinese cinema broaden its appeal and consolidate its position as a significant force in international cinema, such historical fantasies won't do much to help us understand the current issues facing Chinese society. Fortunately, there are many fine Chinese language films available that may shed more light on modern

This is a combination seminar and lab that will offer immersion into the process of creating performance work through the investigation of resources and inspirations crossing the usual disciplinary boundaries of music, movement, and retinal art. The course will culminate in a performance of student works.

When observing nature, we find flowing forms in water, air, geologic shifts, animal and plant life – basically in everything that moves, including us. Myriad currents are discernible, energizing, and wondrous. When noticing the motion of a particular animal, we can sense the full-bodied attentiveness, the direction, the intention, and the

In nature’s flowing forms, i.e. in water, air, and anything and everything that moves, there are currents that are discernible, energizing, and wondrous. When experiencing movement, making movement, performing movement, and observing movement, we can find the flow, work with it, draw it, and watch it evolve. How do we recognize and make fluid forms? How do we find the

In nature’s flowing forms, i.e. in water, air, and anything and everything that moves, there are currents that are discernible, energizing, and wondrous. When experiencing movement, making movement, performing movement, and observing movement, we can find the flow, work with it, draw it, and watch it evolve. How do we recognize and make fluid forms? How do we find the

Designed for students who have completed Foundations of Photography, this 2-credit course teaches advanced, non-destructive Photoshop techniques for adding and removing content, and invites the remaking of existing images. Working with a range of tools for selections and masking, multiple adjustment layers, and blending modes, students will learn to make bold modifications,

Founded in 1909, the garden city of Hellerau had an odd design aesthetic: everything would be based on principles of rhythm. Instead of placing a church in the center, the city planners invited the Swiss musician and choreographer Emile Jaques-Dalcroze and the visionary stage designer Adolphe Appia to design a modern theatre and college where they would teach Dalcroze’s Methode

What do you know that your sentient, feeling body did not first experience? The Swiss musician Emile Jaques-Dalcroze (1865-1950) developed a whole pedagogy of music and movement to explore this question. Self-awareness, self-expression, and musical knowing are all seated in the body, the fundamental constant of all experience. But how do we honor that truth in our learning? We

Dalcroze Eurhythmics is a music class where we practice sensing the body through sound. What do you know that your sentient, feeling body did not first experience? How does music help you express yourself? Can music help you get to know someone else? The feeling body is the single constant throughout all of our experiences, but can be easily forgotten amidst the notes and

When we lose our bodies in space, how do we retrace our steps? How does the body move in response to a constantly changing environment? Can we use music to communicate or even initiate a true, embodied experience?  To all three, Swiss pianist and composer Emile Jaques-Dalcroze (1865-1950) thought it was impossible not to. As a professor at the Geneva Conservatory,