Dance

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Term
Time & Day Offered
Level
Credits
Course Duration

Advanced Projects in Dance — DAN4795.01

Instructor: Terry Creach
Credits: 2
This is an essential course for students involved in making work for performance this term. Attention is given to all of the elements involved in composition and production, including collaborative aspects. Students are expected to show their work throughout stages of development, complete their projects, and perform them to the public by the end of the term. Corequisite: 

Advanced Projects in Dance — DAN4795.01

Instructor: Dana Reitz
Credits: 2
This is an essential course for students wishing to make new work for performance this term, whether one project or a series. It is designed specifically to support each person’s artistic voice and manner of working. Attention will be given to all elements involved in composition and production, including collaborative aspects. Students are expected to show their work

Advanced Projects in Dance — DAN4795.01

Instructor: Dana Reitz
Days & Time: MO 7:00pm-8:50pm
Credits: 2

This is an essential course for students wishing to make new work for performance this term, whether one project or a series. It is designed specifically to support each person’s artistic voice and manner of working.

Attention will be

Advanced Projects in Dance — DAN4795.01

Instructor: Levi Gonzalez
Credits: 4
This course is for students with prior experience in dance making who wish to create new work for performance or senior work. We will share our work regularly, explore different feedback modalities, and reflect on our own individual artistic approaches and concerns. Attention will be given to the elements involved in composition, production, collaboration and presentation.

Advanced Projects in Dance — DAN4795.01

Instructor: Dana Reitz
Credits: 2
This is an essential course for students involved in making work for performance this term. Attention is given to all of the elements involved in composition and production, including collaborative aspects. Students are expected to show their work throughout stages of development, complete their projects, and perform them to the public by the end of the term. This advanced

Advanced Projects in Dance — DAN4795.01

Instructor: dana reitz
Days & Time: TBA
Credits: 2
This is an essential course for students involved in making work for performance this term. Attention is given to all of the elements involved in composition and production, including collaborative aspects. Students are expected to show their work throughout stages of development, complete their projects, and perform them to the public by the end of the term. Dance Workshop is

Advanced Projects in Dance — DAN4795.01

Instructor: Dana Reitz
Days & Time: TBA
Credits: 2
This is an essential course for students involved in making work for performance this term. Attention is given to all of the elements involved in composition and production, including collaborative aspects. Students are expected to show their work throughout stages of development, complete their projects, and perform them to the public by the end of the term. Dance Workshop is

Advanced Projects in Dance — DAN4795.01

Instructor: Dana Reitz
Credits: 2
This is an essential course for students wishing to make new work for performance this term, whether one project or a series. It is designed specifically to support each person’s artistic voice and manner of working. Attention will be given to all of the elements involved in composition and production, including collaborative aspects. Students are expected to show their work

Advanced Projects in Dance — DAN4795.02, section 2

Instructor: Carly Rudzinski
Credits: 2
This is an essential course for students wishing to make new work for performance this term, whether one project or a series. It is designed specifically to support each person’s artistic voice and manner of working. Attention will be given to all of elements involved in composition and production, including collaborative aspects. Students are expected to show their work

Advanced Projects in Dance — DAN4795.01

Instructor: Dana Reitz
Credits: 2
This is an essential course for students involved in making work for performance this term. Attention is given to all of the elements involved in composition and production, including collaborative aspects. Students are expected to show their work throughout stages of development, complete their projects, and perform them to the public by the end of the term. Corequisite: 

Advanced Projects in Dance — DAN4795.01, section 1

Instructor: Dana Reitz
Credits: 2
This is an essential course for students wishing to make new work for performance this term, whether one project or a series. It is designed specifically to support each person’s artistic voice and manner of working. Attention will be given to all of elements involved in composition and production, including collaborative aspects. Students are expected to show their work

Advanced Projects in Dance — DAN4795.02, Section 2

Instructor: Dana Reitz
Credits: 2
This is an essential course for students involved in making work for performance this term. Attention is given to all of the elements involved in composition and production, including collaborative aspects. Students are expected to show their work throughout stages of development, complete their projects, and perform them to the public by the end of the term. Corequisites:

Advanced Projects in Dance — DAN4795.01

Instructor: Dana Reitz
Credits: 2
This is an essential course for students involved in making work for performance this term. Attention is given to all of the elements involved in composition and production, including collaborative aspects. Students are expected to show their work throughout stages of development, complete their projects, and perform them to the public by the end of the term. Corequisites:

Advanced/Senior Projects in Dance — DAN4712.01

Instructor: Levi Gonzalez
Credits: 2
For students with prior experience in dance making who wish to create new work for performance or senior work. We will share our work regularly, explore different feedback modalities, and reflect on our own individual artistic approaches and concerns. Attention will be given to the elements involved in composition, production, collaboration and presentation. Students are

Advanced/Senior Projects in Dance — DAN4712.01

Instructor: Elena Demyanenko
Days & Time: M 7:00PM-8:50PM, W 4:10PM-6:00PM
Credits: 4

This is an essential course for students wishing to make new work for performance this term, whether one project or a series. It is designed specifically to support each person’s artistic voice and manner of working.

Attention will be given to all elements involved in composition and production, including collaborative aspects. Students are expected to show their

Advanced/Senior Projects in Dance — DAN4712.01

Instructor: Elena Demyanenko
Credits: 4
This is an essential course for students wishing to make new work for performance this term, whether one project or a series. It is designed specifically to support each person’s artistic voice and manner of working. Attention will be given to all elements involved in composition and production, including collaborative aspects. Students are expected to show their work

Advanced/Senior Projects in Dance — DAN4712.01

Instructor: Elena Demyanenko
Credits: 2
For students with prior experience in dance composition who wish to be involved in making new work for performance or senior work. Taking into account specific circumstances related to the pandemic, we will consider an expanded notion of how work can be shared with the public. Attention will be given to all of the elements involved in composition and production,

Alexander Technique — DAN2151.01

Instructor: Rebecca Brooks, MFA Teaching Fellow
Credits: 2
The Alexander Technique begins with the premise that the human organism is perfectly designed for an expansive range of activities. It is our own misuse that gets in the way of this potential. The Alexander Technique maps a neuromuscular process by which we use our thinking to undo habitual layers of use, and make conscious choices that create more freedom and range, resulting

Alexander Technique — DAN2151.01

Instructor: Dana Reitz
Credits: 2
The Alexander Technique begins with the premise that the human organism is perfectly designed for an expansive range of activities. It is our own misuse that gets in the way of this potential. The Alexander Technique maps a neuromuscular process by which we use our thinking to undo habitual layers of use, and make conscious choices that create more freedom and range, resulting

Alexander Technique — DAN2151.01

Instructor: Rebecca Brooks, MFA Teaching Fellow
Credits: 2
The Alexander Technique begins with the premise that the human organism is perfectly designed for an expansive range of activities. It is our own misuse that gets in the way of this potential. The Alexander Technique maps a neuromuscular process by which we use our thinking to undo habitual layers of use, and make conscious choices that create more freedom and range, resulting

Alexander Technique — DAN2151.02; section 2

Instructor: Rebecca Brooks, MFA Teaching Fellow (supervised by Terry Creach)
Credits: 2
The Alexander Technique begins with the premise that the human organism is perfectly designed for an expansive range of activities. It is our own misuse that gets in the way of this potential. The Alexander Technique maps a neuromuscular process by which we use our thinking to undo habitual layers of use, and make conscious choices that create more freedom and range, resulting

Alexander Technique — DRA2265.01

Instructor: Rebecca Brooks
Credits: 4
The Alexander Technique begins with the premise that the human organism is perfectly designed for an expansive range of activities. It is our own misuse that gets in the way of this potential. The Alexander Technique maps a neuromuscular process by which we use our thinking to undo habitual layers of use, and make conscious choices that create more freedom and range, resulting

Alexander Technique — DAN2151.01; section 1

Instructor: Rebecca Brooks, MFA Teaching Fellow (supervised by Terry Creach)
Credits: 2
The Alexander Technique begins with the premise that the human organism is perfectly designed for an expansive range of activities. It is our own misuse that gets in the way of this potential. The Alexander Technique maps a neuromuscular process by which we use our thinking to undo habitual layers of use, and make conscious choices that create more freedom and range, resulting

Alexander Technique & The Art of Performance — DAN2420.01

Instructor: Ros Warby
Days & Time: WE 8:30am-12:10pm
Credits: 4

The Alexander Technique invites students to engage with how they move through the world. Students will learn to notice what it is they are doing in their everyday movement, dance practice, performance, & an overall deeper engagement with the body. 

This course supports a students ability to notice how they allow a letting go of unnecessary tensions,