Music

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Term
Time & Day Offered
Level
Credits
Course Duration

Sénémali 1 – Drumming, and Dancing — DAN2423.01

Instructor: Kaolack Ndiaye
Days & Time: TU,FR 8:30am-10:20am
Credits: 4

This course provides a vibrant introduction to the traditional West African rhythms and movements of the Mandingo and Wolof communities. Students will embark on a journey through both drumming and dancing disciplines, mastering intricate rhythms that will expand their musical vocabulary and enhance their dance techniques.

Banjo — MIN2215.01

Instructor: John Kirk
Days & Time: W 11:00AM-11:50AM
Credits: 2

Beginning, intermediate, or advanced group lessons on the 5-string banjo in the claw-hammer/frailing style. Students will learn to play using simple song sheets with chords, tablature, and standard notation. Using chord theory and scale work, personal music-making skills will be enhanced. History of the African origins of banjo and its introduction to the western world will

BC Chamber Singers — MVO4302.01

Instructor: Virginia Kelsey
Days & Time: WE 2:10pm-4:00pm
Credits: 2

Bennington College Chamber Singers is a small, collaborative vocal ensemble focused on the craft of vocal chamber music. We’ll explore over 900 years of repertoire, from Medieval chant and Renaissance madrigals to Baroque oratorio, gems from the Classical and Romantic periods, and contemporary experimental vocal works!

Rehearsals will function as a shared

Beginning Guitar — MIN2247.01, section 1

Instructor: Hui Cox
Days & Time: TBA
Credits: 2

Correct posture for playing the guitar Several approaches to tuning the guitar

Twelve week study of twelve different guitarists of varying styles for awareness of the history of the guitar and the various styles the instrument is capable of. Enhances listening skills.

Beginning Violin — MIN2241.01

Instructor: Joana Genova
Days & Time: TBA
Credits: 2

The course is designed for students with no prior string instrument experience. Admission is on a first come first serve basis. Classes will be individual (usually 20-25 min. long). Daily practice (10-15 min.) is expected so students can become familiar and comfortable with the instrument.

Composing for Instruments — MCO4151.01

Instructor: Allen Shawn
Days & Time: MO,TH 1:40pm-3:30pm
Credits: 4

This class gives composers hands-on practice notating their music and hearing it played by performers playing a variety of instruments. It is meant for fledgling composers, for those who may have composed a lot of music already but have trouble writing their music down, or for those who have never even imagined composing music but would like to try. There are specific

Composition Project: "Eighth Blackbird" — MCO4004.01

Instructor: Allen Shawn
Days & Time: WE 10:00am-11:50am
Credits: 2

In the first half of the term students will compose pieces for the celebrated "Eighth Blackbird" ensemble, which consists of  flute(s), clarinet(s), piano, percussion, violin, and cello. In preparation for this, we will study a few important scores written for this combination of instruments. The ensemble will visit in November and read and record the

Dalcroze Eurhythmics: How Music Feels — MPF2204.01

Instructor: Chris Rose
Days & Time: WE 4:10pm-6:00pm
Credits: 2

How do performing musicians develop their personal voices? The Swiss pedagogue Emile Jaques-Dalcroze (1865-1950) invented Eurhythmics to address this question. Specifically, we’ll focus on plastique animée, a movement practice that Dalcroze created for analyzing sound through movement. We’ll attempt to feel with our arms and legs what a

Fiddle — MIN4327.01

Instructor: John Kirk
Days & Time: F 1:00PM-1:50PM
Credits: 2

For the experienced (3+years of playing) violinist/violist. Lessons in traditional styles of fiddling – Quebecois, New England, Southern Appalachian, Scandinavian, Cajun, Irish, and Scottish. This course is designed to heighten awareness of the variety of ways the violin is played regionally and socially in North America (and indeed around the world) and to give practical

Intermediate Piano — MIN4236.01

Instructor: Yoshiko Sato
Days & Time: TBA
Credits: 2

This course is intended for students with some playing and reading experience.

Students will expand upon a repertoire of scales and chords.

They will study and learn to play selected compositions.

Intermediate Voice — MVO4301.01, section 1

Instructor: Virginia Kelsey
Days & Time: TU 10:30am-12:20pm
Credits: 2

For students with some prior singing experience. This class is designed to refine awareness and coordination of the mind and body and develop a reliable vocal technique applicable to all styles of singing and speaking performance.  <

Intermediate Voice — MVO4301.02, section 2

Instructor: Virginia Kelsey
Days & Time: TH 10:00am-11:50am
Credits: 2

For students with some prior singing experience. This class is designed to refine awareness and coordination of the mind and body and develop a reliable vocal technique applicable to all styles of singing and speaking performance.  <

Interstellar Outness — MPF4259.01

Instructor: Michael Wimberly
Days & Time: MO 7:00pm-8:50pm
Credits: 2

Interstellar is defined as a vast region within galaxies and between stars. How do we as musicians connect to this interstellar region metaphorically, spiritually, or sonically through our music? Many musicians, such as John Coltrane, David Bowie, Sun Ra, Pink Floyd, Kraft Work, Miles Davis, Jimi Hendrix,

Intro to Max — MCO2116.01

Instructor: Nicholas Brooke
Days & Time: TH 3:40pm-5:30pm
Credits: 2

This course will look at the versatile program of Max/MSP/Jitter, a high-level programming platform for sound and visuals. Our focus will be on the sonic capabilities of the program, though we will dip occasionally into visuals, video, and sensing technologies. Students will develop research and projects based on their interests and abilities and must