Visual Arts

Course System Home All Areas of Study Visual Arts

Select Filters and then click Apply to load new results

Term
Time & Day Offered
Level
Credits
Course Duration

Anti-Perspective — DES4101.01

Instructor: Farhad Mirza
Credits: 4
“One could even compare the function of Renaissance perspective with that of critical philosophy… The result was a translation of psychophysiological space into mathematical space; in other words, an objectification of the subjective.” — Erwin Panofsky, Perspective as Symbolic Form This course is about how an image might represent a codified or systematic way of thinking. We

Architectural Analysis — ARC4157.01

Instructor: Donald Sherefkin
Credits: 4
Students will select a critically significant building from the history of architecture. After careful research and documentation, a detailed analysis will be made, resulting in critical drawings, diagrams and both physical and digital models. A final project will then be formulated for a new project, generated from the discoveries that emerged through the analysis.

Architectural Analysis — ARC4157.01

Instructor: Donald Sherefkin
Credits: 4
Students will select a critically significant building from the history of architecture. After careful research and documentation, a detailed analysis will be made, resulting in critical drawings, diagrams and models. A final project will then be formulated for a new building, generated from the discoveries that emerged through the analysis.

Architectural Graphics — ARC2104.01

Instructor: Donald Sherefkin
Credits: 2
This course provides an introduction to a range of drawing processes, including observational drawing, diagrammatic sketching, and geometric constructions. We will also master the conventions of architectural graphics, from plans and sections to three-dimensional projections. Weekly workshops and drawing assignments are required. All of the drawings will be

Architectural Graphics — ARC2104.01

Instructor: donald sherefkin
Days & Time: TBA
Credits: 2
An introduction to a broad range of drawing techniques, including observational drawing, diagrammatic sketching, and geometric constructions. We will also master the conventions of architectural drawing, from plans and sections to three-dimensional projections. Weekly workshops and drawing assignments are required. Corequisites: Architecture 1 - Elements, ARC2101.

Architectural Graphics — ARC2104.01

Instructor: Carly Rudzinski
Credits: 2
An introduction to a broad range of drawing techniques, including observational drawing, diagrammatic sketching, and geometric constructions. We will also master the conventions of architectural drawing, from plans and sections to three-dimensional projections. Weekly workshops and drawing assignments are required. This class also requires registration in ARC 2121: Elements of

Architectural Graphics — ARC2104.01

Instructor: Donald Sherefkin
Credits: 2
An introduction to a broad range of drawing techniques, including observational drawing, diagrammatic sketching, and geometric constructions. We will also master the conventions of architectural drawing, from plans and sections to three-dimensional projections. Weekly workshops and drawing assignments are required. Corequisites: Architecture 1 - Elements *When you register

Architectural Graphics — ARC2104.01

Instructor: Donald Sherefkin
Credits: 2
An introduction to a broad range of drawing techniques, including observational drawing, diagrammatic sketching, and geometric constructions. We will also master the conventions of architectural drawing, from plans and sections to three-dimensional projections. Weekly workshops and drawing assignments are required. Corequisite: Enrollment in Architecture 1-Elements Registration

Architectural Graphics — ARC2104.01

Instructor: Donald Sherefkin
Credits: 2
An introduction to a broad range of drawing techniques, including observational drawing, diagrammatic sketching, and geometric constructions. We will also master the conventions of architectural drawing, from plans and sections to three-dimensional projections. Weekly workshops and drawing assignments are required. Corequisites: Architecture 1-Elements **When you register for

Architecture 1 – Elements — ARC2101.01

Instructor: Donald Sherefkin
Credits: 4
Introduction to the discipline of architectural exploration. This studio focuses on the formation of architectural concepts through the development of spatial investigations. using scale models and drawings. In addition, a thematic history of architecture will be presented through slide lectures and readings. We begin with a series of abstract exercises which explore ways in

Architecture 1 – Elements — ARC2101.01

Instructor: Donald Sherefkin
Credits: 4
Introduction to the discipline of architectural exploration. This studio focuses on the formation of architectural concepts through the development of spatial investigations. using scale models and drawings. In addition, a thematic history of architecture will be presented through slide lectures and readings. We begin with a series of abstract exercises which explore ways in

Architecture I - Elements — ARC2101.01

Instructor: donald sherefkin
Days & Time: TBA
Credits: 4
Introduction to the discipline of architectural exploration. Architecture I focuses on the formation of architectural concepts through the development of spatial investigations. using scale models and drawings. We begin with a series of abstract exercises which explore ways in which meaning is embedded in form, space and movement. These exercises gradually build into more

Architecture I - Elements — ARC4115.01

Instructor: Donald Sherefkin
Credits: 4
Introduction to the discipline of architectural exploration. Architecture I focuses on the formation of architectural concepts through the development of spatial investigations. using scale models and drawings. We begin with a series of abstract exercises which explore ways in which meaning is embedded in form, space and movement. These exercises gradually build into more

Architecture I - Elements — ARC2101.01

Instructor: Donald Sherefkin
Credits: 4
Introduction to the discipline of architectural exploration. Architecture I focuses on the formation of architectural concepts through the development of spatial investigations using scale models and drawings. We begin with a series of abstract exercises which explore ways in which meaning is embedded in form, space and movement. These exercises gradually build into more

Architecture I - Transformations — ARC4101.01

Instructor: Donald Sherefkin
Credits: 4
This course will focus on the process of drawing and modeling as vehicles for discovering alternative worlds. The drawings and models become the 'program' which define the limits and possibilities of architectonic invention. Each studio project is intended to provide a catalyst for the next. They will use a variety of strategies and source materials for inspiration, including

Archive Fever — MA2124.01

Instructor: Erika Mijlin
Credits: 4
A course on the creation, maintenance and philosophical/social implications of digital archives. The Archive, as a concept, suggests important questions about history, power, memory, access, self-determination, public and private spheres, etc. This course will address the Archive as a powerful idea, through reading and discussion, but also as an active and ongoing construction,

Art Exhibitions as Site for Contemplation and Research — VA4117.01

Instructor: Liz Deschenes
Credits: 2
This is a six-week course that will require no previous knowledge of Museum or Curatorial studies. We will spend class time together looking at how for profits, otherwise know as a commercial art galleries, produce art exhibitions- solo and group exhibitions. Students will have assignments and readings, that will support the visits and research that we will embark upon as group

Art Exhibitions as Site for Contemplation and Research — VA4138.01

Instructor: Liz Deschenes
Credits: 2
This is a six-week course that will require no previous knowledge of Museum or Curatorial studies. We will spend class time together looking at how for profits, otherwise know as a commercial art galleries, produces art exhibitions- solo and group exhibitions. Students will have assignments and readings, that will support the visits and research that we will embark upon as

Art in America Since WWII — AH2286.01

Instructor: andrew spence
Days & Time: TBA
Credits: 4
After WWII, artists in U. S. cities played a major role in the transformation of contemporary art from Modernism to Post Modernism and the present. As a survey, this course looks at several of these artists' works and their connections to important movements such as Abstract Expressionism, Pop Art, and the proliferation of later movements including Photo Realism, Minimalism,

Art in Public Spaces as connective tissue — DAN4380.01

Instructor: Martin Lanz
Days & Time: MO,TH 10:00am-11:50am
Credits: 2

In this course, we will explore various projects that aim to connect people with their surroundings and communities.
We will also explore the strategies that various artists have implemented to increase their audiences and interest in the arts.
We will analyze and design projects that seek sustainability, diversification, and access to the experience of art and

Art in the Public Realm II: Bennington and China — APA4107.01

Instructor: Jon Isherwood and Susan Sgorbati
Credits: 2
This course will research, develop and implement public art for two projects: Bennington We will research existing models nationally and internationally that have provided integrations for public spaces. We will explore opportunities on the Bennington campus including, but not limited to, the Commons project. Through dialogue and collaboration, we will assess what spaces are

Art in the Public Realm: Oslo Project — VA4107.01

Instructor: jon isherwood; susan sgorbati
Days & Time: TBA
Credits: 4
Through the experience of developing with Jon Isherwood a site-specific, commissioned work of art for the U.S. Embassy in Oslo, Norway, students in this course will examine the definition, unique challenges, history, and implementation of public art. Over the course of the term, the class will conduct case studies of prior public art projects and explore the various dimensions

Art in the Public Realm: Oslo Project II — VA4107.01

Instructor: Jon Isherwood; Susan Sgorbati
Credits: 2
Through the experience of developing with Jon Isherwood a site-specific, commissioned work of art for the U.S. Embassy in Oslo, Norway, students in this course will examine the definition, unique challenges, history, and implementation of public art. In the second-half of this year-long course, the class will continue to conduct case studies of public art projects and to