All Courses

Select Filters and then click Apply to load new results

Term
Time & Day Offered
Level
Credits
Course Duration

Kafka and Beckett — LIT2273.01

Instructor: Annie Dewitt
Credits: 4
Often lauded as literary iconoclasts and Modernist visionaries, Franz Kafka and Samuel Beckett are known for "making things strange." This course will examine these writers' signal works alongside their shorter works and diaries. In approaching Kafka, we will explore several of his essays, including: "Letters to My Father," "The Blue Octavio Notebook," and

Kalón and Chaos: The Secret History and its References — LIT2423.01

Instructor: Benjamin Anastas
Credits: 2
"Live forever!" is the chosen mantra of the louche, monied and relentlessly insular group of Classics students at the center of Donna Tartt's now classic literary suspense novel The Secret History. Under the influence of their classics professor Julian Morrow--a "divine" with special status on the campus of Hampden College, a dark mirror-image of our own campus--they undertake

Kansai Dialect and Culture — JPN4170.01

Instructor: Carly Rudzinski
Credits: 1
Kansai is a bustling region of Japan on the western half of the main island of Honshu. The people of Kansai are loud and jovial, and take great pride in a special brand of humor only found in Osaka, Kyoto, Kobe, and the surrounding area.  The Japanese spoken in this region is a bit different from what you'll find in a standard textbook.  Everything from casual speech

Kant Seminar — PHI4266.01

Instructor: Paul Voice
Days & Time: TBA
Credits: 4
This seminar explores the writings of Immanuel Kant (1724-1804) whose work remains at the foundation of much of contemporary western philosophy. The course will focus on The Critique of Pure Reason, a text that reshaped the disciplines of epistemology and metaphysics. We will also look at Kant's writings on morality and aesthetics.

Kant Seminar: The Three Critiques — PHI4266.01

Instructor: Paul Voice
Credits: 4
Immanuel Kant (1724-1804) describes his own work in metaphysics by analogy with Copernicus’s revolution in astronomy. He constructs a system of thought that attempts to move beyond the empiricism of Hume and the rationalism of Leibniz and Wolff. His method - critique - and his theory - transcendental idealism - have profoundly influenced all subsequent philosophy. In three

Kant Seminar: The Three Critiques — PHI4266.01

Instructor: Paul Voice
Days & Time: WE 2:10pm-5:50pm
Credits: 4

Immanuel Kant (1724-1804) describes his own work in metaphysics by analogy with Copernicus’s revolution in astronomy. He constructs a system of thought that attempts to move beyond the empiricism of Hume and the rationalism of Leibniz and Wolff. His method – critique – and his theory – transcendental idealism – have profoundly influenced all subsequent philosophy. In three

Kant Seminar: The Three Critiques — PHI4266.01

Instructor: Paul Voice
Credits: 4
Immanuel Kant (1724-1804) describes his own work in metaphysics by analogy with Copernicus’s revolution in astronomy. He constructs a system of thought that attempts to move beyond the empiricism of Hume and the rationalism of Leibniz and Wolff. His method - critique - and his theory - transcendental idealism - have profoundly influenced all subsequent philosophy. In three

Keats and Stevens — LIT2299.02

Instructor: Michael Dumanis
Credits: 2
This introductory seminar will consider and juxtapose the 19th century British Romantic poet John Keats and the 20th century American modernist poet Wallace Stevens, both of whom were rigorous craftsmen, provocative thinkers, and aesthetic theorists who argued fervently for the supremacy of the imagination, the interconnectedness of truth and beauty, and the importance of

Keats and Stevens — LIT2299.02

Instructor: Michael Dumanis
Credits: 2
This introductory seminar will consider and juxtapose the 19th century British Romantic poet John Keats and the 20th century American modernist poet Wallace Stevens, both of whom were rigorous craftsmen, provocative thinkers, and aesthetic theorists who argued fervently for the supremacy of the imagination, the interconnectedness of truth and beauty, and the importance of

Keeping Close: Journals Notebooks — LIT2531.01

Instructor: Jenny Boully
Credits: 4
In his essay "The Uses of Literature," Italo Calvino asserts that in order to write, the writer must first invent the "I" who is writing. The "I" who writes in a notebook, journal, or diary may or may not be an invention. We often think of notebooks as presenting a more candid and honest voice, simply due to the intimacy and purposes of a journal. Who exactly is the writer of a

Key to Songs — MTH2283.01

Instructor: Nicholas Brooke
Days & Time: MO,TH 10:00am-11:50am
Credits: 4

An intermediate review of theory based on a broad range of pop, classical, and jazz songs from the last centuries and from across the world. We’ll start with a primer on scales, intervals, and basic chordal moves such as the rhythm changes, then progress to chromaticism, modulation,

Keystone XL Pipeline — APA2130.01

Instructor: david bond
Days & Time: TBA
Credits: 4
Whether ultimately approved or not, the Keystone XL Pipeline offers a telling window into the contemporary politics of hydrocarbons in North America. Although oil pipelines have been around for nearly a century, they have long been neglected in scholarship and public debate. Today, that is beginning to change. Whether as a vehicle of development or as a harbinger of climate

Kiln Design — CER2318.01) (cancelled

Instructor: Joshua Primmer
Credits: 2
The focus of this course will be to foster an understanding of and fluency with kiln design. Specifically, we will be exploring combustion fired kilns, mainly gas and wood. We will be using two distinct methodologies to investigate this subject: inquiry and hands on practice. We will be researching the materials, specifications, construction, and chemical and physical science

Kiln Firing: the Art and the Science — CER4272.01

Instructor: J Blackwell
Credits: 2
In Kiln Firing students will be exploring the science and art of firing a kiln by first operating and understanding electric kilns, then gas kilns (both oxidation and reduction, manual and automatic), and lastly exploring atmospheric firing and alternative firing processes. Bisque firing, cone 04, 6, and 10, basic maintenance and repair, loading and unloading bisque and glaze

Kilns and Firing Techniques — CER4203.01) (day/time updated 2/6/2025

Instructor: Anina Major
Credits: 4
This course will look into the use of the kiln as an integral tool and part of the creative process in ceramic art. We will explore various different kilns and firing techniques, learning the roles of fire and atmosphere in transforming glaze components into desired surfaces. We will also discuss the history of kiln technology and how it has influenced the development of

Kilns and Firing Techniques — CER4203.01

Instructor: Anina Major
Days & Time: WE 2:10pm-5:50pm
Credits: 4

This course will look into the use of the kiln as an integral tool and part of the creative process in ceramic art. We will explore various different kilns and firing techniques, learning the roles of fire and atmosphere in transforming glaze components into desired surfaces. We will also discuss the history of kiln technology and how it has influenced the development

Kilns and Firing Techniques — CER4203.02

Instructor: Carly Rudzinski
Credits: 2
This course will look into the use of the kiln as an integral tool and part of the creative process in ceramic art. We will explore various different kilns and firing techniques, learning the roles of fire and atmosphere in transforming glaze components into desired surfaces. We will also discuss the history of kiln technology and how it has influenced the development

Kilns and Firing Techniques — CER4203.01

Instructor: Anina Major
Days & Time: WE 8:30am-12:10pm
Credits: 4

This course will look into the use of the kiln as an integral tool and part of the creative process in ceramic art. We will explore various different kilns and firing techniques, learning the roles of fire and atmosphere in transforming glaze components into desired surfaces. We will also discuss the history of kiln technology and how it has influenced the development

Kilns and Firing Techniques — CER4203.01

Instructor: Anina Major
Credits: 4
This course will look into the use of the kiln as an integral tool and part of the creative process in ceramic art. We will explore various different kilns and firing techniques, learning the roles of fire and atmosphere in transforming glaze components into desired surfaces. We will also discuss the history of kiln technology and how it has influenced the development of wares,

Kilns and Firing Techniques — CER2319.01

Instructor: Anina Major
Credits: 4
This course will look into the use of the kiln as an integral tool and part of the creative process in ceramic art. We will explore various different kilns and firing techniques, learning the roles of fire and atmosphere in transforming glaze components into desired surfaces. We will also discuss the history of kiln technology and how it has influenced the development of

Kilns and Firing Techniques — CER4203.01) (cancelled 10/9/2023

Instructor: Anina Major
Credits: 4
This course will look into the use of the kiln as an integral tool and part of the creative process in ceramic art. We will explore various different kilns and firing techniques, learning the roles of fire and atmosphere in transforming glaze components into desired surfaces. We will also discuss the history of kiln technology and how it has influenced the development of wares,

Kilns and Firing Techniques — CER2319.01

Instructor: Anina Major
Credits: 4
This course will look into the use of the kiln as an integral tool and part of the creative process in ceramic art. We will explore various different kilns and firing techniques, learning the roles of fire and atmosphere in transforming glaze components into desired surfaces. We will also discuss the history of kiln technology and how it has influenced the development of wares,

Kilns and Firing Techniques — CER2319.01) (cancelled 10/9/2023

Instructor: Anina Major
Credits: 4
This course will look into the use of the kiln as an integral tool and part of the creative process in ceramic art. We will explore various different kilns and firing techniques, learning the roles of fire and atmosphere in transforming glaze components into desired surfaces. We will also discuss the history of kiln technology and how it has influenced the development of wares,