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Term
Time & Day Offered
Level
Credits
Course Duration

Introduction to Relief Printing — PRI2105.01

Instructor: Thorsten Dennerline
Days & Time: TBA
Credits: 4
This course is an introductory level print class. Students will learn about relief printmaking through demonstrations of techniques, hands-on experience, and critiques. Techniques include but are not limited to wood cut and linoleum cut. With this simple process, we will be able to explore color printing in depth. Please note that this course may require additional

Introduction to Restorative Justice — APA2355.02

Instructor: Alisa Del Tufo
Credits: 1
Restorative Justice is a set of values and practices that are having a considerable impact on the way our justice system, schools, workplaces, conflict zones and communities think about and enact justice. Restorative Justice asks: What if harm doers were given the opportunity to take responsibility and make amends? If survivors were able to be

Introduction to Restorative Justice — APA2347.02

Instructor: Carly Rudzinski
Credits: 2
With current focus on social justice, equity and efforts at redress and repair, the ideas and values that are at the foundation of restorative practices are more important than ever. Restorative justice promotes a set of values and practices that are having a considerable impact on the way our justice system, schools, workplaces, conflict zones and communities think about and

Introduction to Restorative Justice and Practice —

Instructor: Alisa Del Tufo
Credits:
Restorative Justice is a set of values and practices that are having a considerable impact on the way our justice system, schools, workplaces, conflict zones and communities think about and enact justice. Restorative Justice asks: What if harm doers were given the opportunity to take responsibility and make amends? If survivors were able to be active participants in defining

Introduction to Restorative Practices in Systems — APA2195.01

Instructor: Bailey Fox
Days & Time: MO,TH 1:40pm-3:30pm
Credits: 4

In this course, we will explore restorative practices and their origins, principles, strengths and weaknesses, and theories that underlie them.

This foundation will provide the ability to critically explore restorative justice in the criminal legal system and in educational institutions. We will look at different restorative practice programs in

Introduction to Rhino 3-D Modeling — SCU2112.01

Instructor: Guy Snover
Credits: 4
Rhino 3D Modeling is a foundation course in Rhinoceros modeling software. Rhinoceros, used by architects, artists, and designers, is now standard software for anyone modeling three-dimensional form.  As an accurate and flexible tool, Rhino provides users with workflows for solid modeling, polygonal modeling, and organic NURBS surface modeling. This course covers a broad

Introduction To Rhino 3-D Modeling — VA2113.01

Instructor: Guy Snover
Days & Time: TBA
Credits: 4
Rhino 3D Modeling is a foundation course in Rhinoceros modeling software. Rhinoceros, used by architects, artists, and designers, is now standard software for anyone modeling three-dimensional form.  As an accurate and flexible tool, Rhino provides users with workflows for solid modeling, polygonal modeling, and organic NURBS surface modeling. This course covers a broad

Introduction to Sculpture — SCU2213.01

Instructor: Carly Rudzinski
Credits: 4
Sculpture is approached as a sensual and philosophical exploration of form and space, and our interactions with/within each. Through a range of materials and processes, we will identify visual relationships and explore how they contain and express meaning to affect us intellectually, emotionally, and physically. Using narrative prompts, assignments will focus on

Introduction to Sculpture: Getting to know Sculpture and its Performance — SCU2120.01

Instructor: Baseera Khan
Credits: 4
What is sculpture and how does performance have anything to do with that? How do we talk about a thing that takes up 3-D space and time? What does it mean to make an object anyway? How does one develop an idea to make an object? And what materials are the best to realize this idea? This course invites students to investigate the fundamental principles of sculpture while

Introduction to Sculpture: Polychrome 3D — SCU2114.01

Instructor: Jon Isherwood
Credits: 4
Poly=many, chrome or chroma=colors. Can refer to artwork made with bright, multi-colored paint. Having many colors; multicolored. This term is usually used to describe sculptural or decorative objects finished or decorated with paint or glazes. How do we merge color and 3 D form? How do we make objects in dimensional space that expand or compress our visual perceptions through

Introduction to Sculpture: What is Sculpture? — SCU2101.01

Instructor: Jon Isherwood
Credits: 4
How do we make it? How do we talk about it? And what does it mean? How do we make objects in space? Is gravity our friend or foe? This course invites students to investigate the fundamental principles of sculpture while encouraging exploration of classical and contemporary approaches. Sessions are intensive explorations into a variety of techniques and materials including

Introduction to Sculpture: What is sCULpTURE? — SCU2213.01

Instructor: Carly Rudzinski
Credits: 4
Sculpture is approached as a sensual and philosophical exploration of form and space, and our interactions with each. Through a range of materials and processes, we will identify visual relationships and explore how they contain and express meaning to affect us intellectually, emotionally, and physically. Using narrative prompts, assignments will focus on

Introduction to Sculpture: What is Sculpture? — SCU2101.01

Instructor: Jon Isherwood
Days & Time: TBA
Credits: 4
How do we make it? How do we talk about it? And what does it mean? This course invites students to investigate the fundamental principals of sculpture while encouraging exploration of classical and contemporary approaches. Sessions are intensive explorations into a variety of techniques and materials including clay, plaster, wood, cardboard, Styrofoam and metal. Regular slide

Introduction to Sculpture: What is Sculpture? — SCU2101.01

Instructor: Jon Isherwood
Credits: 4
How do we make it? How do we talk about it? This course invites students to investigate the fundamental principals of sculpture while encouraging exploration of classical and contemporary approaches. Sessions are intensive explorations into a variety of techniques and materials including plaster, wood, cardboard, Styrofoam and metal. Regular slide presentations compliment

Introduction to Slip Casting — CER2168.01

Instructor: Yoko Inoue
Days & Time: TBA
Credits: 4
This is an introductory course to basic mold making and slip casting techniques for producing multiple components to create sculptural ceramic objects or a series of functional ware. This course focuses on the development of design concept through exploration of various casting methods, applying alteration techniques and experimenting with prototype making. Basic preparation

Introduction to Slip Casting — CER2168.01

Instructor: Yoko Inoue
Days & Time: TBA
Credits: 4
This is an introductory course to basic mold making and slip casting techniques for producing multiple components to create sculptural ceramic objects or a series of functional ware. This class focuses on the development of design concept through exploration of various casting methods, applying alteration techniques and experimenting with prototype making.  Basic

Introduction to Sound Recording and Mixing — MSR2141.01

Instructor: Senem Pirler
Credits: 2
This course introduces students to the fundamentals of sound recording/music production techniques and using the medium of sound as a creative form. Students will be introduced to recording techniques through lectures, hands-on exercises, and critical listening sessions. We will cover basic sound acoustics, spot and stereo microphone techniques, field recording techniques,

Introduction to Sound Recording and Mixing — MSR2141.01) (cancelled 5/6/2024

Instructor: Senem Pirler
Credits: 4
This course introduces students to the fundamentals of sound recording/music production techniques and using the medium of sound as a creative form. Students will be introduced to recording techniques through lectures, hands-on exercises, and critical listening sessions. We will cover basic sound acoustics, spot and stereo microphone techniques, field recording techniques,

Introduction to Sound Recording and Mixing — MSR2141.01

Instructor: Senem Pirler
Credits: 4
This course introduces students to the fundamentals of sound recording/music production techniques and using the medium of sound as a creative form. Students will be introduced to recording techniques through lectures, hands-on exercises, and critical listening sessions. We will cover basic sound acoustics, spot and stereo microphone techniques, field recording techniques,

Introduction to Sound Recording and Mixing — MSR2141.01

Instructor: Senem Pirler
Credits: 4
This course introduces students to the fundamentals of sound recording/music production techniques and using the medium of sound as a creative form. Students will be introduced to recording techniques through lectures, hands-on exercises, and critical listening sessions. We will cover basic sound acoustics, spot and stereo microphone techniques, field recording techniques,

Introduction to Sound Recording and Mixing — MSR2141.01

Instructor: Senem Pirler
Credits: 4
This course will offer an introduction to studio recording techniques through recording sessions, hands-on exercises, lectures, and critical listening sessions. We will cover basic sound acoustics, spot and stereo microphone techniques, signal flow, audio processing, and creative and unconventional music recording techniques. We will record various genres of music in a

Introduction to Sound Recording and Mixing Lab — MSR2142.01

Instructor: Senem Pirler
Credits: 2
In the Lab section of this course, we will focus on applying the recording techniques that we learn in the main class via recording sessions at the recording studio of Jennings. Students will learn how to run recording sessions, invite their musical collaborations/ensembles, and learn how to work in a collaborative environment. The Lab section of this class will run as in

Introduction to Spectroscopy — CHE2117.01

Instructor: John Bullock
Credits: 4
The interrogation of matter with various forms of electromagnetic radiation provides scientists with a detailed view of atomic and molecular structure. This introductory course in physical science will examine the nature of light and how it can be used to investigate the structure of matter. No previous work in the physical sciences is necessary. Topics to be covered will