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Time & Day Offered
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The Scriptorium: The Short Story — WRI2161.01) (new course code as of 10/20/2023

Instructor: Camille Guthrie
Credits: 4
The Scriptorium, a “place for writing,” is a class for writers interested in improving their critical essay-writing skills. We will read to write and write to read. Much of our time will be occupied with writing and revising—essai means “trial” or “attempt”—as we work to create new habits and productive strategies for analytical writing. As we write in various essay structures

The Scriptorium: Visual Culture — WRI2151.01

Instructor: Camille Guthrie
Credits: 4
This scriptorium, a “place for writing,” serves as a class for writers interested in improving their academic essay-writing skills. We will read to write and write to read. Much of our time will be occupied with writing and revising—essai means “trial” or “attempt”—as we work to create new habits and strategies for our analytical writing. As we practice various essay structures

The Scriptorium: Visual Culture — Section 2 - LIT2252.02

Instructor: Camille Guthrie
Credits: 4
How do we organize and understand our perceptions of the world? How do we look at objects? At paintings and photographs, advertisements and films? What do we see, and not see, when we visit a new place, or when we encounter an animal? And, importantly, how do we perceive and comprehend each other? This scriptorium, a “place for writing,” will function as a class for beginning

The Scriptorium: Visual Culture — Section 1 - LIT2252.01

Instructor: Camille Guthrie
Credits: 4
How do we organize and understand our perceptions of the world? How do we look at objects? At paintings and photographs, advertisements and films? What do we see, and not see, when we visit a new place, or when we encounter an animal? And, importantly, how do we perceive and comprehend each other? This scriptorium, a “place for writing,” will function as a class for beginning

The Scriptorium: Visual Culture — WRI2151.01

Instructor: Camille Guthrie
Credits: 4
How do we organize and understand our perceptions of the world? How do we look at objects? At paintings and photographs, advertisements and films? What do we see, and not see, when we visit a new place, or when we encounter an animal? And, importantly, how do we perceive and comprehend each other? This scriptorium, a “place for writing,” will function as a class for beginning

The Scriptorium: Visual Culture — LIT2252.01

Instructor: Camille Guthrie
Credits: 4
How do we organize and understand our perceptions of the world? How do we look at objects? At paintings and photographs, advertisements and films? What do we see, and not see, when we visit a new place, or when we encounter an animal? And, importantly, how do we perceive and comprehend each other? This scriptorium, a “place for writing,” will function as a class for beginning

The Scriptorium: What Is Culture? — WRI2168.01

Instructor: Alex Creighton
Days & Time: MO,TH 1:40pm-3:30pm
Credits: 4

The Scriptorium, a “place for writing,” is a class for writers interested in improving their critical essay-writing skills. We will read to write and write to read. Much of our time will be occupied with writing and revising—essai<

The Scriptorium: Writing About Place — LIT2503.01

Instructor: Camille Guthrie
Credits: 4
This scriptorium, a “place for writing,” will function as a class for bilingual or multilingual writers interested in improving their essay-writing skills. We will read to write and write to read, following the originator of the form, Montaigne. Much of our time will be occupied with writing and revising—essai means “trial” or “attempt”—as we work to create new habits and

The Self, the Soul, and St. Augustine — LIT2339.01

Instructor: Benjamin Anastas
Credits: 2
We live in an age of rampant confession, so it can be difficult to conceive of a world without it. Augustine’s Confessions—which the Bishop of Hippo dictated to a team of scribes between 397 and 400 C.E.—is one of those rare literary works that marks a very clear before and after. In this two-credit course we’ll spend the term reading the whole of the Confessions slowly and

The Semitic Languages: Five Millenia of Identities, Structures and Relationships — LIN4118.01

Instructor: Thomas Leddy-Cecere
Days & Time: WE 10:00am-11:50am & WE 2:10pm-4:00pm
Credits: 4

The Semitic language family has the longest documented legacy of any in the world, spanning nearly 5,000 years.  Its dozens of distinct but connected languages – among them Arabic, Ethiopic, Hebrew and Syriac – have animated metropolises from Babylon to Carthage to Dubai; over centuries, they have voiced revelation to billions of Jews

The Silk Road — HIS4116.01

Instructor: Carol Pal
Days & Time: WE 2:10pm-5:50pm
Credits: 4

In this course, we examine five moments of intellectual encounter between "east" and "west" along the storied routes of the Silk Road.  These encounters spanned a millennium, from the fifth century BCE to the fourteenth century.  We will be reading travel narratives written by these adventurers – Herodotus, Xuan Zang, Al-Biruni, Marco Polo, Ibn Battuta,

The Silk Road — HIS4116.01

Instructor: Carol Pal
Credits: 4
n this course, we examine six moments of intellectual encounter between "east" and "west" along the storied routes of the Silk Road.  These encounters spanned a millennium, from the fifth century BCE to the fourteenth century.  We will be reading travel narratives written by these adventurers – Herodotus, Xuan Zang, Al-Biruni, Marco Polo, Ibn Battuta, and Sir John

The Sins of Nature: The Dark Side of Animal Behavior — BIO2141.01

Instructor: Blake Jones
Credits: 2
Nature is often violent and unforgiving, but few understand the extent to which animals engage in behaviors that, if judged by human ethical standards, would be considered malicious, immoral, or even evil. This provocative course will challenge our understanding of morality through the lens of non-human behaviors. Throughout this course, you will uncover the ecological and

The Slow Burn — LIT4171.01

Instructor: Manuel Gonzales
Credits: 2
Some novels are slow, let's not beat around the bush. Some novels are languorous, moving at a narrative- and sentence-level pace that forces you to slow down how quickly you move your eyes across the page, how carefully you attest to the language, the meandering, lengthy, lingering sentences, the sonorous and lulling structure of long and digressive paragraphs. Trying to read

The Social Life of Crude Oil — ANT4118.01

Instructor: David Bond
Credits: 4
Crude oil keeps the contemporary in motion. This basic fact has become as bland a platitude as it is an unexamined process. From plastic bags to electricity, from synthetic fertilizers to the passenger plane, from heat for our homes to fuel for our cars, our world is cultivated, packaged, transported, and consumed in the general momentum of hydrocarbon expenditures. These well

The Social Life of Photographs — PHO4133.01

Instructor: Liz White
Days & Time: WE 8:30am-12:10pm
Credits: 4

This studio/ seminar invites students to engage both creatively and critically, by making work and through readings and discussions. Throughout the course, students will consider the social life of photographs, with particular emphasis on past and present ways of making and

The Social Life of Trash — ANT4126.01

Instructor: Cecilia Salvi
Credits: 4
The last decade has seen an explosion of people around the world making everyday products- handbags, books, cups, jewelry, art, bricks, etc.- from residual materials that are destined for the landfill. In addition to demonstrating concern over environmental issues, their endeavors demonstrate how repurposing can be an individual, social, and collective right. Using primarily

The Social Natures of Crude Oil — APA4127.01

Instructor: David Bond
Credits: 4
Crude oil keeps the contemporary in motion. This basic fact has become as bland a platitude as it is an unexamined process. From plastic bags to electricity, from synthetic fertilizers to the passenger plane, from heat for our homes to fuel for our cars, our world is cultivated, packaged, transported, and consumed in the general momentum of hydrocarbon expenditures. These well

The Social Psychology of Systems of Domination in the U.S. — PSY4250.01

Instructor: Audrey Devost
Days & Time: MO,TH 3:40pm-5:30pm
Credits: 4

Social psychology is the scientific study of how people think about, influence, and relate to one another. This course will explore social thinking, influence, and social relations that shape our lived experiences through a U.S. contextual lens. Social psychologists are increasingly concerned with the effects of the various systems of domination on outcomes such as

The Social Psychology of Systems of Domination in the U.S. — PSY4250.01

Instructor: Audrey Devost
Days & Time: MO,TH 1:40pm-3:30pm
Credits: 4

Social psychology is the scientific study of how people think about, influence, and relate to one another. This course will explore social thinking, influence, and social relations that shape our lived experiences through a U.S. contextual lens. Social psychologists are increasingly concerned with the effects of the various systems of

The Songwriter's Guitar — MIN4362.01

Instructor: Nicholas Brooke
Credits: 2
Self-taught guitar playing often begins with the recognition of simple patterns, evolving into complexity. These patterns, while helping us gain familiarity, can eventually become a constrictive box, requiring new material to refresh the old. How do we make a song more effective through focusing on guitar, how can we make a song find its destination? This course develops each

The Songwriters Guitar — MIN4362.01

Instructor: Omeed Goodarzi
Days & Time: FR 4:10pm-6:00pm
Credits: 2

Self-taught guitar playing often begins with the recognition of simple patterns, evolving into complexity. These patterns, while helping us gain familiarity, can eventually become a constrictive box, requiring new material to refresh the old.  How do we make a song more effective through focusing on guitar, how can we make a song find its

The Songwriter’s Guitar — MIN4362.01

Instructor: Carly Rudzinski
Credits: 2
Self-taught guitar playing often begins with the recognition of simple patterns, evolving into complexity. These patterns, while helping us gain familiarity, can eventually become a constrictive box, requiring new material to refresh the old.  How do we make a song more effective through focusing on guitar, how can we make a song find its destination? This course develops

The Spanish Avant-Garde. From "Avignon Street" to "Guernica" — SPA4216.01

Instructor: luis gonzalez-barrios
Days & Time: TBA
Credits: 4
This course is a survey of the avant-garde artistic movement in Spain, ranging from Pablo Picasso’s Las señoritas de la calle Avignon (1907) to the first appearance of Guernica (1937) in the international exhibition in Paris (1937). These two works by Picasso are used as an example of the increasing politicization of the -ismos (cubism, ultraism, surrealism), an artistic

The Special Immigrant Visa Program: A Research Seminar and Case Study of Immigration Reform — ANT4119.01

Instructor: Carly Rudzinski
Credits: 4
In his first months in office, President Biden announced a withdrawal of all US troops from Afghanistan, as well as a review of the Special Immigrant Visa Program, designed to provide protection for those Afghan nationals who worked with the United States. The current program is slow and confusing, and many Afghans are being killed while they wait for these visas. The situation