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Term
Time & Day Offered
Level
Credits
Course Duration

Bass with Bisio — MIN4417.01

Instructor: michael bisio
Days & Time: TBA
Credits: 2
Beginning to advanced lessons in bass technique and appropriate theory. Corequisite: Must participate in Music Workshop (Tuesday, 6:30-8pm).

Bass with Bisio — MIN4417.01

Instructor: Michael Bisio
Credits: 2
Private instruction covering technique and theory appropriate to the student’s level and goals. Corequisites: Must participate in Music Workshop Auditions will take place on Tuesday, May 16 in Jennings 335D. Please email mbisio@bennington.edu in advance to schedule an audition.

Bass with Bisio — MIN4417.01

Instructor:
Credits: 2
Private instruction covering technique and theory appropriate to the student's level and goals. Corequisites: Must participate in Music Workshop (T 6:30pm - 8:00 pm).

Basso Continuo You — MTH4292.01

Instructor: Kitty Brazelton
Credits: 4
The practice of putting chords over a bass line and a melody on top – sound familiar? – exploded in the Early Baroque and we haven’t been the same since. Listening changed. Ensembles changed. And a new era of functional harmony began. Learn about figured bass, chordal voicing and interpretation, the Spanish rhythmic ostinati which fueled popular dances from the New World. We’ll

Basso Continuo You - Lab — MTH4402.01

Instructor: Kitty Brazelton
Credits: 2
Intimacy is one of the strange benefits of remote learning when the distance education occurs in small groups. The unexpected attention to detail that results in online learning, is a great boon to advancing the study of music theory. It has long been known that the most effective way to work towards an understanding of tonal harmony, its theory and history, is to physically

Basso Continuo You—Remote — MTH4292.01

Instructor: Kitty Brazelton
Credits: 4
The practice of putting chords over a bass line and a melody on top – sound familiar? – exploded in the Early Baroque and we haven’t been the same since. Listening changed. Ensembles changed. And a new era of functional harmony began. Learn about figured bass, chordal voicing and interpretation, the Spanish rhythmic ostinati which fueled popular dances from the New World. We’ll

Basso Continuo and You — MTH4292.01

Instructor: Kitty Brazelton
Credits: 4
The practice of putting chords over a bass line and a melody on top – sound familiar? – exploded in the Early Baroque and we haven’t been the same since. Listening changed. Ensembles changed. And a new era of functional harmony began. Learn about figured bass, chordal voicing and interpretation, the Spanish rhythmic ostinati which fueled popular dances from the New World. We’ll

Basso Continuo and You — MTH2110.01

Instructor: Kitty Brazelton
Days & Time: TBA
Credits: 4
*** Time Change *** The practice of putting chords over a bass line and a melody on top - sound familiar? - exploded in the Early Baroque and we haven't been the same since. Listening changed. Ensembles changed. And a new era of functional harmony began. Learn about figured bass, chordal voicing and interpretation, the Spanish rhythmic ostinati which fueled popular dances from

Basso Continuo and You — MTH2110.01

Instructor: Kitty Brazelton
Credits: 4
The practice of putting chords over a bass line and a melody on top - sound familiar? - exploded in the Early Baroque and we haven't been the same since. Listening changed. Ensembles changed. And a new era of functional harmony began. Learn about figured bass, chordal voicing and interpretation, the Spanish rhythmic ostinati which fueled popular dances from the New World. We'll

Battle of the Bands — MHI2115.01

Instructor: Kitty Brazelton
Credits: 4
Bands of today have a deep American ancestry. Minstrel bands in blackface snapped their banjos to the backbeat, clicked bones in swing-time and ran gags that begat shtick. Regional pride was embedded in every town's homeboy brass band, decked out in gold braid uniforms, mustaches, and the latest European harmony, these outdoor musical armies broadcast more than tunes - sex,

BC Soundscape Dub Ensemble — MSR4373.01

Instructor: Cristian Amigo
Days & Time: TU 10:30am-12:20pm
Credits: 2

This ensemble-based course explores the intersection of live performance, experimental soundscapes, and dub aesthetics. Rooted in the traditions of dub music—including remix culture, delay and reverb manipulation, and bass-driven textures—students will create immersive sonic environments using a mix of acoustic instruments, electronic

Beans Give Back 2.0 — APA4263.01

Instructor: Carly Rudzinski
Credits: 4
Beans have a long shelf life packed with nutrition. How could this food source extend itself to the local community? Beans are a legume coming from the French word légume and the Latin word leger meaning to gather or to pick. With a cultural significance across several continents, beans have nourished humans, animals and soil health. As a seasonal progression of Beans Give Back

Beat by Beat — DRA4122.01

Instructor: Dina Janis
Days & Time: TBA
Credits: 4
Students in this class will read a selection of plays and be required to analyze and explore these plays beat by beat in class discussion and weekly critical writing exercises.  This is a script interpretation class in which theme, dramatic structure and arc, character development, tone, style and extensive study of the given playwrights and their influences will be

Beat by Beat — DRA2122.01

Instructor: Dina Janis
Credits: 4
Students in this class will read a selection of plays drawn from a contemporary and classic canon of dramatic literature.  Students will  be required to analyze and explore these plays beat by beat.  This is a script interpretation class in which theme, dramatic structure and arc, character development, tone, style and study of given playwrights and their