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Showing 25 Results of 7795

Projects in Lithography — PRI4203.01

Instructor: Thorsten Dennerline
Days & Time:
Credits: 4
This course is an introduction to lithographic processes. Students will start by processing and printing images from limestone and end the semester by exploring the possibilities of making positive films to expose modern lithographic plates. This studio class is structured around a number of projects each one ending with a group critique. Students should find the parameters of

Projects in Lithography — PRI4203.01

Instructor: Thorsten Dennerline
Days & Time:
Credits: 4
This course is an introduction to lithographic processes. Students will start by processing and printing images from limestone and end the semester by exploring the possibilities of making positive films to expose modern lithographic plates. This studio class is structured around a number of projects each one ending with a group critique. Students should find the parameters of

Projects in Sculpture: Making It Personal — SCU4797.01

Instructor: Jon Isherwood
Days & Time:
Credits: 4
The question is what do you want to say? As we develop our interests in sculpture it becomes more and more imperative to find our own voice. The role of the artist is to interpret personal conditions and experiences and find the most effective expression for them. This course provides the opportunity for a self directed study in sculpture. Students are expected to produce a

Projects in Sculpture: Making It Personal — SCU4797.01

Instructor: Jon Isherwood
Days & Time:
Credits: 4
The question is what do you want to say? As we develop our interests in sculpture it becomes more and more imperative to find our own voice. The role of the artist is to interpret personal conditions and experiences and find the most effective expression for them. This course provides the opportunity for a self directed study in sculpture. Students are expected to produce a

Projects in Sculpture: Making it Personal — SCU4797.01

Instructor: Jon Isherwood
Days & Time:
Credits: 4
The question is what do you want to say? As we develop our interests in sculpture it becomes more and more imperative to find our own voice. The role of the artist is to interpret personal conditions and experiences and find the most effective expression for them. This course provides the opportunity for a self directed study in sculpture. Students are expected to produce a

Projects in Sculpture: Making It Personal — SCU4797.01

Instructor: Jon Isherwood
Days & Time:
Credits: 4
The question is what do you want to say? As we develop our interests in sculpture it becomes more and more imperative to find our own voice. The role of the artist is to interpret personal conditions and experiences and find the most effective expression for them. This course provides the opportunity for a self directed study in sculpture. Students are expected to produce a

Projects in Sculpture: Making It Personal — SCU4797.01

Instructor: Jon Isherwood
Days & Time:
Credits: 4
The question is what do you want to say? As we develop our interests in sculpture it becomes more and more imperative to find our own voice. The role of the artist is to interpret personal conditions and experiences and find the most effective expression for them. This course provides the opportunity for a self directed study in sculpture. Students are expected to produce a

Projects in Sculpture: Making It Personal — SCU4797.01

Instructor: Jon Isherwood
Days & Time:
Credits: 4
The question that animates this advanced sculpture course is: what do you want to say? As we develop our interests in sculpture it becomes more and more imperative to find our own voice. The role of the artist is to interpret personal conditions and experiences and find the most effective expression for them. Paradoxically, however, the artist finds out what they have to say by

Projects in Sculpture: Making it Personal — SCU4797.01

Instructor: Jason Middlebrook
Days & Time:
Credits: 4
The question is what do you want to say? As we develop our interests in sculpture it becomes more and more imperative to find our own voice. The role of the artist is to interpret personal conditions and experiences and find the most affecting expression for them. This course provides the opportunity for a self-directed study in sculpture. Students are expected to produce a

Projects in Sculpture: Making It Personal — SCU4797.01

Instructor: Jon Isherwood
Days & Time: TBA
Credits: 4
The question is what do you want to say? As we develop our interests in sculpture it becomes more and more imperative to find our own voice. The role of the artist is to interpret personal conditions and experiences and find the most affecting expression for them. This course provides the opportunity for a self-directed study in sculpture. Students are expected to produce a

Projects in Sculpture: Making It Personal — SCU4797.01

Instructor: jisherwood@bennington.edu
Days & Time:
Credits: 4
The question that animates this advanced sculpture course is: what do you want to say? As we develop our interests in sculpture it becomes more and more imperative to find our own voice. The role of the artist is to interpret personal conditions and experiences and find the most effective expression for them. Paradoxically, however, the artist finds out what they have to say by

Projects in Sculpture: Making it Personal — SCU4797.01

Instructor: Jon Isherwood
Days & Time: TBA
Credits: 4
The question is what do you want to say? As we develop our interests in sculpture it becomes more and more imperative to find our own voice. The role of the artist is to interpret personal conditions and experiences and find the most effective expression for them. This course provides the opportunity for a self directed study in sculpture. Students are expected to produce a

Projects in Sculpture: Making it Personal — SCU4797.01

Instructor: William Ransom (new faculty as of 8/24/2021)
Days & Time:
Credits: 4
The question that animates this advanced sculpture course is: what do you want to say? As we develop our interests in sculpture it becomes more and more imperative to find our own voice. The role of the artist is to interpret personal conditions and experiences and find the most effective expression for them. Paradoxically, however, the artist finds out what they have to say by

Projects in Sculpture: Making It Personal — SCU4797.01

Instructor: Jon Isherwood
Days & Time:
Credits: 4
The question is what do you want to say? As we develop our interests in sculpture it becomes more and more imperative to find our own voice. The role of the artist is to interpret personal conditions and experiences and find the most effective expression for them. This course provides the opportunity for a self directed study in sculpture. Students are expected to produce a

Projects in Sculpture: Making It Personal — SCU4797.01

Instructor: Jon Isherwood
Days & Time:
Credits: 4
The question is what do you want to say? As we develop our interests in sculpture it becomes more and more imperative to find our own voice. The role of the artist is to interpret personal conditions and experiences and find the most effective expression for them. This course provides the opportunity for a self directed study in sculpture. Students are expected to produce a

Projects in Sculpture: Making it Personal — SCU4797.01

Instructor: rico gatson
Days & Time: TBA
Credits: 4
The question is what do you want to say? As we develop our interests in sculpture it becomes more and more imperative to find our own voice. The role of the artist is to interpret personal conditions and experiences and find the most affecting expression for them. This course provides the opportunity for a self-directed study in sculpture. Students are expected to produce a

Projects in Sculpture: Making it Personal — SCU4797.01

Instructor: Jon Isherwood
Days & Time:
Credits: 4
The question is what do you want to say? As we develop our interests in sculpture it becomes more and more imperative to find our own voice. The role of the artist is to interpret personal conditions and experiences and find the most affecting expression for them. This course provides the opportunity for a self-directed study in sculpture. Students are expected to produce a

Projects in Documentary Photography — PHO4369.01

Instructor: Carly Rudzinski
Days & Time:
Credits: 4
This course offers students a hands-on opportunity in documentary photography where each student will learn about and develop long term projects. Students will conceptualize, produce, and edit photographs for a specific documentary project, and present a final product. This course will enable students to brainstorm about and select a long-term subject, undertake the

Projects: Dance — DAN4794.01

Instructor: Terry Creach
Days & Time:
Credits: 2
For students with prior experience in dance composition who wish to be involved in making new work for performance. Attention will be given to all of the elements involved in composition and production, including collaborative aspects. Students are expected to show their work throughout stages of development, complete their projects and perform them formally or informally by

Projects: Dance — DAN4794.01

Instructor: Terry Creach; Kota Yamazaki
Days & Time:
Credits: 2
For students with prior experience in dance composition involved in making work for performance. Attention will be given to all of the elements involved in composition and production, including collaborative aspects. Students are expected to show their work throughout stages of development, complete their projects and perform them to the public by the end of the term.

Projects: Dance — DAN4794.01

Instructor: Elena Demyanenko
Days & Time:
Credits: 2
For students with prior experience in dance composition who wish to be involved in making new work for performance. Attention will be given to all of the elements involved in composition and production, including collaborative aspects. Students are expected to show their work throughout stages of development, complete their projects and perform them formally or informally by

Projects: Dance — DAN4794.01

Instructor: Dana Reitz
Days & Time:
Credits: 2
For students with prior experience in dance composition who wish to be involved in making new work for performance.  Attention will be given to all of the elements involved in composition and production, including collaborative aspects.  Students are expected to show their work throughout stages of development, complete their projects and perform them formally or

Projects: Dance — DAN4794.01

Instructor: Terry Creach
Days & Time:
Credits: 2
For students with prior experience in dance composition who wish to be involved in making new work for performance.  Attention will be given to all of the elements involved in composition and production, including collaborative aspects.  Students are expected to show their work throughout stages of development, complete their projects and perform them formally or

Prominent Works of Japanese Authors — JPN4509.01

Instructor: Ikuko Yoshida
Days & Time:
Credits: 4
How many names of the Japanese authors can you list?  Do you know which Japanese authors won the Nobel Prize in literature?  Early works of Japanese literature demonstrate strong influences from Chinese literature, and again Japanese literature was influenced by Western literature in the late nineteenth century and early twentieth century. In this course, students

Prominent Works of Japanese Authors — JPN4713.01

Instructor: Ikuko Yoshida
Days & Time:
Credits: 4
How many names of Japanese authors can you list? Do you know which Japanese authors won the Nobel Prize in literature? Early works of Japanese literature demonstrate strong influences from Chinese literature, and again Japanese literature was influenced by Western literature in the late-19th Century and early-20th Century. In this seventh term Japanese course, students will