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Showing 25 Results of 7304

Women and Human Mobility — APA2213.02

Instructor: Andrea Galindo
Days & Time:
Credits: 1
The course will provide a comprehensive understanding of the effect of human mobility on women; how women’s human rights are affected by States’ policies and practices; and what is their protection under international human rights law. Mobility is different for men and women, both in terms of the reasons why they migrate as well as the impact wile in transit and upon arrival to

Women and Human Mobility — APA2213.03

Instructor: Susan Sgorbati
Days & Time:
Credits: 1
Human mobility has been an inherent human condition throughout history. From earliest human history, women and men have migrated in search of a better life, to populate other places on the planet, or to escape and survive human-made or natural dangers. Today migration is a fact of life for an increasing number of people around the world: there are more than 244 million migrants

Women and Human Mobility — APA2213.03

Instructor: David Bond
Days & Time:
Credits: 1
Human mobility has been an inherent human condition throughout history. From earliest human history, women and men have migrated in search of a better life, to populate other places on the planet, or to escape and survive human-made or natural dangers. Today migration is a fact of life for an increasing number of people around the world: there are more than 244 million migrants

Women and Human Mobility — APA2213.03

Instructor: David Bond
Days & Time:
Credits: 1
Human mobility has been an inherent human condition throughout history. From earliest human history, women and men have migrated in search of a better life, to populate other places on the planet, or to escape and survive human-made or natural dangers. Today migration is a fact of life for an increasing number of people around the world: there are more than 244 million migrants

Women and Men: The Biology of the Sexes — BIO2203.01

Instructor: Betsy Sherman
Days & Time:
Credits: 4
What are the biological differences between men and women and how do they come about? Beyond the obvious reproductive differences, do other biological differences influence the behavior of women and men? For example, not only do women and men differ in various sex hormone levels, but their brains are influenced in different ways by those hormones. To what extent are the

Women and Men: The Biology of the Sexes — BIO2203.01

Instructor: elizabeth sherman
Days & Time: TBA
Credits: 4
What are the biological differences between men and women and how do they come about? Beyond the obvious reproductive differences, do other biological differences influence the behavior of women and men? For example, not only do women and men differ in various sex hormone levels, but their brains are influenced in different ways by those hormones. To what extent are the

Women and Men: The Biology of the Sexes — BIO2203.01

Instructor: Elizabeth Sherman
Days & Time:
Credits: 4
What are the biological differences between men and women and how do they come about? Beyond the obvious reproductive differences, do other biological differences influence the behavior of women and men? For example, not only do women and men differ in various sex hormone levels, but their brains are influenced in different ways by those hormones. To what extent are the

Women and Moving Image Arts — FV2106.01

Instructor: Kate Purdie
Days & Time:
Credits: 2
A look at women’s roles in the history of the moving image—as subject, object, maker, viewer, consumer, and critic. What influence has feminism had on how we make and watch moving images today? We’ll study typically female roles within the film industry and notable women who occupied them, as well women who broke barriers to penetrate traditionally male realms. We’ll look at

Women and Moving Image Arts — FV2106.01

Instructor: Kate Purdie
Days & Time:
Credits: 2
A look at women’s roles in the history of the moving image—as subject, object, maker, viewer, consumer, and critic. What influence has feminism had on how we make and watch moving images today? We’ll study typically female roles within the film industry and notable women who occupied them, as well women who broke barriers to penetrate traditionally male realms. We’ll look at

Women and Photography (past and present) — PHO4204.01

Instructor: Liz Deschenes
Days & Time:
Credits: 4
This course will have two components: a historic and contemporary examination of how women have shaped the discipline of photography. We will initially look at, and study, how women have played an integral role in the practice of photography from its inception, and we will research how women’s achievements within the medium have been historicized. We will read first hand

Women Composers — MHI2110.01

Instructor: Allen Shawn
Days & Time:
Credits: 4
This class will explore music by women composers, with a special emphasis on composers from the 20th and 21st centuries. We will become acquainted with music by Hildegard von Bingen, Fanny Mendelssohn Hensel, Clara Schumann, Germaine Tailleferre, Amy Beach, Lili and Nadia Boulanger, Rebecca Clarke, Ruth Crawford, Galina Ustvolskaya, Sofia Gubaidulina, Vivian Fine, Betsy Jolas,

Women Composers — MHI2110.01

Instructor: Allen Shawn
Days & Time:
Credits: 4
This class will explore music by women composers, with a special emphasis on composers from the 20th and 21st centuries. We will become acquainted with music by Hildegard von Bingen, Fanny Mendelssohn Hensel, Clara Schumann, Germaine Tailleferre, Amy Beach, Lili and Nadia Boulanger, Rebecca Clarke, Ruth Crawford, Galina Ustvolskaya, Sofia Gubaidulina, Vivian Fine, Betsy Jolas,

Women Improvisers in Music — MUS2153.01

Instructor: Susie Ibarra
Days & Time:
Credits: 2
This course explores  women musicians whose works utilize improvisation.  The class will listen, watch film and read historical books and scores of women improvisers in music whose work are also based in composition, performance, installation and multi-disciplinary collaborations. The class will learn about artists and observe their music works across genres of Jazz,

Women Improvisers in Music — MUS2153.01

Instructor: Susie Ibarra
Days & Time:
Credits: 2
This course explores women musicians whose works utilize improvisation. The class will listen, watch film and read historical books and scores of women improvisers in music. These women improvisers work also utilize composition, performance, installation and multi-disciplinary collaborations. The class will learn about artists and observe their music works across genres of Jazz

Women in Latin America — SPA4502.01

Instructor: Jonathan Pitcher
Days & Time:
Credits: 4
Latin American feminism is conventionally read like any other form of feminism, as an absence attempting to become present. Pivoting around a selection of short stories by the likes of the Ocampos, Bombal, Garro, Valenzuela, Poniatowska, Peri Rossi, Allende, and Schweblin, along with criticism and political contextualization, we will discuss such conventional readings,

Women in Latin America — SPA4256.01

Instructor: Jonathan Pitcher
Days & Time: TBA
Credits: 4
Latin American feminism is conventionally read like any other form of feminism, as an absence attempting to become present. Pivoting around a selection of short stories by the likes of the Ocampos, Bombal, Garro, Valenzuela, Poniatowska, Peri Rossi, Menchú, Allende, and Schweblin, along with criticism and political contextualization, we will discuss such conventional readings,

Women in Science: Ancient Greece to Enlightenment — HIS4110.01

Instructor: Carol Pal
Days & Time: TBA
Credits: 4
Long before the existence of a discipline we would recognize as 'science,' there were women working with men in the pursuit of 'scientia'. Scientia embraced a mixture of philosophy, medicine, religion, literature, and knowledge of the natural world a mixture that would eventually devolve into the separate disciplines we know today. But who were these ancient Greek female

Women in Science: Ancient Greece to Enlightenment — HIS4110.01

Instructor: Carol Pal
Days & Time:
Credits: 4
Long before the existence of a discipline we would recognize as "science," there were women working with men in the pursuit of "scientia". Scientia embraced a mixture of philosophy, medicine, religion, literature, and knowledge of the natural world – a mixture that would eventually devolve into the separate disciplines we know today. But who were these ancient Greek female

Women in Science: Ancient Greece to Enlightenment — HIS4110.01

Instructor: Carol Pal
Days & Time:
Credits: 4
Long before the existence of a discipline we would recognize as "science," there were women working with men in the pursuit of "scientia". Scientia embraced a mixture of philosophy, medicine, religion, literature, and knowledge of the natural world – a mixture that would eventually devolve into the separate disciplines we know today. But who were these ancient Greek female

Women Rock: Dancing with the Erotic Feminine — DAN2021.01

Instructor: Erin Ellen Kelly, MFA Teaching Fellow
Days & Time:
Credits: 2
In this class, we will move with the sonic history of women in Rock n Roll, Blues, Punk, Pop and Dance music as a catalyst to explore erotic feminine archetype qualities.  We will dance hard with the music loud, flow eloquently with the ballads, then turn the music off and see where our movement impulses are at.  We will dance secular styles, explore floorwork,

Women's Voices — DRA2144.01

Instructor: Dina Janis
Days & Time:
Credits: 4
In this class, students will read a large canon of plays by current female playwrights working in the American Theatre today. These will include writers featured on the Kilroy List, Susan Blackburn Award Winners, Lily Award recipients, among others from my own personal list. We will also look at current initiatives within the theatre today to level the playing field and will

Women's Voices on Stage — DRA2266.01

Instructor: Dina Janis
Days & Time:
Credits: 4
In this class, students will read a large canon of plays by current female playwrights working in the American Theatre today. These will include: Sibyl Kempson, Annie Baker, Annie Washburne, Frances Cowhig, Lisa Damour, Kia Cothron, Shiela Callaghan, and Lynn Nottage, Theresa Rebeck, Laura Eason, Anna Ziegler, Katori Hall, Lucy Thurber, Ruby Rae Spiegel, Dominique Morrisseau.

Women's Writing, Women's Voices — ITA4605.01

Instructor: barbara alfano
Days & Time: TBA
Credits: 4
Moving from a specific query into how women describe themselves to a more general investigation into what shapes their gaze, this course explores Italian women’s writing from the Renaissance to contemporary Italy. Studying the female condition in Italy and its inscription in womens' narratives, students will discover what connects a courtesan of the XVI century (Veronica Franco

Women’s Voices on Stage — DRA2266.01

Instructor: Dina Janis
Days & Time:
Credits: 4
In this class, students will read a large canon of plays by current female playwrights working in the American Theatre today. These will include but are not limited to: Sibyl Kempson, Annie Baker, Annie Washburne, Frances Cowhig, Lisa Damour, Kia Cothron, Shiela Callaghan, and Lynn Nottage, Theresa Rebeck, Laura Eason, Anna Ziegler, Sherry Kramer, Cusi Cram, Paola Lazaro,

Wood Firing Kiln — CER4172.01

Instructor: Carly Rudzinski
Days & Time:
Credits: 4
This course will look into the use of the wood kiln as an integral tool and part of the creative process in ceramic art. We will examine the structure of the wood kiln and learn the roles of fire and atmosphere in transforming glaze components into desired surfaces within the wood kiln. We will also discuss the history of kiln technology and how it has influenced the