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Showing 25 Results of 7304

What Happened in North Bennington? The Profound Struggle for the Soul of Education in America — MOD2405.02

Instructor:
Days & Time:
Credits: 1
In this course we will begin with an examination of the events that occurred in North Bennington, VT as the community voted to close its public school in response to Act 46, the new state law requiring school districts across Vermont to consolidate. The events surrounding Act 46 and the closing of the public school in North Bennington marked a “sea change” in education policy

What is (and What is Not) US Empire  — APA4311.01

Instructor: David Bond
Days & Time:
Credits: 4
This course works to give a more exacting definition to the imperial shape of the United States, as much to name its haunting presence as to more effectively confront its unjust operations. As the first successful anti-colonial revolt, the United States has a long history of narrating itself against empire. Yet for anyone who has lived under the heavy hand of its territorial

What is Capitalism? — PEC2267.01

Instructor: Emma Kast
Days & Time:
Credits: 4
What is capitalism? When and where did it begin? This course introduces students to key features of capitalism as an economic system and a way of life that has had profound social and political consequences for human societies around the world. It is the primary aim of this course to get a better sense for what capitalism really is, and to uncover and evaluate some of the most

What is Capitalism? — PEC2267.01

Instructor: Carly Rudzinski
Days & Time:
Credits: 4
What is capitalism? When and where did it begin? This course introduces students to key features of capitalism as an economic system and a way of life that has had profound social and political consequences for human societies around the world. It is the primary aim of this course to get a better sense for what capitalism really is, and to uncover and evaluate some of the most

What is economics? — PEC2270.01

Instructor: Carly Rudzinski
Days & Time:
Credits: 4
"Economics is what economists do" says Jacob Viner. But what do economists do? And, how do they do it? This seminar will be concerned with these two questions. Our main objective will be to develop an understanding of economics as a field of study and to explore how economics is applied to understand the large issues of our time that affect our everyday material wellbeing. Our

What is Economics? — SCT2136.02

Instructor: Lopamudra Banerjee
Days & Time:
Credits: 1
You may have some familiarity with economics, from a course in high school or through various insights gleaned from news reports. But many people who need to consider the economic implications of policy, or who want to understand issues about how resources and wealth are allocated, have scant understanding of the key ideas of the field. This seminar addresses that: it is an

What is Economics? — SCT2136.01

Instructor: Lopamudra Banerjee
Days & Time:
Credits: 2
"Economics is what economists do" says Jacob Viner. But what do economists do? And, how do they do it? This seminar will be concerned with these two questions. Our main objective will be develop an understanding of economics as a field of study and to explore how economics is applied to understand everyday issues that affect our material wellbeing. We will look at big issues,

What is Performing, Anyway? — DAN4028.01) (time updated as of 9/26/2023

Instructor: Dana Reitz
Days & Time:
Credits: 2
What actually goes on when performing? Your interior environment changes from moment to moment; things change in the exterior environment as well. We process information from the audience as we perform. We constantly adapt. Creating a score for performance requires attention to detail – movement and space, timing, shifts of focus, intention, repetition, surprise, juxtaposition

What is Radicalism in Practice? — MPF2165.01) (cancelled

Instructor: Michael Wimberly
Days & Time:
Credits: 2
What is radical? What is performance; when is it performative, and when/how can a performance be radical? How does one practice radicalism in everyday life? What is theory, and how does it advance or confuse radical pursuits? Embodiment, a faculty required for performance is, in part, radicalism in action. This is an introductory conversation and exercise series open to all

What is Radicalism in Practice? — MPF2165.02) (cancelled

Instructor: Michael Wimberly
Days & Time:
Credits: 2
What is radical? What is performance; when is it performative, and when/how can a performance be radical? How does one practice radicalism in everyday life? What is theory, and how does it advance or confuse radical pursuits? Embodiment, a faculty required for performance is, in part, radicalism in action. This is an introductory conversation and exercise series open to all

What is Sculpture — SCU2106.01

Instructor: John Umphlett (new faculty as of 8/24/2021)
Days & Time:
Credits: 4
How do we make it? How do we talk about it? And what does it mean? How do we make objects in space? Is gravity our friend or foe? This course invites students to investigate the fundamental principles of sculpture while encouraging exploration of classical and contemporary approaches. Sessions are intensive explorations into a variety of techniques and materials including

What is Sculpture? — SCU2106.01

Instructor: jon isherwood
Days & Time: TBA
Credits: 4
How do we make it? How do we talk about it? And what does it mean? How do we make objects in space? Is gravity our friend or foe? This course invites students to investigate the fundamental principles of sculpture while encouraging exploration of classical and contemporary approaches. Sessions are intensive explorations into a variety of techniques and materials including

What is Sculpture? — SCU2106.01

Instructor: Jason Middlebrook
Days & Time: TBA
Credits: 4
How do we make it? How do we talk about it? And what does it mean? How do we make objects in space? Is gravity our friend or foe? This course invites students to investigate the fundamental principals of sculpture while encouraging exploration of classical and contemporary approaches. Sessions are intensive explorations into a variety of techniques and materials including

What is Sculpture? — SCU2106.01

Instructor: Jon Isherwood
Days & Time:
Credits: 4
How do we make it? How do we talk about it? And what does it mean? This course invites students to investigate the fundamental principals of sculpture while encouraging exploration of classical and contemporary approaches. Sessions are intensive explorations into a variety of techniques and materials including plaster, wood, cardboard, Styrofoam and metal. Regular slide

What is Sculpture? — SCU2106.01

Instructor: Jon Isherwood
Days & Time:
Credits: 4
How do we make it? How do we talk about it? And what does it mean? This course invites students to investigate the fundamental principals of sculpture while encouraging exploration of classical and contemporary approaches. Sessions are intensive explorations into a variety of techniques and materials including plaster, wood, cardboard, Styrofoam and metal. Regular slide

What is the Truth? World War II from the Japanese Perspective — JPN4709.01

Instructor: Ikuko Yoshida
Days & Time:
Credits: 4
What is the truth in history? Is there one truth? In this course, students learn World War II from the Japanese point of view by reading and examining Japanese history textbooks, novels, essays, and films. Historical events such as the bombings of Pearl Harbor and Hiroshima can be perceived differently depending on whether you study them in Japan or in America. In other

What Is the Truth? World War II from the Japanese Perspective — JPN4709.01

Instructor: Ikuko Yoshida
Days & Time:
Credits: 4
What is the truth in history?  Is there one truth?  In this course, students learn World War II from the Japanese point of view by reading and examining Japanese history textbooks, novels, essays, and films.  Historical events such as the bombings of Pearl Harbor and Hiroshima can be perceived differently depending on whether you study them in Japan or in America

What is the Truth? – Learning WWII with History Textbooks in Japan — JPN4233.01

Instructor: Ikuko Yoshida
Days & Time: TBA
Credits: 4
What is the truth in history?  Is there one truth?  In this course, students learn World War II from the Japanese point of view by reading and examining Japanese history textbooks, novels, essays, and films.  Historical events such as the bombings of Pearl Harbor and Hiroshima can be perceived differently depending on whether you study them in Japan or in America

What Was Critique and What Comes Next? — APA4207.01

Instructor: David Bond
Days & Time:
Credits: 4
If progressive scholarship holds anything sacred, perhaps it is critique. Over the past century, critique has become not only the guiding commitment of radical scholarship but also the unflappable identity of the public intellectual. Yet a number of unfortunate assumptions have been built into this manner of engaging the world. Among them, that intellectuals have privileged

What Was Critique and What Comes Next? — APA4207.01

Instructor: David Bond
Days & Time:
Credits: 4
If progressive scholarship holds anything sacred, perhaps it is critique. Over the past century, critique has become not only the guiding commitment of radical scholarship but also the unflappable identity of the public intellectual. Yet a number of unfortunate assumptions have been built into this manner of engaging the world. Among them, that intellectuals have privileged

What Was Critique and What Comes Next? — APA4207.01

Instructor: David Bond
Days & Time:
Credits: 4
If progressive scholarship holds anything sacred, perhaps it is critique. Over the past century, critique has become not only the guiding commitment of radical scholarship but also the unflappable identity of the public intellectual. Yet a number of unfortunate assumptions have been built into this manner of engaging the world. Among them, that intellectuals have privileged

When Books Become Films — LIT2100.01

Instructor: Carly Rudzinski
Days & Time:
Credits: 4
What is lost and what is gained when a work of literary fiction becomes a film? Who gets to retell what stories, and when? What makes a successful adaptation, and why? To what degree does the spirit of the original story persist, when, like the Ship of Theseus, its various components have been replaced, repurposed, and removed? In this course we will look at issues of craft,

When Technology and the Human Body become Partners, Who Leads? — DAN4294.02

Instructor: Levi Gonzalez
Days & Time:
Credits: 1
This hands-on intensive course is taught by visiting artist Cathy Weis, who will be showing videos she shot in the studios and on the streets of New York City from 1983 to today. Examining these archival videos will serve as a launching pad for students to begin their own collaborative projects. Through these collaborative projects, students will have an opportunity to expand

Whenever Wherever Festival: As a Celebration of Diverse Communities — APA2283.01

Instructor: Carly Rudzinski
Days & Time:
Credits: 2
Playing with a concept of festival as celebration of our daily life and as a space to exchange individual history, creativity and expression, students will plan, develop, organize and conduct mini-events using any forms—such as workshop, performance, participatory installation, exploratory tour, tea ceremony or ritual. Students are encouraged to research, connect to and