All

Select Filters and then click Apply to load new results

Areas of Study
Course Day & Time(s)
Course Level
Credits
Course Duration
Showing 25 Results of 7796

Composing for Improvisers: Analyses, Creation and Community — MCO4140.01

Instructor: Michael Wimberly
Days & Time:
Credits: 4
This course is for students interested in investigating musical improvisation and composition, and their relation to a musical community. Selected students will form an ensemble and will be guided to compose at their own level: 1) for the ensemble, 2) for a section of the ensemble, e.g., duos, trios, and 3) for solo. Through working together, participants will develop a common

Composing for Improvisers: Analyses, Creation and Community — MCO4140.01

Instructor: Carly Rudzinski
Days & Time:
Credits: 4
This course is for students interested in investigating musical improvisation and composition, and their connection to a musical community. The students selected for this course will form an ensemble. They will be guided to compose, at their own level, 1) for the ensemble, 2) for a part of the ensemble (duos, trios) and 3) for solo. There is no right or

Composing for Improvisers: Analyses, Creation and Community — MCO4140.01) (new course code as of 11/7/2023

Instructor: Carly Rudzinski
Days & Time:
Credits: 4
This course is for students interested in investigating musical improvisation and composition, and their connection to a musical community. The students selected for this course will form an ensemble. They will be guided to compose, at their own level, 1) for the ensemble, 2) for a part of the ensemble (duos, trios) and 3) for solo. There is no right or wrong approach. The

Composing for Improvisers: Analyses, Creation and Performance — MCO4129.02

Instructor: Michael Wimberly
Days & Time:
Credits: 2
This course is for students interested in investigating musical improvisation and composition through examining and performing works by contemporary composers. Students will also be guided to compose music at their own level. Basic ability to follow scores is encouraged, but not mandatory. We will first examine and play through works by contemporary composers who incorporate

Composing for Instruments — MCO4151.01

Instructor: Allen Shawn
Days & Time:
Credits: 4
This class gives composers hands-on practice notating their music and hearing it played by performers playing a variety of instruments. It is meant for fledgling composers, for those who may have composed a lot of music already but have trouble writing their music down, or for those who have never even imagined composing music but would like to try. There are specific

Composing for Instruments — MCO4151.01

Instructor: Allen Shawn
Days & Time:
Credits: 4
This class gives composers hands-on practice notating their music and hearing it played by performers playing a variety of instruments. It is meant for fledgling composers, for those who may have composed a lot of music already but have trouble writing their music down, or for those who have never even imagined composing music but would like to try. There are specific

Composing for Instruments — MCO4151.01

Instructor: Allen Shawn
Days & Time: MO,TH 1:40pm-3:30pm
Credits: 4

This class gives composers hands-on practice notating their music and hearing it played by performers playing a variety of instruments. It is meant for fledgling composers, for those who may have composed a lot of music already but have trouble writing their music down, or for those who have never even imagined composing music but would like to try. There are specific

Composing for Instruments — MCO4151.01

Instructor: Allen Shawn
Days & Time:
Credits: 4
This class gives composers hands-on practice notating their music and hearing it played by performers playing a variety of instruments. It is meant for fledgling composers, those who have never even imagined composing music but would like to try, as well as for those who may have composed a lot of music already but need more experience writing it down. There are specific

Composing for the Choir — MCO4130.01

Instructor: Kitty Brazelton
Days & Time:
Credits: 4
Composers who sing (or would like to), singers who compose (or would like to), songwriters who would like to stop singing alone, writers who would like to hear their writings sung (and maybe sing some too) and anyone who's always wanted to learn how to shape music for a vocal group---this class is for you. We will compose, rehearse and then perform our own repertoire in several

Composing for the Choir — MCO4130.01

Instructor: Kitty Brazelton
Days & Time:
Credits: 4
Composers who sing (or would like to), singers who compose (or would like to), songwriters who would like to stop singing alone, writers who would like to hear their writings sung (and maybe sing some too) and anyone who's always wanted to learn how to shape music for a vocal group---this class is for you. We will compose, rehearse and then perform our own repertoire in several

Composing for the Choir — MCO4130.01

Instructor: kitty brazelton
Days & Time: TBA
Credits: 4
Composers who sing (or would like to), singers who compose (or would like to), songwriters who would like to stop singing alone, writers who would like to hear their writings sung (and maybe sing some too) and anyone who's always wanted to learn how to shape music for a vocal group---this class is for you. We will compose, rehearse and then perform our own repertoire in several

Composing for the Choir — MCO4130.01

Instructor: Kitty Brazelton
Days & Time:
Credits: 4
Composers who sing (or would like to), singers who compose (or would like to), songwriters who would like to stop singing alone, writers who would like to hear their writings sung (and maybe sing some too) and anyone who's always wanted to learn how to shape music for a vocal group---this class is for you. We will compose, rehearse and then perform our own repertoire in several

Composing for the Lever Harp — MCO2132.01

Instructor: Rachel Clemente
Days & Time: TH 1:40pm-3:30pm
Credits: 2

In this course we will be taking a hands on approach to understanding the lever harp both historically and compositionally. We will be building and stringing small 19 string harps which will be used as the basis for our compositional work where students will be creating new works of varying length for the lever harp to be presented at the end of the semester. We’ll look at

Composing In Traditional Forms — MCO4396.01

Instructor: Allen Shawn
Days & Time:
Credits: 4
This is a course primarily for notating composers,to give them the experience and pleasure of composing in a few of the musical structures often used in the Western Music of the 18th and 19th centuries. We will study works that exemplify Sonata Form, Theme and Variations, Passacaglia, and Fugue, among others, and try to create our own versions of these. In the early twentieth

Composing Performers’ Ensemble — MCO4239.01

Instructor: Bruce Williamson
Days & Time:
Credits: 4
This ensemble will be comprised of performing musicians who also compose and/or improvise. The focus will be on the reading of new works, composed specifically for the instrumental possibilities within the group. By reading

Composing with Sound — MUS2254.01

Instructor: Sam Pluta
Days & Time: TBA
Credits: 4
This class presents an open environment for creativity and expression through electronic music composition. Students will create music with sounds recorded in the real world, while studying electronic music techniques from the rich experimental and popular traditions of the past half century. We will cover the theory and practice of digital signal processing for audio and

Composition and Creation of New Vocal Works — MCO4247.01

Instructor: Carly Rudzinski
Days & Time:
Credits: 6
This six credit course is a collaborative music creation experience for composers and singers. This course will be taught in two sections (Section 1: Singers, Section 2: Composers) which will meet separately and as a combined group on a weekly basis. It will be co-taught by Virginia Kelsey and Allen Shawn. Composers and singers will work together over the course of the

Composition and Creation of New Vocal Works- Composers — MCO4172.01

Instructor: Allen Shawn
Days & Time:
Credits: 4
This 4-credit course is a collaborative music creation experience for composers and singers. This course will be taught in two sections (Section 1: Singers, Section 2: Composers) which will meet separately and as a combined group on a weekly basis. It will be co-taught by Virginia Kelsey and Allen Shawn. It will be co-taught by Virginia Kelsey and Allen Shawn. Composers and

Composition and Creation of New Vocal Works: Singers — MCO4170.01

Instructor: Virginia Kelsey
Days & Time:
Credits: 4
This 4-credit course is a collaborative music creation experience for composers and singers. Composers and singers will work together over the course of the semester to create new music for solo voice and small vocal ensemble using various collaborative practices to highlight and celebrate the individualistic nature of the voice. Singers will receive technical vocal instruction

Composition Intensives and Music Research Projects — MCO4397.01

Instructor: Allen Shawn
Days & Time:
Credits: 2
This course is open to composers who want to work in a focused way on an ambitious composition project, or to those who have a specific musical research project they wish to pursue. Musical research projects could include such things as a serious study of a composer or musical topic, or a detailed analysis of a musical work. The class will meet in small groups and individually,

Composition Intensives and Music Research Projects — MCO4397.02

Instructor: Allen Shawn
Days & Time:
Credits: 4
This course is open to composers who want to work in a focused way on an ambitious composition project, or to those who have a specific musical research project they wish to pursue. Musical research projects could include such things as a serious study of a composer or musical topic, or a detailed analysis of a musical work. The class will meet in small groups and individually,

Composition Project: "Eighth Blackbird" — MCO4004.01

Instructor: Allen Shawn
Days & Time: WE 10:00am-11:50am
Credits: 2

In the first half of the term students will compose pieces for the celebrated "Eighth Blackbird" ensemble, which consists of  flute(s), clarinet(s), piano, percussion, violin, and cello. In preparation for this, we will study a few important scores written for this combination of instruments. The ensemble will visit in November and read and record the

Composition Projects — MCO4109.01

Instructor: Nick Brooke
Days & Time:
Credits: 4
In this course, students propose a term-long project with extended instrumentation or length (8+ minutes), of which a part will involve live instrumentalists. We will work together to recruit faculty, student, or outside instrumentalists (with resources provided), towards an end-of-term concert. Class discussion will involve feedback on projects and compositional process, and

Composition Styles for Modern Jazz — MTH4102.01

Instructor: Bruce Williamson
Days & Time:
Credits: 2
Jazz composition styles have been steadily evolving over its 100+ years of existence. With blues always at the core, contrapuntal approaches have come full circle. By first reviewing the evolution of jazz styles, then focusing on composition approaches currently being utilized by today’s emerging jazz artists, this course will examine modern approaches to form, rhythm, harmony