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Showing 25 Results of 7245

Critical Dance Processes: Research Studies — DAN4801B.01

Instructor: Donna Faye Burchfield
Days & Time: MO,TH 1:40pm-3:30pm
Credits: 4

This course utilizes a seminar and workshop format focusing on conceptual, relational, and material frameworks of the choreographic. Through shaping a bibliographic course archive, we will source current developments within the field of contemporary art making. The class investigations, projects and discussions will yield imaginative and experimental directions for student’s

Critical Dance Studies — DAN5413B.01, section 1

Instructor: Donna Faye Burchfield
Days & Time: TBA
Credits: 4

In this course, we explore theoretical terms that incite dancing=s possibilities. How does dance emerge? When or whom has its processes served? What theoretical  lines of inquiry have served those processes, and how have they fared over time? What tools do scholars bring to bear on the study of dance, and where are these  tools most effective? Required reading and

Critical Dance Studies — DAN2500B.01

Instructor: Carly Rudzinski
Days & Time:
Credits: 4
This course looks through multiple modes of questioning, research, and a critically theoretical lens to put into consideration the complex ways that dance shapes and reflects our lives. We will look to scholars, artists, thinkers, and ourselves to process the elliptical paths people take to understand material existence through the relationality of dance. We will try to bring a

Critical Dance Studies — DAN5413B.02, section 2

Instructor: Donna Faye Burchfield
Days & Time: TBA
Credits: 3

In this course, we explore theoretical terms that incite dancing=s possibilities. How does dance emerge? When or whom has its processes served? What theoretical  lines of inquiry have served those processes, and how have they fared over time? What tools do scholars bring to bear on the study of dance, and where are these  tools most effective? Required reading and

Critical Dance Studies — DAN4830B.01

Instructor: Emily Wexler
Days & Time: W 10:00AM-11:50AM & 7:00PM-8:50PM
Credits: 4

This course looks through multiple modes of questioning, research, and a critically theoretical lens to put into consideration the complex ways that dance shapes and reflects our lives. We will look to scholars, artists, thinkers, and ourselves to process the elliptical paths people take to understand material existence through the relationality of dance. We will try to

Critical Practice Labs — DAN5429B.01

Instructor: Faculty TBA
Days & Time: TBA
Credits: 2

The labs are designed to include written and spoken language alongside dance improvisations to generate material that can be performed and witnessed. There will also be an emphasis on how the witness perceives the work and how language can be used to augment the experience of both offering performance and offering a response to the performance.

Variable

Critical Response in Painting — PAI4309.01

Instructor: andrew spence
Days & Time: TBA
Credits: 4
In order to make successful work, artists must know when to follow their instincts, take risks or try new approaches toward developing ideas. Self-confidence and the ability to be critical of one's own work are the tools that come with experience. This course is intended to offer students feedback on their work as it develops. Their work is addressed within the context of

Critical Response in Painting — PAI4309.01

Instructor: Andrew Spence
Days & Time: TBA
Credits: 4
In order to make successful work, artists must know when to follow their instincts, take risks or try new approaches toward developing ideas. Self-confidence and the ability to be critical of one's own work are the tools that come with experience. This course is intended to offer students feedback on their work as it develops. Their work is addressed within the context of

Critical Texts in Recent Art — VA4154.01

Instructor: James Voorhies
Days & Time: TBA
Credits: 4
This course is a reading seminar of important texts on art and culture by critics, theorists and artists from late modernism through postmodernism to the present moment. It will include close readings and discussions of essays from 1960 to 2013 to consider the changing conditions under which art is conceived, produced, distributed and experienced. A departure point for the

Critical Theory in Qualitative Research — SCT4112.01

Instructor: Audrey Devost
Days & Time: WE 2:10pm-5:50pm
Credits: 4

Qualitative inquiry seeks to discover and to describe in narrative reporting what particular people do in their everyday lives and what the actions mean to them. This course is intended for students who wish to learn more about the impact of theoretical frameworks on their ongoing knowledge projects at Bennington College. A critical theoretical lens in

Crocheting the Classics: Elizabeth Gaskell's North South — LIT2530.01

Instructor: Jenny Boully
Days & Time:
Credits: 4
The Great Exhibition of 1851 was meant to showcase the greatest inventions and industries of the Victorian age. Included among the various treasures from around the world, such as machinery, paintings, and gems, were samples of crochet, an art that became increasingly popular during the Victorian age. The idea of domestic handcrafts seemed to be counter to the industrial

Crocheting the Classics: Elizabeth Gaskell’s Cranford — LIT2512.01

Instructor: Jenny Boully
Days & Time:
Credits: 4
The Great Exhibition of 1851 was meant to showcase the greatest inventions and industries of the Victorian age. Included among the various treasures from around the world, such as machinery, paintings, and gems, were samples of crochet, an art that became increasingly popular during the Victorian age. The idea of domestic handcrafts seemed to be counter to the industrial

Crocheting the Classics: The Daisy and the Chain and Phoebe Junior — LIT2546.01

Instructor: Jenny Boully
Days & Time:
Credits: 4
The Great Exhibition of 1851 was meant to showcase the greatest inventions and industries of the Victorian age. Included among the various treasures from around the world, such as machinery, paintings, and gems, were samples of crochet, an art that became increasingly popular during the Victorian age. The idea of domestic handcrafts seemed to be counter to the industrial

Cross-cultural Psychology — PSY2289.01

Instructor: Ella Ben Hagai
Days & Time:
Credits: 4
In this course, we will carefully consider the ways in which certain cultural practices and ideologies shape individual psychology. Using a comparative lens, we will explore how people’s sense of self and identity differ in individualistic compared to collectivist cultures. How do differences in cultural codes associate with differences in thinking styles, emotional expression,

Cross-cultural Psychology — PSY2289.01

Instructor: Ella Ben Hagai
Days & Time:
Credits: 4
In this course, we will carefully consider the ways in which certain cultural practices and ideologies shape individual psychology. Using a comparative lens, we will explore how people’s sense of self and identity differ in individualistic compared to collectivist cultures. How do differences in cultural codes associate with differences in thinking styles, emotional expression,

Crossing Cultures: American Poetry Now — LIT2352.01

Instructor: Michael Dumanis
Days & Time:
Credits: 2
This two-credit course is intended as an immersive introduction to the multicultural and polyphonic contemporary poetry landscape, as well as a more general discussion on how to read, discuss, analyze, and write critically about poems. We will read the equivalent of a book a week by an emerging contemporary American poet. Writers to be discussed may include Ken Chen,

Crossroads: Race, Gender and Justice in Higher Education — APA2327.01

Instructor: Carly Rudzinski
Days & Time:
Credits: 2
Explicit and implicit biases contribute to inequity and significant achievement gaps in education.  Research has shown a connection between success in early childhood education and imprisonment. Equity in Education is equitable when outcomes are similar for all students without regard to race, gender, ethnicity, class, language, ability, or sexual orientation. 

Cuisine, Culture, and Identity — FRE4226.01

Instructor: Stephen Shapiro
Days & Time:
Credits: 4
“Tell me what you eat and I will tell you who you are” –Brillat-Savarin While food sustains life, it also gives it meaning. This course will focus on how the culture of food and eating has played an important role in the construction of the religious, national, ethnic, and individual identities of the French-speaking world. How have migration and the realities of the post

Cuisine, Culture, and Identity — FRE4405.01

Instructor: Stephen Shapiro
Days & Time: MO,TH 10:00am-11:50am
Credits: 4

“Tell me what you eat and I will tell you who you are” –Brillat-Savarin

While food sustains life, it also gives it meaning. This course will focus on how the culture of food and eating has played an important role in the construction of the religious, national, ethnic, and individual identities of the French-speaking world. How have migration and the realities of

Cuisine, Culture, and Identity — FRE4226.01

Instructor: Stephen Shapiro
Days & Time:
Credits: 4
“Tell me what you eat and I will tell you who you are” –Brillat-Savarin While food sustains life, it also gives it meaning. This course will focus on how the culture of food and eating has played an important role in the construction of the religious, national, ethnic, and individual identities of the French-speaking world. How have migration and the realities of the post

Cultural Identity in Modern Italian Novel (in English Translation) — ITA2115.01

Instructor: Barbara Alfano
Days & Time: TBA
Credits: 4
How is Italy, and its cultures, reflected in its literature? How have Italian writers positioned themselves vis à vis the history of their country? How much of it all can we grasp in translation?  These are some of the questions that will guide us in our exploration of Modern Italian fiction. We will read in English a few Italian masterpieces that went on to win

Cultural Legacies of Argentina's "Dirty War" — LIT4263.01

Instructor: Marguerite Feitlowitz
Days & Time:
Credits: 4
The "Gentleman's Coup" of 1976 ushered in years of terror, the forced disappearances of 30,000 citizens, and the establishment of hundreds of secret torture centers. We will study not only the repression itself, but literary, artistic, architectural, and cinematic works of the repressive 1970s and their complicated aftermath to this day. You will be expected to keep a reading

Cultural Localities 1: Researching Culture — ANT4117.01

Instructor: miroslava prazak
Days & Time: TBA
Credits: 4
This advanced research seminar offers the opportunity for the student to design an anthropological research project similar to the type encountered in anthropology graduate programs. The project allows for detailed study of a society of the world, including its culture, politics, economy, world view, religion, expressive practices, and historical transformations. The initial

Cultural Localities I: Researching Culture — ANT4117.01

Instructor: Noah Coburn
Days & Time: TBA
Credits: 4
This advanced research seminar offers the opportunity for the student to design an anthropological research project similar to the type encountered in anthropology graduate programs. The project allows for detailed study of a society of the world, including its culture, politics, economy, world view, religion, expressive practices, and historical transformations. The initial

Cultural Localities II: Writing Culture — ANT4136.01

Instructor: Miroslava Prazak
Days & Time:
Credits: 4
This advanced research seminar offers the opportunity for the student to implement an advanced study of a specific culture and issue as it is shaped by various social, political, religious and economic contexts. The course will begin with a discussion of contemporary issues in anthropological field research and the writing process, and will include issues such as ethics, the