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Showing 25 Results of 7245

Experiential Anatomy/Somatic Practices — DAN2149.01

Spring 2018
Instructor: Elena Demyanenko
Days & Time:
Credits: 4
This is a studio class for any discipline intended to deepen the understanding of your own moving body. We will be studying kinesthetic anatomy by approaching the material through visual, cognitive, kinesthetic, and sensory modes. Class time will be divided between discussion of anatomy and kinesthetic concepts, and engagement with the material experientially through movement
Dance

Experiential Anatomy/Somatic Practices — DAN2149.01

Fall 2018
Instructor: Elena Demyanenko
Days & Time:
Credits: 4
This is a studio class for any discipline intended to deepen the understanding of your own moving body. We will be studying kinesthetic anatomy by approaching the material through visual, cognitive, kinesthetic, and sensory modes. Class time will be divided between discussion of anatomy and kinesthetic concepts, and engagement with the material experientially through movement
Dance

Experiential Anatomy/Somatic Practices — DAN2149.01

Fall 2019
Instructor: Elena Demyanenko
Days & Time:
Credits: 4
This is a studio class for any discipline intended to deepen the understanding of your own moving body. We will be studying kinesthetic anatomy by approaching the material through visual, cognitive, kinesthetic, and sensory modes. Class time will be divided between discussion of anatomy and kinesthetic concepts, and engagement with the material experientially through movement
Dance

Experiential Anatomy/Somatic Practices — DAN2149.01

Spring 2023
Instructor: Levi Gonzalez
Days & Time:
Credits: 4
This is a studio class for students of any discipline intended to deepen the understanding of your own moving body. We will study kinesthetic anatomy by approaching material through visual, cognitive, linguistic, kinesthetic, and sensory modes. Tools such as drawing and writing will become some of the building blocks for learning. Class time will be divided between discussion
Dance

Experiential Anatomy/Somatic Practices — DAN2149.01

Spring 2022
Instructor: Elena Demyanenko
Days & Time:
Credits: 4
This is a studio class for students of any discipline intended to deepen the understanding of your own moving body. We will study kinesthetic anatomy by approaching material through visual, cognitive, kinesthetic, and sensory modes. Class time will be divided between discussion of anatomy and kinesthetic concepts, and engagement with the material experientially through movement
Dance

Experiential Anatomy/Somatic Practices — DAN2149.01

Spring 2024
Instructor: Elena Demyanenko
Days & Time:
Credits: 4
This is a studio class for any discipline intended to deepen the understanding of your own moving body. We will be studying kinesthetic anatomy by approaching the material through visual, cognitive, kinesthetic, and sensory modes. Class time will be divided between discussion of anatomy and kinesthetic concepts, and engagement with the material experientially through movement
Dance

Experiential Anatomy/Somatic Practices — DAN2149.01

Fall 2016
Instructor: Elena Demyanenko
Days & Time:
Credits: 4
This is a studio class for any discipline intended to deepen the understanding of your own moving body. We will be studying kinesthetic anatomy: approaching the material through visual, cognitive, kinesthetic, and sensory modes. Class time will be divided between discussion of anatomy and kinesthetic concepts, and engagement with the material experientially through movement
Dance

Experiential Anatomy/Somatic Practices — DAN4106.01

Fall 2013
Instructor: Elena Demyanenko
Days & Time: TBA
Credits: 2
This is a studio class intended to deepen the understanding of your own moving body. We will be studying kinesthetic anatomy: approaching the material through visual, cognitive, kinesthetic, and sensory modes. Class time will be divided between discussion of anatomy and kinesthetic concepts, and engagement with the material experientially through movement visualization and
Dance

Experiential Anatomy/Somatic Practices — DAN2149.01

Spring 2019
Instructor: Elena Demyanenko
Days & Time:
Credits: 4
This is a studio class for any discipline intended to deepen the understanding of your own moving body. We will be studying kinesthetic anatomy by approaching the material through visual, cognitive, kinesthetic, and sensory modes. Class time will be divided between discussion of anatomy and kinesthetic concepts, and engagement with the material experientially through movement
Dance

Experiential Anatomy/Somatic Practices — DAN2149.01

Spring 2021
Instructor: Elena Demyanenko
Days & Time:
Credits: 4
This is a studio class for any discipline intended to deepen the understanding of your own moving body. We will be studying kinesthetic anatomy by approaching the material through visual, cognitive, kinesthetic, and sensory modes. Class time will be divided between discussion of anatomy and kinesthetic concepts, and engagement with the material experientially through movement
Dance

Experimental Biology: Behavioral Physiology — BIO4312.02

Fall 2020
Instructor: Amie McClellan
Days & Time:
Credits: 4
Learn how science is conducted and participate in biological research. Students will learn how to develop, conduct, and present biological research while exploring physiological systems that mediate behavioral responses in animals. During the first half of the semester, students will gain valuable research skills, such as hypothesis formation, experimental design, statistical
Science and Mathematics

Experimental Black Women Poetry — LIT4129.01

Fall 2019
Instructor: Phillip Williams
Days & Time:
Credits: 4
Defining experimental poetry can be mystifying inasmuch as all writing can be considered experimenting with language. The notion of experimentation, however, has often been denied writers of African descent across the globe.  Often relegated to the margins in discussions of innovative and avant garde poetics, Black women have throughout time lead the charge of excavating
Literature

Experimental Documentary — FV4314.01

Fall 2016
Instructor: Kate Purdie
Days & Time:
Credits: 4
This intermediate moving image course will explore experimentation in form and content in non-fiction moving image.  From the earliest experiments in actualities by the Lumiere brothers to the recent homage project “Labour in a Single Shot” including autobiography, memoir, and even recreations, experimental documentaries acknowledge the fact that the very process
Visual Arts

Experimental Fiction by Women — LIT4394.01

Spring 2024
Instructor: Carly Rudzinski
Days & Time:
Credits: 2
Women writers are notoriously overlooked by the canon, often falling into obscurity in favor of male writers’ contributions, or only recognized under the “woman writer” category. In this 2-credit class, we will trace the lineage of women’s literary invention, including their contributions to stream of consciousness writing, the Nouveau Roman, Oulipo, and contemporary
Literature

Experimental Filmmaking — FV4307.01

Fall 2013
Instructor: Warren Cockerham
Days & Time: TBA
Credits: 4
This intermediate studio course centers on experimentation with form in moving image making. Students will complete a series of film and video projects exploring approaches and techniques including but not limited to non-narrative, lyrical, abstract, structural, and materialist forms. The course will contextualize contemporary practice within the history of avant-garde and
Visual Arts

Experimental Making in Ceramics — CER4214.01

Spring 2019
Instructor: Barry Bartlett
Days & Time:
Credits: 4
This course will investigate the material nature of clay as a medium to create three-dimensional forms. Students will explore the material aspects of clay such as dryness, wetness, mass and scale using a variety of mechanical processes that include extrusion, slab rolling, slip casting and digital fabrication. In doing so, the pieces created will be used to convey ideas of form
Visual Arts

Experimental Making in Ceramics — CER4214.01

Spring 2015
Instructor: Barry Bartlett
Days & Time:
Credits: 4
This course will investigate the material nature of clay as a medium to create three-dimensional forms. Students will explore the material aspects of clay such as dryness, wetness, mass and scale using a variety of mechanical processes that include extrusion, slab rolling, slip casting and digital fabrication. In doing so, the pieces created will be used to convey ideas of
Visual Arts

Experimental Making in Ceramics — CER4214.01

Fall 2018
Instructor: Barry Bartlett
Days & Time:
Credits: 4
This course will investigate the material nature of clay as a medium to create three-dimensional forms. Students will explore the material aspects of clay such as dryness, wetness, mass, scale and incorporating mix media. We will be using a variety of mechanical processes that include extrusion, slab rolling, slip casting and traditional hand building techniques. In doing so,
Visual Arts

Experimental Music Production — MSR4103.01

Spring 2017
Instructor: David Baron
Days & Time:
Credits: 2
Create experimental sound works in the Jennings recording studio.  We will cover methods of recording, mic’ing, sampling, extreme processing,  and mix techniques.  Tape concrete, electro-acoustic,  plunderphonics, and mangling audio mayhem.
Music

Experimental Narrative in Moving Image — FV4330.01) (cancelled 10/17/2024

Spring 2025
Instructor: Beatriz Santiago Muñoz
Days & Time:
Credits: 4
Self-reflexive narratives, improvisation, non-linearity, slow cinema, alternative representations of time and space, experimental film grammars, poetic scripts, collective direction, Brechtian techniques.  All of these processes and more will be explored in this hands-on production based course. Working collaboratively and on your peers’ work in various roles is required

Experimental Narrative in Moving Image — VA4323.01

Spring 2024
Instructor: Beatriz Santiago Muñoz
Days & Time:
Credits: 4
Self-reflexive narratives, improvisation, non-linearity, slow cinema, alternative representations of time and space, experimental film grammars, poetic scripts, collective direction, Brechtian techniques.  All of these processes and more will be explored in this hands-on production based course. Working collaboratively and on your peers’ work in various roles is required
Visual Arts

Experimental Narrative in Moving Images — FV4334.01

Spring 2026
Instructor: Beatriz Santiago Muñoz
Days & Time: TH 1:40pm-5:20pm
Credits: 4

Self-reflexive narratives, improvisation, non-linearity, slow cinema, alternative representations of time and space, experimental film grammars, poetic scripts, collective direction, Brechtian techniques.  All of these processes and more will be explored in this hands-on production based course. Working collaboratively and on your peers’ work in various roles is

Film and Video

Experimental Narrative: Film/Video Production — FV4142.01

Spring 2018
Instructor: Kate Purdie
Days & Time:
Credits: 4
This is an intermediate production course that will explore experimental narrative structures in film and video art practices. Emphasis will be on analyzing innovative storytelling in film and literary forms as we examine aspects of dramatic production: mise-en-scene, working with actors, script breakdown, storyboards and collaborative production units. Students will be
Visual Arts

Experimental Pedagogies — DAN5417B.01

Summer 2025
Instructor: Donna Faye Burchfield
Days & Time: TBA
Credits: 2

This class approaches experimental pedagogies as the many forms of study we undertake through our work/practice/research. The process of (un)learning also comes with any act of creative inquiry, searching, and experimentation.  
The study we undertake through our creative, living, playful and abundant research moves in excess of institutional forms of knowledge

Dance (MFA Low-Residency)

Experimental Projects in Ceramics — CER4171.01

Spring 2021
Instructor: Carly Rudzinski
Days & Time:
Credits: 4
The process of developing within ceramics a vision of how your work interfaces with contemporary art making practices will be the major focus of this class.  This class is designed to be a combination of research and making that can include ceramic and non-ceramic materials. The class is meant to support the development of continuing advance work and new experimental
Visual Arts