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Showing 25 Results of 7399

Examining Space — SCU2214.01

Fall 2024
Instructor: John Umphlett
Days & Time:
Credits: 4
This introductory course will investigate basic building techniques and principles behind making Sculpture through experiential learning. Within the first couple of weeks of term we will participate in an Iron Pour. The students will shape wax and prepare sand-molds for participation. The students will also be introduced and immersed within a community of artists off campus.
Visual Arts

Exhibition Thematic Exposure — AH4101.01

Spring 2015
Instructor: Andrew Spence
Days & Time:
Credits: 4
The primary goal in this class is for each student to create a theoretical thematic exhibition consisting of objects, artifacts, images or anything that has justifiable relevance. Originally born out of a visual art context, broader themes outside of visual art are possible. Students are expected to do independent research using source material from the library and the Internet
Visual Arts

Existentialism and Phenomenology — PHI2128.01

Fall 2014
Instructor: karen gover
Days & Time: TBA
Credits: 4
Phenomenology is the philosophical study of the structures of human experience, whereas existentialism is the study of human existence. These two movements intersect and overlap in the history of philosophy. This course undertakes a survey of these movements and their central concepts as they are found in the writings of such thinkers as Kierkegaard, Nietzsche, Heidegger,
Social Science

Existentialism and Phenomenology — PHI2128.01

Spring 2017
Instructor: Karen Gover
Days & Time:
Credits: 4
Phenomenology is the philosophical study of the structures of human experience, whereas existentialism is the study of human existence. These two movements intersect and overlap in the history of philosophy. This course undertakes a survey of these movements and their central concepts as they are found in the writings of such thinkers as Kierkegaard, Nietzsche, Heidegger,
Society Culture and Thought

Expanded Performance — MPF4279.01

Spring 2025
Instructor: Nicholas Brooke
Days & Time:
Credits: 4
Expanded and invented instruments utilizing electronics, object preparations, field recordings, and non-traditional performance techniques will be used to develop unique sonic vocabularies. Working with the premise that any sound can be an instrument we will work collaboratively to share our sounds, our scores and various approaches to music making. This seminar will serve as a
Music

Expanding Fields: Histories and New Practices of Curating the Rural — VA4152.01

Spring 2019
Instructor: Anne Thompson
Days & Time:
Credits: 4
Artists and curators have long embraced the southwestern U.S. desert as the landscape equivalent of the sublime yet neutral “white cube.” This course addresses the history of land art and landscape-based institutions alongside current strategies for moving these practices into literal and metaphorical new territories. Lecture-based discussions and research assignments examine
Environment Visual Arts

Experiential Anatomy/Somatic Practices — DAN2149.01

Spring 2025
Instructor: Elena Demyanenko
Days & Time:
Credits: 4
This is a studio class for any discipline intended to deepen the understanding of your own moving body. We will be studying kinesthetic anatomy by approaching the material through visual, cognitive, kinesthetic, and sensory modes. Class time will be divided between discussion of anatomy and kinesthetic concepts, and engagement with the material experientially through movement,
Dance Drama

Experiential Anatomy/Somatic Practices — DAN2149.01

Spring 2023
Instructor: Levi Gonzalez
Days & Time:
Credits: 4
This is a studio class for students of any discipline intended to deepen the understanding of your own moving body. We will study kinesthetic anatomy by approaching material through visual, cognitive, linguistic, kinesthetic, and sensory modes. Tools such as drawing and writing will become some of the building blocks for learning. Class time will be divided between discussion
Dance

Experiential Anatomy/Somatic Practices — DAN2149.01

Fall 2016
Instructor: Elena Demyanenko
Days & Time:
Credits: 4
This is a studio class for any discipline intended to deepen the understanding of your own moving body. We will be studying kinesthetic anatomy: approaching the material through visual, cognitive, kinesthetic, and sensory modes. Class time will be divided between discussion of anatomy and kinesthetic concepts, and engagement with the material experientially through movement
Dance

Experiential Anatomy/Somatic Practices — DAN2149.01

Spring 2021
Instructor: Elena Demyanenko
Days & Time:
Credits: 4
This is a studio class for any discipline intended to deepen the understanding of your own moving body. We will be studying kinesthetic anatomy by approaching the material through visual, cognitive, kinesthetic, and sensory modes. Class time will be divided between discussion of anatomy and kinesthetic concepts, and engagement with the material experientially through movement
Dance

Experiential Anatomy/Somatic Practices — DAN2149.01

Spring 2024
Instructor: Elena Demyanenko
Days & Time:
Credits: 4
This is a studio class for any discipline intended to deepen the understanding of your own moving body. We will be studying kinesthetic anatomy by approaching the material through visual, cognitive, kinesthetic, and sensory modes. Class time will be divided between discussion of anatomy and kinesthetic concepts, and engagement with the material experientially through movement
Dance

Experiential Anatomy/Somatic Practices — DAN2149.01

Spring 2018
Instructor: Elena Demyanenko
Days & Time:
Credits: 4
This is a studio class for any discipline intended to deepen the understanding of your own moving body. We will be studying kinesthetic anatomy by approaching the material through visual, cognitive, kinesthetic, and sensory modes. Class time will be divided between discussion of anatomy and kinesthetic concepts, and engagement with the material experientially through movement
Dance

Experiential Anatomy/Somatic Practices — DAN2149.01

Fall 2019
Instructor: Elena Demyanenko
Days & Time:
Credits: 4
This is a studio class for any discipline intended to deepen the understanding of your own moving body. We will be studying kinesthetic anatomy by approaching the material through visual, cognitive, kinesthetic, and sensory modes. Class time will be divided between discussion of anatomy and kinesthetic concepts, and engagement with the material experientially through movement
Dance

Experiential Anatomy/Somatic Practices — DAN2149.01

Spring 2019
Instructor: Elena Demyanenko
Days & Time:
Credits: 4
This is a studio class for any discipline intended to deepen the understanding of your own moving body. We will be studying kinesthetic anatomy by approaching the material through visual, cognitive, kinesthetic, and sensory modes. Class time will be divided between discussion of anatomy and kinesthetic concepts, and engagement with the material experientially through movement
Dance

Experiential Anatomy/Somatic Practices — DAN2149.01

Spring 2022
Instructor: Elena Demyanenko
Days & Time:
Credits: 4
This is a studio class for students of any discipline intended to deepen the understanding of your own moving body. We will study kinesthetic anatomy by approaching material through visual, cognitive, kinesthetic, and sensory modes. Class time will be divided between discussion of anatomy and kinesthetic concepts, and engagement with the material experientially through movement
Dance

Experiential Anatomy/Somatic Practices — DAN2149.01

Fall 2018
Instructor: Elena Demyanenko
Days & Time:
Credits: 4
This is a studio class for any discipline intended to deepen the understanding of your own moving body. We will be studying kinesthetic anatomy by approaching the material through visual, cognitive, kinesthetic, and sensory modes. Class time will be divided between discussion of anatomy and kinesthetic concepts, and engagement with the material experientially through movement
Dance

Experiential Anatomy/Somatic Practices — DAN4106.01

Fall 2013
Instructor: Elena Demyanenko
Days & Time: TBA
Credits: 2
This is a studio class intended to deepen the understanding of your own moving body. We will be studying kinesthetic anatomy: approaching the material through visual, cognitive, kinesthetic, and sensory modes. Class time will be divided between discussion of anatomy and kinesthetic concepts, and engagement with the material experientially through movement visualization and
Dance

Experimental Biology: Behavioral Physiology — BIO4312.02

Fall 2020
Instructor: Amie McClellan
Days & Time:
Credits: 4
Learn how science is conducted and participate in biological research. Students will learn how to develop, conduct, and present biological research while exploring physiological systems that mediate behavioral responses in animals. During the first half of the semester, students will gain valuable research skills, such as hypothesis formation, experimental design, statistical
Science and Mathematics

Experimental Black Women Poetry — LIT4129.01

Fall 2019
Instructor: Phillip Williams
Days & Time:
Credits: 4
Defining experimental poetry can be mystifying inasmuch as all writing can be considered experimenting with language. The notion of experimentation, however, has often been denied writers of African descent across the globe.  Often relegated to the margins in discussions of innovative and avant garde poetics, Black women have throughout time lead the charge of excavating
Literature

Experimental Documentary — FV4314.01

Fall 2016
Instructor: Kate Purdie
Days & Time:
Credits: 4
This intermediate moving image course will explore experimentation in form and content in non-fiction moving image.  From the earliest experiments in actualities by the Lumiere brothers to the recent homage project “Labour in a Single Shot” including autobiography, memoir, and even recreations, experimental documentaries acknowledge the fact that the very process
Visual Arts

Experimental Fiction by Women — LIT4394.01

Spring 2024
Instructor: Carly Rudzinski
Days & Time:
Credits: 2
Women writers are notoriously overlooked by the canon, often falling into obscurity in favor of male writers’ contributions, or only recognized under the “woman writer” category. In this 2-credit class, we will trace the lineage of women’s literary invention, including their contributions to stream of consciousness writing, the Nouveau Roman, Oulipo, and contemporary
Literature

Experimental Filmmaking — FV4307.01

Fall 2013
Instructor: Warren Cockerham
Days & Time: TBA
Credits: 4
This intermediate studio course centers on experimentation with form in moving image making. Students will complete a series of film and video projects exploring approaches and techniques including but not limited to non-narrative, lyrical, abstract, structural, and materialist forms. The course will contextualize contemporary practice within the history of avant-garde and
Visual Arts

Experimental Making in Ceramics — CER4214.01

Spring 2015
Instructor: Barry Bartlett
Days & Time:
Credits: 4
This course will investigate the material nature of clay as a medium to create three-dimensional forms. Students will explore the material aspects of clay such as dryness, wetness, mass and scale using a variety of mechanical processes that include extrusion, slab rolling, slip casting and digital fabrication. In doing so, the pieces created will be used to convey ideas of
Visual Arts

Experimental Making in Ceramics — CER4214.01

Fall 2018
Instructor: Barry Bartlett
Days & Time:
Credits: 4
This course will investigate the material nature of clay as a medium to create three-dimensional forms. Students will explore the material aspects of clay such as dryness, wetness, mass, scale and incorporating mix media. We will be using a variety of mechanical processes that include extrusion, slab rolling, slip casting and traditional hand building techniques. In doing so,
Visual Arts