All Courses

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Term
Time & Day Offered
Level
Credits
Course Duration

Foundations of Photography: Digital Practice — PHO2153.01

Instructor: Elizabeth White
Credits: 4
This course offers an overview of foundational tools and techniques in digital photographic practice. Students will learn to shoot with digital SLR cameras, process raw files in Lightroom, properly scan negatives, and produce digital portfolios and high quality inkjet prints. In addition to technical instruction, a selection of images from historical and contemporary

Foundations of Photography: Digital Practice — PHO2153.01

Instructor: Carly Rudzinski
Credits: 4
This course will discuss practices and ethics around digital photography and experiment with foundational tools and techniques, aiming to create space for students to develop their own interests within the possibilities of the medium. Classes will combine practical exercises, discussions around the work of contemporary LGBTQIA+ and BIPOC photographers, and readings on the

Foundations of Photography: Digital Practice — PHO2153.01

Instructor: Elizabeth White
Credits: 4
This course offers an overview of foundational tools and techniques in digital photographic practice. Students will learn to shoot with digital SLR cameras, process raw files in Lightroom, make local adjustments, retouch, and combine images in Photoshop, properly scan negatives, and produce digital portfolios and high quality inkjet prints. In addition to technical instruction,

Foundations of Photography: Digital Practice — PHO2153.01

Instructor: Liz White
Credits: 4
This course offers an overview of foundational tools and techniques in digital photographic practice and aims to help students find new sources of inspiration, deepen their creative work, and enhance their ability to present it. Students will learn to shoot with digital SLR cameras using manual settings, manage, process, and manipulate digital image files, properly scan

Foundations of Photography: Digital Practice — PHO2153.01

Instructor: Faculty TBA
Days & Time: TU 8:30am-12:10pm
Credits: 4

“What makes photography a strange invention is that its primary raw materials are light and time,” writes John Berger. In this beginning-level studio course, students will learn the raw materials of light and time—using a digital SLR camera, managing and editing

Foundations of Photography: Introduction to Digital Practice — PHO2368.01

Instructor: Carly Rudzinski
Credits: 4
This course is designed to help students with fundamental tools and techniques of the basics of photography to develop and incubate their knowledge and technical skills such as usage of digital camera, lighting, composition, sense of moment, theme, use of color, storytelling and preparing for basic printing. In addition, this course intends to foster a creative and critical

Foundations of Physical Science — SCMA2104.01

Instructor: john bullock
Days & Time: TBA
Credits: 4
A Concise Introduction to the Principles Governing The Transformations of Matter and Energy and How They Relate to Our Environment. Mastery of fire was just the beginning. After fire came kilns, then furnaces, then steam engines, then nuclear reactors. Since our humble beginnings, the story of the development of our species has featured a nearly ubiquitous and insatiable

Foundations of Physical Science — SCMA2104.01

Instructor: Janet Foley
Days & Time: TBA
Credits: 4
A Concise Introduction to the Principles Governing The Transformations of Matter and Energy and How They Relate to Our Environment. Mastery of fire was just the beginning. After fire came kilns, then furnaces, then steam engines, then nuclear reactors. Since our humble beginnings, the story of the development of our species has featured a nearly ubiquitous and insatiable

Foundations of Political Leadership — POL2115.01

Instructor: Rotimi Suberu
Credits: 4
As an interactive process between leaders and their followers or supporters, political leadership is a socially ubiquitous, yet analytically elusive and normatively contentious, concept. This exploration of the qualities of political leaders and the process of political leadership will accomplish five things: (1) Survey contributions to studies of political leadership from

Foundations of Python Programming: Theory and Practice — CS2141.01) (cancelled 5/10/2024

Instructor: Meltem Ballan
Credits: 2
Foundations of Python Programming: Theory and Practice is a comprehensive introductory course designed to equip students with essential programming skills using the Python language. Throughout the course, students will delve into fundamental programming concepts such as variables, data types, control structures, functions, and object-oriented programming principles. They will

Foundations; Metalshop — SCU2217.02

Instructor: Phoenix Malanga
Days & Time: FR 8:30am-12:10pm
Credits: 2

This course is recommended for all students considering working in sculpture and interested in mild steel design/fabrication methods. It is open to anyone with a curiosity about materials and building processes. There are fundamental introductions to gas, arc, electric welding, forging, fabrication techniques like cutting and grinding

Fourier Analysis and Partial Differential Equations — MAT4212.01

Instructor: Andrew McIntyre
Credits: 4
Fourier analysis may be seen as decomposing an arbitrary function, or wave form, into sine and cosine functions. In this sense, it is clearly of interest in analyzing audio signals. However, it goes much further than this. In computer science, it extends to processing of images and data compression. In physics, it is central to quantum mechanics. More broadly, it is the main

Fourier Analysis, Differential Equations, and Mathematical Methods — MAT4140.01

Instructor: Andrew McIntyre
Credits: 4
This class is a broad survey of mathematical theories and techniques which are applied in the physical sciences and engineering, but also are of interest in their own right. The class will cover fundamentals of ordinary and partial differential equations, fundamental to classical mechanics, electrodynamics, quantum mechanics, and chemistry. A large part of the course will cover

Framed? Literature Heroines on Screen — FRE4809.01

Instructor: Noëlle Rouxel-Cubberly
Credits: 4
French literature and film have always reciprocally inspired one another - as early as 1897, Lumière represented the main characters of Hugo’s Les Misérables. This course will offer students the opportunity to analyze literary representations of women and their film adaptations in terms of intermediality and intertextuality. Adaptations will include: La Princesse de Clèves (La

Framed? Literature Heroines on Screen — FRE4809.01

Instructor: Noëlle Rouxel-Cubberly
Days & Time: MO,TH 1:40pm-3:30pm
Credits: 4

French literature and film have always reciprocally inspired one another – as early as 1897, Lumière represented the main characters of Hugo’s Les Misérables. This course will offer students the opportunity to analyze literary representations of women and their film adaptations in terms of intermediality and intertextuality. Adaptations will include: La Princesse de Clèves

Framing the World - Animating the World — MA4212.01

Instructor: Sue Rees
Days & Time: TH 8:30am-12:10pm
Credits: 4

The course will be for sustained work on an animation or projection design project, and should be a space for both experimentation, ambition and consistent endeavor. The first half of the semester will be concerned with conceptualizing and framing the world of the animations or projections, by research, drawings, investigation, imagining. The second half will be creating the

France Contemporaine: Race, Classe et Religion — FRE4502.01

Instructor: Maboula Soumahoro
Days & Time: TBA
Credits: 4

This course will explore socio-political issues of contemporary France. Themes will include the end of World War II and the disintegration of the French colonial empire. The period also produced migration waves originating from newly independent, post-colonial territories. The presence of these migrants and their offspring has profoundly transformed

France contemporaine: race, classe, et religion — FRE4495.01

Instructor: Maboula Soumahoro
Days & Time: TBA
Credits: 4

This course will explore socio-political issues of contemporary France. Themes will include the end of World War II and the disintegration of the French colonial empire. The period also produced migration waves originating from newly independent, post-colonial territories. The presence of these migrants and their offspring has profoundly transformed

French America — FRE4221.01

Instructor: Stephen Shapiro
Days & Time: TBA
Credits: 4
This course will examine French representations of America in literature, political philosophy, and film. We will focus on the paradoxes inherent in the French fascination with America as well as how America has served as a figure for the expression of French anxieties about modernity and a changing world. Beginning with Montaigne, Buffon, and Tocqueville we will analyze the

French by Dancing — DAN2436.01

Instructor: Kaolack Ndiaye
Days & Time: MO,TH 3:40pm-5:30pm
Credits: 4

This course is designed for anyone interested in interdisciplinary artistic practices with a focus on dance creation, and improving the French language. Through the study and practical exploration of works by African choreographers and dancers, students will engage in both the analysis and creation of movement, developing skills in composition, improvisation, and

French Comedy — FRE4122.01

Instructor: Stephen Shapiro
Credits: 4
This course will examine the comic in French theatre, literature, politics, and film in order to answer a deceptively simple question: What makes us laugh? In theoretical readings we will consider whether laughter is a universal, cross-cultural function. Additionally, we will look at special, sub-genres of the comic, such as satire and parody, in order to question the

French Comedy — FRE4122.01

Instructor: Stephen Shapiro
Credits: 4
This course will examine the comic in French theatre, literature, politics, and film in order to answer a deceptively simple question: What makes us laugh? In theoretical readings we will consider whether laughter is a universal, cross-cultural function. Additionally, we will look at special, sub-genres of the comic, such as satire and parody, in order to question the

French Comedy — FRE4811.01

Instructor: Stephen Shapiro
Days & Time: MO 3:40pm-5:30pm & WE 4:10pm-6:00pm
Credits: 4

This course will examine the comic in French theatre, literature, politics, and film in order to answer a deceptively simple question: What makes us laugh? In theoretical readings we will consider whether laughter is a universal, cross-cultural function. Additionally, we will look at special, sub-genres of the comic, such as satire and parody, in order to question the

French Comedy — FRE4122.01

Instructor: Stephen Shapiro
Credits: 4
This course will examine the comic in French theatre, literature, politics, and film in order to answer a deceptively simple question: What makes us laugh? In theoretical readings we will consider whether laughter is a universal, cross-cultural function. Additionally, we will look at special, sub-genres of the comic, such as satire and parody, in order to question the

French Film Adaptations — FV2302.01

Instructor: Noëlle Rouxel-Cubberly
Days & Time: TBA
Credits: 4
Students will examine a variety of adaptations, focusing on the strategies used to turn a book into a film. Issues of adaptation theory will be explored, as well as the underlying ideology behind the rediscovery of specific authors through cinema. Students will discuss notions such as “faithfulness” to a source text, but more importantly intermediality and intertextuality, the