All Courses

Introduction to Game Theory — MAT2242.01

Instructor: Katie Montovan

Credits: 4

We typically think of games (like football, scrabble, and bridge) as entertaining competitions where each player or team tries to outsmart, outrun, or generally be better than their opponent. In this course, we will broaden this definition of a game to be any interaction between individuals where there are well-defined rewards that depend on what the opponent decides to do. In

Science Mathematics and Computing

Introduction to Game Theory — MAT2242.01

Instructor: Kathryn Montovan

Credits: 4

We typically think of games (like football, scrabble, and bridge) as entertaining competitions where each player or team tries to outsmart, outrun, or generally be better than their opponent. In this course, we will broaden this definition of a game to be any interaction between individuals where there are well-defined rewards that depend on what the opponent decides to do. In

Science Mathematics and Computing

Introduction to Git and Github — CS4387.01) (cancelled 5/10/2024

Instructor: Meltem Ballan

Credits: 4

This course, "Introduction to Git and GitHub," serves as an extension to the two-part Python class taught in Fall 2024.This course aims to equip learners with essential skills in version control, Git, and GitHub, enabling them to effectively manage and collaborate on coding projects. It's designed for beginners with no prior experience required, offering a comprehensive

Introduction to Harmony — MTH2128.01

Instructor: Nick Brooke

Credits: 4

A nuts‐and‐bolts overview of tonal harmony, from scales and chords to voice leading and common progressions. At first we’ll focus on the harmonic practices of Classical music, later broadening our focus to a variety of pop, jazz, and contemporary music. Emphasis will be placed on creative work, and students will be asked to compose and perform pieces in a variety of harmonic

Music

Introduction to Harmony — MTH2128.01

Instructor: Nicholas Brooke

Credits: 4

A nuts-and-bolts overview of tonal harmony, from scales and chords to voice leading. At first we'll focus on the harmonic practices of Classical and Baroque music, later broadening our focus to a variety of pop, jazz, and contemporary music. Emphasis will be placed on creative work, and students will be asked to compose (and perform) pieces in a variety of harmonic styles. Ear

Music

Introduction to Harmony — MTH2128.01

Instructor: Nick Brooke

Days & Time: TBA

Credits: 4

A nuts‐and‐bolts overview of tonal harmony, from scales and chords to voice leading. At first we’ll focus on the harmonic practices of Classical and Baroque music, later broadening our focus to a variety of pop, jazz, and contemporary music. Emphasis will be placed on creative work, and students will be asked to compose and perform pieces in a variety of harmonic styles. Ear

Music

Introduction to Harmony — MTH2128.01

Instructor: Nicholas Brooke

Credits: 4

A nuts-and-bolts overview of tonal harmony, from scales and chords to voice leading. At first we'll focus on the harmonic practices of Classical and Baroque music, later broadening our focus to a variety of pop, jazz, and contemporary music. Emphasis will be placed on creative work, and students will be asked to compose (and perform) pieces in a variety of harmonic styles.

Music

Introduction to Intaglio — PRI2109.01

Instructor: Thorsten Dennerline

Credits: 4

This course is an introduction to Intaglio printing. This will include drypoint, various etching techniques, and basic color intaglio. Students will learn about Intaglio through demonstrations of techniques, hands-on experience, and critiques. Further study will occur through a series of projects outside of class. Students should find the parameters of

Visual Arts

Introduction to Intaglio: Alchemy Surprise — PRI2125.01

Instructor: Thorsten Dennerline

Credits: 4

This course is an introduction to Intaglio printmaking. Using both Plexiglas and copper, we will explore various techniques including drypoint and acid etching with materials such as rosin resists and sugar lifts. We will explore both incidental and deliberate mark making, and the surprise of seeing our images reversed in print. Ultimately, our endeavors will begin a dialog

Visual Arts

Introduction to Intaglio: The Alchemist's Print — PRI2111.01

Instructor: Thorsten Dennerline

Credits: 4

This course is an introduction to copper plate Intaglio. We will explore various techniques to prepare our plates including hand working and acid etching with materials such as rosin resists and sugar lifts. By the end of term, we will be printing in color. Ultimately, the overall goal of our endeavors will be to begin a dialog about artistic production in a contemporary

Visual Arts

Introduction to Intaglio: The Alchemist's Print — PRI2111.01

Instructor: Thorsten Dennerline

Credits: 4

This course is an introduction to copper plate Intaglio. We will explore various techniques to prepare our plates including hand working and acid etching with materials such as rosin resists and sugar lifts. By the end of term, we will be printing in color. Ultimately, the overall goal of our endeavors will be to begin a dialog about artistic production in a contemporary

Visual Arts

Introduction to Intaglio: The Alchemist's Print — PRI2111.01

Instructor: Thorsten Dennerline

Credits: 4

This course is an introduction to copper plate Intaglio. We will explore various techniques to prepare our plates including hand working and acid etching with materials such as rosin resists and sugar lifts. By the end of term, we will be printing in color. Ultimately, the overall goal of our endeavors will be to begin a dialog about artistic production in a contemporary

Visual Arts

Introduction to Intaglio: The Alchemist's Print — PRI2111.01

Instructor: Thorsten Dennerline

Credits: 4

This course is an introduction to copper plate Intaglio. We will explore various techniques to prepare our plates including hand working and acid etching with materials such as rosin resists and sugar lifts. By the end of term, we will be printing in color. Ultimately, the overall goal of our endeavors will be to begin a dialog about artistic production in a contemporary

Visual Arts

Introduction to Intaglio: The Alchemist's Print — PRI2111.01

Instructor: Thorsten Dennerline

Credits: 4

This course is an introduction to copper plate Intaglio. We will explore various techniques to prepare our plates including hand working and acid etching with materials such as rosin resists and sugar lifts. By the end of term, we will be printing in color. Ultimately, the overall goal of our endeavors will be to begin a dialog about artistic production in a contemporary

Visual Arts

Introduction to Intaglio: The Alchemist’s Print — PRI2111.01

Instructor: Thorsten Dennerline

Credits: 4

This course is an introduction to copper plate Intaglio. We will explore various techniques to prepare our plates including hand working and acid etching with materials such as rosin resists and sugar lifts. By the end of term, we will be printing in color. Ultimately, the overall goal of our endeavors will be to begin a dialog about artistic production in a contemporary

Visual Arts

Introduction to Intaglio: The Alchemist’s Print — PRI2111.01

Instructor: Thorsten Dennerline

Credits: 4

This course is an introduction to copper plate Intaglio. We will explore various techniques to prepare our plates including hand working and acid etching with materials such as rosin resists and sugar lifts. By the end of term, we will be printing in color. Ultimately, the overall goal of our endeavors will be to begin a dialog about artistic production in a contemporary

Visual Arts

Introduction to Intaglio: The Alchemist’s Print — PRI2111.01

Instructor: Thorsten Dennerline

Credits: 4

This course is an introduction to copper plate Intaglio. We will explore various techniques to prepare our plates including hand working and acid etching with materials such as rosin resists and sugar lifts. By the end of term, we will be printing in color. Ultimately, the overall goal of our endeavors will be to begin a dialog about artistic production in a contemporary

Visual Arts

Introduction to Intaglio: The Alchemist’s Print — PRI2111.01

Instructor: Thorsten Dennerline

Days & Time: TU 2:10pm-5:50pm

Credits: 4

This course is an introduction to the magic of copper plate Intaglio. We will explore various techniques to prepare our plates including hand working and acid etching with materials such as rosin resists and sugar lifts. By the end of term, we will be printing in color. Ultimately, the overall goal of our endeavors will be to begin a dialog about artistic production in a

Design Drawing Printmaking

Introduction to International Law — APA2020.03

Instructor: Carly Rudzinski

Credits: 1

This is an introductory course to international public law and its relevance in today’s complex and interconnected world. International law can be considered as the law governing the relations between States, but it also includes relations with international organizations, corporations, and civil society organizations. It is also the foundation for International Human Rights

CAPA

Introduction to International Law — APA2020.03

Instructor: Andrea Galindo

Credits: 1

This is an introductory course to international public law and its relevance in today’s complex and interconnected world. International law can be considered as the law governing the relations between States, but it also includes relations with international organizations, corporations, and civil society organizations. It is also the foundation for International Human Rights

CAPA

Introduction to Japanese Film — JPN4802.01

Instructor: Carly Rudzinski

Credits: 4

This course introduces students to the history of Japanese cinema from the 1920s to the present. We will take a closer look at many of the most important and influential directors in Japanese cinema, including (but not limited to) the three greatest directors: Mizoguchi Kenji, Ozu Yasujirō, and Kurosawa Akira. These directors are unified in using the medium to investigate

Cultural Studies and Languages

Introduction to Javascript — DA2111.02

Instructor: Jackson Moore

Credits: 2

This course is an introduction to programming in the web browser. A basic knowledge of html and css is helpful but not necessary. We will get to know the rudiments of scripting languages, and learn how to use them to implement dynamic sites and web applications. We'll focus on three types of problem solving strategies used constantly by programmers: how to break down structure,

Visual Arts

Introduction to Jazz Harmony — MTH2276.01

Instructor: jacob sacks

Days & Time: TBA

Credits: 4

This course will approach the subject of harmony from a jazz perspective. Participants will learn about chord structures and inversions, scales and modes used in improvisation, plus common (and uncommon) chord progressions. Participants will also learn how to identify chord symbols used in lead sheets and how to make practical use of one’s knowledge of key signatures when

Music

Introduction to Jazz Theory and Improvisation — MTH2272.01

Instructor: Bruce Williamson

Credits: 4

This course will review both diatonic and modal harmony as it applies to chord structures, chord progressions and scales used in jazz improvisation. Students will learn how to translate the chord symbols found in “lead sheets” (music with only chord symbols and melody), how to interpret chord alterations, and how to identify key centers. This course will help students learn the

Music

Introduction to Jazz Theory and Improvisation — MTH2272.01

Instructor: Bruce Williamson

Credits: 4

This course will review both diatonic and modal harmony as it applies to chord structures, chord progressions and scales used in jazz improvisation. Students will learn how to translate the chord symbols found in lead sheets (music with only chord symbols and melody), how to interpret chord alterations, and how to identify key centers. This course will help students learn the

Music