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Term
Time & Day Offered
Level
Credits
Course Duration

Intermediate Guitar — MIN4025.01

Spring 2025
Instructor: John Kirk
Credits: 2
Instrumental Study on Guitar. Continued studies from Beginning Guitar. Advanced study in fret-board harmony and theory, play in different tunings, increase chord vocabulary and repertoire.
Music

Intermediate Guitar —

Fall 2021
Instructor: Hui Cox
Credits: 2
 (MIN4025.01) Hui Cox Instrumental Study on Guitar. Continued studies from Beginning Guitar. Advanced study in fret-board harmony and theory.   Categories: All courses , Instrumental Study , Remotely Accessible Tags:
Music

Intermediate Musicianship — MTH2277.01

Spring 2019
Instructor: Andrew Greenwald
Credits: 2
This course will focus on improving our ability to hear, replicate, and document music. We will concentrate on honing melodic and rhythmic transcription, while also developing ways of identifying and notating modern instrumental and electronic techniques. The students will help guide the direction of the course by choosing particular musical examples and topics for
Music

Intermediate Musicianship — MTH2277.01

Spring 2018
Instructor: Andrew Greenwald
Credits: 4
This course will focus on improving our ability to hear, replicate, and document music. We will concentrate on honing melodic and rhythmic transcription, while also developing ways of identifying and notating modern instrumental and electronic techniques. The students will help guide the direction of the course by choosing particular musical examples and topics for
Music

Intermediate Painting: Beyond the Easel — PAI4218.01

Spring 2025
Instructor: J Blackwell
Credits: 4
In the summer of 1943, Peggy Guggenheim commissioned Jackson Pollock to create a monumental painting. Marcel Duchamp suggested that Pollock use a canvas instead of painting directly on a wall, ensuring the work could be moved. Pollock later wrote of the project, "I’ve had to tear out the partition between the front and middle room [of my apartment] to get the damned thing up. I
Visual Arts

Intermediate Painting: Facture — PAI4207.01

Fall 2014
Instructor: joshua blackwell
Days & Time: TBA
Credits: 4
Behind the impulse to put paint on canvas is a search for meaning. As an artwork comes into being, so too does its meaning evolve concurrently. This course will focus on the relationship between facture and meaning in painting. Sharpening practical and critical skills, assignments will investigate the processes and methods of painting from practical and theoretical perspectives
Visual Arts

Intermediate Painting: Facture — PAI4106.01

Spring 2018
Instructor: Josh Blackwell
Credits: 4
Behind the impulse to put paint on canvas is a search for meaning. As an artwork comes into being, its meaning(s) evolve concurrently. Concentrating on the establishment of a rigorous artistic practice, this course will focus on the relationship between facture and meaning in painting. Sharpening practical and critical skills, assignments will investigate the processes and
Visual Arts

Intermediate Painting: Facture — PAI4106.01

Spring 2016
Instructor: J Blackwell
Credits: 4
fac·ture - ˈfakCHər/ = noun the quality of the execution of a painting; an artist's characteristic handling of the paint. Behind the impulse to put paint on canvas is a search for meaning. As an artwork comes into being, its meaning(s) evolve concurrently. Concentrating on the establishment of a rigorous artistic practice, this course will focus on the relationship
Visual Arts

Intermediate Painting: Facture — PAI4106.01

Spring 2020
Instructor: J Blackwell
Credits: 4
“Facture refers to the manner in which a painting, drawing, or object is made. It is the combination of brushstrokes, marks, material, and the texture of the surface. Facture is critical to the success of any object. Much of the fascination that accrues to all manual media comes from what can be observed at close range. That distance reveals the foundation, the touch, the
Visual Arts

Intermediate Painting: Facture — PAI4106.01

Spring 2024
Instructor: J Blackwell
Credits: 4
“Facture refers to the manner in which a painting, drawing, or object is made. It is the combination of brushstrokes, marks, material, and the texture of the surface. Facture is critical to the success of any object. Much of the fascination that accrues to all manual media comes from what can be observed at close range. That distance reveals the foundation, the touch, the
Visual Arts