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Showing 25 Results of 7245

Gothic Vision: Specters of Subversion, Medieval to Tomorrow — AH4108.01

Instructor: J Vanessa Lyon
Days & Time:
Credits: 4
The Gothic is a worldview equally at home in nostalgia and strangeness. It thirsts for arcane, even perverse, knowledge and is frequently motivated by a fearful fascination with the foreign. In Gothic novels (the first of which appeared in London in 1764) psychic ‘interiority’ is revealed in dark spaces tainted by unthinkable crimes or haunted by spirits. But if seeing is

Governing America — HIS2257.01

Instructor: Eileen Scully
Days & Time:
Credits: 4
Who’s running America, how, and to what ends? To get at these questions, we will conduct a wide-ranging overview of American governance. With an eye on the 2020 general election, our focus will be on political parties, the electoral college, campaign strategies, voting rights, congressional representation, “dark money,” social media politicking, and emerging cyber-threats to

Governing America — HIS2257.02

Instructor: Carly Rudzinski
Days & Time:
Credits: 4
Who’s running America, how, and to what ends? To get at these questions, we will conduct a wide-ranging overview of American governance. With an eye on the 2020 general election, our focus will be on political parties, the electoral college, campaign strategies, voting rights, congressional representation, “dark money,” social media politicking, and emerging cyber-threats to

Governing America — HIS2257.01

Instructor: eileen scully
Days & Time: TBA
Credits: 4
Who's running America? Is anybody actually in charge? To get at these questions, we will conduct a wide-ranging historical overview of American governance, from the founding generation up through current initiatives to form an even more perfect union. Using case studies--including Tammany Hall, Civil War, Civil Rights, Borders, and Regulation--we will explore the elaborate,

Graduate Assistantship in Dance — DAN5301.01

Instructor: Elena Demyanenko
Days & Time:
Credits: 4
Graduate students in Dance are integrated into the dance program as teaching assistants, production assistants or dance archival assistants. In consultation with their academic advisors and the dance faculty, MFA candidates develop an assistantship schedule of approximately ten hours weekly.

Graduate Assistantship in Dance — DAN5301.01

Instructor: Dana Reitz
Days & Time:
Credits: 4
Graduate students in Dance are integrated into the dance program as teaching assistants, production assistants or dance archival assistants. In consultation with their academic advisor and the dance faculty, MFA candidates develop an assistantship schedule of approximately ten hours weekly.

Graduate Assistantship in Dance — DAN5301.01

Instructor: Dana Reitz
Days & Time:
Credits: 4
Graduate students in Dance are integrated into the dance program as teaching assistants, production assistants or dance archival assistants. In consultation with their academic advisor and the dance faculty, MFA candidates develop an assistantship schedule of approximately ten hours weekly.

Graduate Assistantship in Dance — DAN5301.01

Instructor: Terry Creach
Days & Time:
Credits: 4
Graduate students in Dance are integrated into the dance program as teaching assistants, production assistants or dance archival assistants. In consultation with their academic advisor and the dance faculty, MFA candidates develop an assistantship schedule of approximately ten hours weekly. Prerequisites: Teaching Fellowship or Assistantship in Dance.

Graduate Assistantship in Dance — DAN5301.01

Instructor: Terry Creach
Days & Time: TBA
Credits: 4
Graduate students in Dance are integrated into the dance program as teaching assistants, production assistants or dance archival assistants. In consultation with their academic advisor and the dance faculty, MFA candidates develop an assistantship schedule of approximately ten hours weekly.

Graduate Assistantship in Dance — DAN5301.01

Instructor: Dana Reitz
Days & Time:
Credits: 6
Graduate students in Dance are integrated into the dance program as teaching assistants, production assistants or dance archival assistants. In consultation with their academic advisor and the dance faculty, MFA candidates develop an assistantship schedule of approximately ten hours weekly.

Graduate Assistantship in Dance — DAN5301.01

Instructor: Dana Reitz
Days & Time:
Credits: 4
Graduate students in Dance are integrated into the dance program as teaching assistants, production assistants or dance archival assistants. In consultation with their academic advisor and the dance faculty, MFA candidates develop an assistantship schedule of approximately ten hours weekly.

Graduate Assistantship in Dance — DAN5301.01

Instructor: Terry Creach
Days & Time:
Credits: 4
Graduate students in Dance are integrated into the dance program as teaching assistants, production assistants or dance archival assistants. In consultation with their academic advisors and the dance faculty, MFA candidates develop an assistantship schedule of approximately ten hours weekly.

Graduate Assistantship in Dance — DAN5301.01

Instructor: Terry Creach
Days & Time:
Credits: 4
Graduate students in Dance are integrated into the dance program as teaching assistants, production assistants or dance archival assistants. In consultation with their academic advisor and the dance faculty, MFA candidates develop an assistantship schedule of approximately ten hours weekly.

Graduate Assistantship in Dance — DAN5301.01

Instructor: Dana Reitz
Days & Time:
Credits: 4
Graduate students in Dance are integrated into the dance program as teaching assistants, production assistants or dance archival assistants. In consultation with their academic advisor and the dance faculty, MFA candidates develop an assistantship schedule of approximately ten hours weekly.

Graduate Assistantship in Dance — DAN5301.01

Instructor: terry creach
Days & Time: TBA
Credits: 4
Graduate students in Dance are integrated into the dance program as teaching assistants, production assistants or dance archival assistants. In consultation with their academic advisor and the dance faculty, MFA candidates develop an assistantship schedule of approximately ten hours weekly.

Graduate Assistantship in Dance — DAN5301.01

Instructor: Terry Creach
Days & Time:
Credits: 4
Graduate students in Dance are integrated into the dance program as teaching assistants, production assistants or dance archival assistants. In consultation with their academic advisor and the dance faculty, MFA candidates develop an assistantship schedule of approximately ten hours weekly.

Graduate Assistantship in Public Action — APA5101.02

Instructor: Carly Rudzinski
Days & Time:
Credits: 2
Graduate students in Public Action are integrated into the CAPA and related discipline areas as teaching assistants. In consultation with the faculty, MFA candidates develop an assistantship schedule of approximately 5 hours weekly.

Graduate Assistantship in Public Action — APA5101.01

Instructor: Carly Rudzinski
Days & Time:
Credits: 2
Graduate students in Public Action are integrated into the CAPA and related discipline areas as teaching assistants. In consultation with the faculty, MFA candidates develop an assistantship schedule of approximately 5 hours weekly.

Graduate Assistantship in Public Action — APA5101.01

Instructor: Susan Sgorbati
Days & Time:
Credits: 4
Graduate students in Public Action are integrated into the CAPA and related discipline areas as teaching assistants. In consultation with the faculty, MFA candidates develop an assistantship schedule of approximately 5 hours weekly.

Graduate Assistantship in Public Action — APA5101.01

Instructor: Carly Rudzinski
Days & Time:
Credits: 4
Graduate students in Public Action are integrated into the CAPA and related discipline areas as teaching assistants. In consultation with the faculty, MFA candidates develop an assistantship schedule of approximately 5 hours weekly.