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Areas of Study
Course Day & Time(s)
Course Level
Credits
Course Duration
Showing 25 Results of 7796

Animation 1 — MA2105.01

Instructor: Sue Rees
Days & Time:
Credits: 4
The class will be concerned with animating inanimate objects by stop motion, drawings, and cut out collages. A variety of filmmakers and techniques will be looked at during the course of the semester. Students will be expected to produce a variety of short projects followed by a longer more sustained project. Students will be instructed in using ‘Dragonframe’ Software, the

Animation 1 — MA2105.01

Instructor: sue rees
Days & Time: TBA
Credits: 4
The class will be concerned with animating inanimate objects by stop motion, drawings, and cut out collages. A variety of filmmakers and techniques will be looked at during the course of the semester. Students will be expected to produce a variety of short projects followed by a longer more sustained project based on current events and environmental issues. Students will be

Animation 1 — MA2105.01

Instructor: Sue Rees
Days & Time: TBA
Credits: 4
The class will be concerned with animating inanimate objects by stop motion, drawings, and cut out collages. A variety of filmmakers and techniques will be looked at during the course of the semester. Students will be expected to produce a variety of short projects followed by a longer more sustained project. Students will be instructed in using ‘Dragonframe’ Software, the

Animation One – animating inanimate objects — MA2109.01

Instructor: Sue Rees
Days & Time: WE 8:30am-12:10pm
Credits: 4

The class will be concerned with animating inanimate objects by primarily stop motion.  Locations will be constructed, objects to animated formed, and lighting explored in order to create the imaginary world. A variety of filmmakers and techniques will be looked at during the course of the semester, with individual research

Animation One – Animating Inanimate Objects — MA2109.01

Instructor: Sue Rees
Days & Time:
Credits: 4
The class will be concerned with animating inanimate objects by primarily stop motion. Locations will be constructed, objects to animated formed, and lighting explored in order to create the imaginary world. A variety of filmmakers and techniques will be looked at during the course of the semester. Students will be expected to produce a variety of short projects over the first

Animation Projects — MA4202.01

Instructor: Sue Rees
Days & Time:
Credits: 4
The course will be for sustained work on an animation or design project, and should be a space for both experimentation, ambition and a consistent endeavor. Students will be expected to create a complete animation, a series of experiments or interactive project. The expectation is that students will be fully engaged in all aspects of the class from critiques, to experimenting

Animation Projects — MA4202.02

Instructor: Sue Rees
Days & Time:
Credits: 2
The course will be for sustained work on an animation or preparatory work for a longer animation. The expectation is that students will be fully engaged in their project, with fellow students' projects and with critiques.  The expectation is that storyboards, character designs, backgrounds, sets will be designed, fabricated  and filmed or prepared to be filmed.

Animation Projects — MA4201.01

Instructor: Sue Rees
Days & Time:
Credits: 4
The course will be for sustained work on an animation or set design. Students will be expected to create a complete animation, or project. The expectation is that students will be fully engaged in their project, and with critiques. Locations will be explored for showing of work including investigating digital projections on different surfaces and forms. Animation students

Animation Projects — MA4201.01

Instructor: Sue Rees
Days & Time: TBA
Credits: 2
The course is for advanced animation students who have clearly defined a specific project. The project could include an animation to be completed in the semester, or preparatory work for an animation to be completed in the Spring 2014 semester; preparatory work could include drawings, model building, puppet construction. The students are expected to have undertaken research

Animation Projects — MA4202.01

Instructor: Sue Rees
Days & Time:
Credits: 4
The course will be for sustained work on an animation or design project. Students will be expected to create a complete animation, or project. The expectation is that students will be fully engaged in all aspects of the class from critiques, to experimenting with ideas, undertaking research and being present. Locations may be explored for showing of work including investigating

Animation Projects — MA4201.01

Instructor: Sue Rees
Days & Time:
Credits: 4
The course will be for sustained work on an animation. Students will be expected to create a complete animation, or project. The expectation is that students will be fully engaged in their project, and with critiques. Student will work with sound effects and sound scores to complete their final animation. A public showing will be required.

Animation Projects — MA4202.01

Instructor: Sue Rees
Days & Time:
Credits: 4
The course will be for sustained work on an animation or design project, and should be a space for both experimentation, ambition and a consistent endeavor. Students will be expected to create a complete animation, a series of experiments or interactive project. The expectation is that students will be fully engaged in all aspects of the class from critiques, to experimenting

Animation Projects — MA4202.01

Instructor: Sue Rees
Days & Time:
Credits: 4
The course will be for sustained work on an animation or set design. Students will be expected to create a complete animation, or project. The expectation is that students will be fully engaged in their project, and with critiques. Locations will be explored for showing of work including investigating digital projections on different surfaces and forms. Animation students

Animation Projects — MA4202.01

Instructor: Sue Rees
Days & Time:
Credits: 4
The course will be for sustained work on an animation or design project, and should be a space for both experimentation, ambition and a consistent endeavor. Students will be expected to create a complete animation, a series of experiments or interactive project. The expectation is that students will be fully engaged in all aspects of the class from critiques, to experimenting

Animation Projects — MA4202.01

Instructor: Sue Rees
Days & Time:
Credits: 4
The course will be for sustained work on an animation or design project. Students will be expected to create a complete animation, or project. The expectation is that students will be fully engaged in all aspects of the class from critiques, to experimenting with ideas, undertaking research and being present. Locations may be explored for showing of work including investigating

Animation Projects — MA4201.01

Instructor: Sue Rees
Days & Time:
Credits: 4
The course will be for sustained work on an animation or set design. Students will be expected to create a complete animation, or project. The expectation is that students will be fully engaged in their project, and with critiques. Locations will be explored for showing of work including investigating digital projections on different surfaces and forms. Animation students

Animation Projects — MA4202.01

Instructor: Sue Rees
Days & Time:
Credits: 4
The course will be for sustained work on an animation or design project. Students will be expected to create a complete animation, or project. The expectation is that students will be fully engaged in all aspects of the class from critiques, to experimenting with ideas, undertaking research and being present. Locations may be explored for showing of work including investigating

Animation Projects – Pre-Production Class — MA4026.02

Instructor: Sue Rees
Days & Time:
Credits: 2
This class is a pre-production for a future project whether for a projection, an animation or installation. Research will be undertaken, with this research presented. A catalogue of images, materials objects, and storyboarding along with creating a short tests for a longer project will be completed by the end of the term. Various situations, and presentation formats and

Animation Projects(cancelled 4/26/2023) — MA4202.01

Instructor: Sue Rees
Days & Time:
Credits: 4
The course will be for sustained work on an animation or design project, and should be a space for both experimentation, ambition and a consistent endeavor. Students will be expected to create a complete animation, a series of experiments or interactive project. The expectation is that students will be fully engaged in all aspects of the class from critiques, to experimenting

Animation-Projections-Experiments — MA4210.01

Instructor: Sue Rees
Days & Time:
Credits: 4
During the first half of the semester a series of experiments will occur by projecting on to created objects, spaces and locations. The intention is to create animations, images, videos which will bring a different perspective to the objects and locations by a shift in scale, content and context.From these short experiments and from other sources, longer animations or projects

Animation/Design Projects — MA4127.01

Instructor: Sue Rees
Days & Time:
Credits: 4
The course will be for sustained work on an animation or set design. Students will be expected to create a complete animation, or project. The expectation is that students will be fully engaged in their project, and with critiques. Locations will be explored for showing of work including investigating digital projections on different surfaces and forms. Animation students will

Animation/Projection of Inanimate objects — MA2110.01

Instructor: Sue Rees
Days & Time: TH 8:30am-12:10pm
Credits: 4

The class will be concerned with animating inanimate objects by primarily stop motion.  Locations will be constructed, objects animated, and lighting explored in order to create the imaginary world. The worlds will be captured via Dragonframe® to create short animations, as well as creating stories by projections of

Anne Carson — LIT4382.01

Instructor: Carly Rudzinski
Days & Time:
Credits: 4
This course is an in-depth study of Anne Carson, Canada’s most renowned living poet. In addition to writing poetry, Carson has written experimental essays, operas, screenplays, and translations. She has also lectured widely on ancient Greek and Latin texts. In examining the major works in Carson’s oeuvre, we will investigate how she transforms ancient texts to create vibrant