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Speculative fiction is storytelling that starts with something real, some phenomenon observable in the present or recent past, and asks “What if?” - extrapolating into the future or alternate realities. Critical fabulation, as coined by Saidiya Hartman in the essay “Venus in Two Acts,” is a method for recovering unwritten histories. By
Are islands only geographic, or can they be social? Can a community be an island, the way an island can be a community? For almost two centuries, linguists have used the metaphor of “speech islands” to describe groups of people speaking one language who live surrounded by speakers of another. These communities may be
In this course we will explore spiraling in and out of the floor. This is a rigorous movement class that focuses on traveling through space, using the spirals embedded in the body and exploring how these will help us to separate from the floor and come back to it, creating movement sequences and phrases used mainly in postmodern dance
The novella is a pleasing narrative container, more flexible than the short story, less meandering than the full-length novel, and often composed with a kind of pleasing internal poetry. This rigorous course, part seminar, part fiction workshop, will be devoted on one hand to the study of fourteen postmodern and contemporary novellas, on the other to the production of
The novella is a pleasing narrative container, more flexible than the short story, less meandering than the full-length novel, and often composed with a kind of brilliant internal poetry. This rigorous course, part seminar, part fiction workshop, will be devoted on one hand to the study of fourteen postmodern and contemporary novellas; on the other to the production of
At the center of almost every live performance is a single human being who quite literally runs the show: the stage manager. This course will explore the stage manager's role as both an artist and an administrator, using the SM's wide-ranging responsibilities as a roadmap to understanding the production process and all the people involved in it.
Through readings,
At the center of almost every live performance is a single human being who quite literally runs the show: the stage manager. This course will explore the stage manager’s role as both an artist and an administrator, using the SM’s wide-ranging responsibilities as a roadmap to understanding the production process and all the people involved in it. Through readings, discussions
What does it mean to live well, and how can it be measured? This course explores the concept of standard of living in economics, understood as how well-being and life conditions are defined, compared, and evaluated across communities.
