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Showing 25 Results of 7245

The Data Science Foundations — CS2132.01

Instructor: Meltem Ballan
Days & Time:
Credits: 4
The Data Science Foundations provides an interactive introduction to common algorithms and techniques in data science. This class covers data preprocessing, regression techniques, supervised and unsupervised learning algorithms, decision trees, neural networks, ensemble methods,  model evaluation techniques and ethics. Throughout the course, students are encouraged to

The Death and Life of Ash Trees: Emerald Ash Borer on the Bennington Campus — ENV2210.01

Instructor: Caitlin McDonough MacKenzie
Days & Time: TH 3:40pm-5:30pm
Credits: 1

The ash trees on campus are dying from an introduced beetle. Ash trees make up about 8% of Vermont’s forests and their foliage contributes to our iconic fall colors. They are culturally important trees with deep connections to art from Indigenous basket making to Beyonce’s Louisville slugger in Lemonade. The Emerald Ash Borer (EAB) beetle

The Design Process: Concept - Analysis - Diagram - Presentation — ARC4212.01

Instructor: Karolina Kawiaka
Days & Time:
Credits: 4
In this class students will develop and refine their design process through a series of sketch problems and design exercises. They will become familiar with the work of important architects and architectural writing and its role in creating culture, which will give inspiration and a sense of context for their own work. Analysis, CAD, and presentation skills will be advanced

The Devil — LIT2404.01

Instructor: Phillip Williams
Days & Time:
Credits: 4
The Devil has taken many shapes and sizes throughout history and around the world. His story of origin has inspired canonical works that delve into Judeo-Christian theological examinations of daily life, political life, and the metaphysical. Who we are as people on earth seems to depend heavily on how we view our relationship with "good" and "evil." This class will focus on

The Devil Finds Work — MS2108.01

Instructor: Carly Rudzinski
Days & Time:
Credits: 4
In 1976 James Baldwin wrote his short work of film criticism The Devil Finds Work while in self-imposed exile in France. The work presents a personal film historical narrative as well as an intervention into the politics of aesthetics and the politics of visual cultural life from the perspective of a writer grappling with the realities of living as Queer and  

The Digital Photo Book — PHO4130.01

Instructor: Jonathan Kline
Days & Time: TBA
Credits: 4
From photography’s inception, photo books have been critical to the medium and have provided a way to understand our culture’s use of images. In 1844 William Henry Fox Talbot utilized the book form with the first lens-based book, ‘The Pencil of Nature’. In this course, students will explore the photo-based artist book as a vehicle for self-expression.  A variety of

The Digital Photo Book — PHO4130.01

Instructor: Jonathan Kline
Days & Time: TBA
Credits: 4
From photography's inception, photo books have been critical to the medium and have provided a way to understand our culture's use of images. In 1844 William Henry Fox Talbot utilized the book form with the first lens-based book, 'The Pencil of Nature'. In this course, students will explore the photo-based artist book as a vehicle for self-expression. A a variety of approaches

The Don Juan Project — DRA4146.01

Instructor: Jean Randich; Thomas Bogdan
Days & Time:
Credits: 4
Seducer.  Atheist.  Rebel.  Scoundrel.  Hypocrite.  Don Juan, the most unrepentant libertine in all of literature, has dazzled and provoked for centuries.  This project interlaces two masterpieces: Moliere’s Don Juan, or the Feast of Stone (1682), with selections from Mozart’s opera, Don Giovanni (1787).  Don Juan’s furious drive to satisfy

The Drama-Free Workshop — DRA4123.01

Instructor:
Days & Time:
Credits: 2
This class will concentrate on confidence building for actors/performers or anyone tired of letting a smartphone dictate their feelings of success. Goals will include cultivating positivity and confidence around performing. We will explore as a group how criticism is the enemy of creativity. The goal for this class is that students gain confidence through games and exercises

The Drama-Free Workshop — DRA4123.02

Instructor: Carly Rudzinski
Days & Time:
Credits: 2
This class will concentrate on confidence building for actors/performers or anyone tired of letting a smartphone dictate their feelings of success. Goals will include cultivating positivity and confidence around performing. We will explore as a group how criticism is the enemy of creativity. The goal for this class is that students gain confidence through games and exercises

The Dual Narrative and the Arab-Israeli Conflict — MED4206.01

Instructor: Michael Cohen
Days & Time: TBA
Credits: 4
This course will look at one of the longest protracted conflicts in the world today. A complex conflict with many components this course will use the dual narrative approach to gain a deeper understanding of this century old war. Historical events and documents will be examined through the prism of the dual narrative. The dual narrative approach to the Arab-Israeli Conflict was

The Dustbin of History — HIS4407.01

Instructor: Eileen Scully
Days & Time:
Credits: 4
Let us consider Russian revolutionary Leon Trotsky's October 1917 curse upon moderate socialists resisting the ongoing Bolshevik coup d'etat: "You are pitiful, isolated individuals. You are bankrupts. Your role is played out. Go where you belong from now on—into the dustbin of history!” In this course, we find our own way into the "dustbin of history" in search of things--ideas

The Eclipse! — PHY2279.02) (day/time updated as of 10/13/2023

Instructor: Hugh Crowl
Days & Time:
Credits: 1
On April 8, 2024, the second total solar eclipse in seven years will cross North America, starting in northwest Mexico, crossing west Texas, large parts of the midwest, and the northern reaches of New York, before skimming the most northern reaches of Vermont and exiting the continent through the Canadian maritimes. In this course, we will learn about the orbital mechanics of a

The Economic Mind — PEC2207.01

Instructor: Lopamudra Banerjee
Days & Time:
Credits: 4
A set of questions keeps on bugging the economic mind. They run from the smallest immediate ones, such as, do I buy this salad or that sandwich for my lunch today, to the more solemn ones, such as, do I accept this job or the other one? Other profound questions arise as well. Why does the economy not grow continually over time, but rather, economic upsurges are marred by

The Economics of Our Time — PEC2283.01

Instructor: Lopamudra Banerjee
Days & Time: TU 2:10pm-4:00pm
Credits: 2

In this seminar, we will dive into the complexities of today’s global economy, engaging with the most pressing economic challenges of our time. We will explore how economic policies, geopolitical dynamics, and global trends intersect, shaping the economic landscape. Through real-time data, contemporary research, and

The Ecstasy of Influence: Style in Fiction — LIT4124.01

Instructor: Kathleen Alcott
Days & Time:
Credits: 4
“Nothing is inherently interesting,” wrote John Gardner, discoursing on the crucial center of any fictive work: style. When it comes to writing short fiction and novels, the ideas we’ve absorbed about narrativizing from our outside lives often don’t apply. Even the most thrilling story, if written without a reverence to form, loses its audience quickly. In this seminar on

The Emerson Problem: American Transcendentalism, Then and Now — LIT2546.01) (cancelled 10/8/2024

Instructor: Benjamin Anastas
Days & Time:
Credits: 4
A comprehensive survey of American Transcendentalism through the writing of its major figures (Ralph Waldo Emerson, Henry David Thoreau, Margaret Fuller) as well as more overshadowed club members like Orestes Brown, Bronson Alcott and Ellery Channing. We will explore the debates the movement set off among thinkers of the 19th Century, especially concerning slavery, Abolitionism

The Essay Film — FV4319.01

Instructor: Erika Mijlin
Days & Time:
Credits: 2
An intermediate 7-week production course. Students will enter with a concept for a project ready to begin producing, and to complete by the end of the course.  The essay film has a long tradition as a film form - often departing stylistically from the social issue concerns often associated with documentary film, the essay film is a focused meditation around a theme. It may

The Ethnography of Things — ANT4108.01

Instructor: Noah Coburn
Days & Time:
Credits: 4
***Title change from The Anthropology of Things Time change*** Most ethnographic studies begin by focusing on a group of people. This course asks what the implications are of reversing such an approach and beginning with a specific thing. In what ways do things create culture? By carefully analyzing a series of classic and more current ethnographies, students will look at the

The Experimental Narrative — FV4229.01

Instructor: warren cockerham
Days & Time: TBA
Credits: 4
This intermediate visual arts studio course will explore the hybrid approach of experimental film practice and moving-image story telling. The course's focus will be on cinematic language, visual storytelling, and audio-visual correspondence rather than performance and dialogue centered narrative. Students will utilize classical and non-traditional methods of pre-production

The F-Word: Confronting Fascism in a World on Fire — POL4259.01

Instructor: John Hultgren
Days & Time:
Credits: 4
In the United States, recent years have witnessed an upsurge in right-wing organizing and violence, culminating in the 2021 insurrection at the United States Capitol that sought to overturn the legitimate results of a democratic election. This is not a uniquely American problem. Across much of the globe, political parties organized around hyper-nationalism have gained steam, in

The F-Word: Confronting Fascism in a World on Fire — POL4259.01

Instructor: John Hultgren
Days & Time: MO,TH 10:00am-11:50am
Credits: 4

In the United States, recent years have witnessed an upsurge in right-wing organizing and violence, culminating in the 2021 insurrection at the United States Capitol that sought to overturn the legitimate results of a democratic election. This is not a uniquely American problem. Across much of the globe, political parties organized around hyper