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Showing 25 Results of 7796

Statistics for Social Science — SOC4103.01

Instructor: Emily Waterman
Days & Time: MO,TH 1:40pm-3:30pm
Credits: 4

In this course students will learn to use social science statistics to test their own research questions, while becoming more educated consumers of statistical analyses presented in research and news sources. Students will employ various inferential statistics techniques commonly used in social science, such as confidence intervals, t-tests, chi

Statistics for Social Science — SOC4103.01

Instructor: Emily Waterman
Days & Time:
Credits: 4
In this course students will learn to use social science statistics to test their own research questions, while becoming more educated consumers of statistical analyses presented in research and news sources. Students will employ various inferential statistics techniques commonly used in social science, such as confidence intervals, t-tests, chi-square testing, correlation,

Statistics for Social Science — SOC4103.01

Instructor: Emily Waterman
Days & Time: MO,TH 1:40pm-3:30pm
Credits: 4

In this course students will learn to use social science statistics to test their own research questions, while becoming more educated consumers of statistical analyses presented in research and news sources. Students will employ various inferential statistics techniques commonly used in social science, such as confidence intervals, t-tests, chi

Statistics for the Social Sciences — SOC4103.01) (cancelled

Instructor: Debbie Warnock
Days & Time:
Credits: 4
In this course students will learn to harness social statistics as a powerful tool for answering social science research questions, while becoming more educated consumers of statistical analyses presented in research and news sources. Using nationally representative data sets we will employ various inferential statistics techniques, such as confidence intervals, t-tests, chi

Statistics for the Social Sciences — SOC4103.01

Instructor: Debbie Warnock
Days & Time:
Credits: 4
In this course students will learn to harness social statistics as a powerful tool for answering social science research questions, while becoming more educated consumers of statistical analyses presented in research and news sources. Using nationally representative data sets we will employ various inferential statistics techniques, such as confidence intervals, t-tests, chi

Statistics for the Social Sciences — SCT4105.01

Instructor: Debbie Warnock
Days & Time:
Credits: 4
In this course students will learn to harness social statistics as a powerful tool for answering social science research questions, while becoming more educated consumers of statistical analyses presented in research and news sources. Using nationally representative data sets we will employ various inferential statistics techniques, such as confidence intervals, t-tests, chi

Steal This Book: Literature of the 60s and 70s — LIT2248.01

Instructor: Benjamin Anastas
Days & Time: TBA
Credits: 4
The 1960s and 70s have been so thoroughly trivialized by the culture wars that Timothy Leary’s mantra ‘Turn on, tune in and drop out’ has become the era’s defining slogan. But the counter-culture helped produce some of the most genre-breaking literature we have, and this course will dive into the alternative canon for a long, strange trip among the famous, the forgotten, and

Still + Moving Image — PHO2156.01

Instructor: Jonathan Kline
Days & Time:
Credits: 4
In this remote course we will explore the rich terrain between photography and film from the early 20th century to the present moment. Through weekly screenings, pdfs of published texts, and synchronous small discussion groups, we will study the still/moving image work of Moholy-Nagy, Helen Levitt, Gordon Parks, Mary Ellen Mark, RaMell Ross, and others. Written responses will

Stimulus, Sensation, and the Brain: Psychophysical Investigations of Perception — BIO4126.01

Instructor: David Edelman
Days & Time:
Credits: 4
How do animals extract information that is critical for survival from an often complex and ambiguous world? When an octopus sees a crab, what features and behaviors of that crab are capturing the octopus attention? How can we investigate sensory percepts in animals that cant report those percepts to us via natural language? What are the neural correlates of perception? In this

Storytelling with Lights — DRA2316.01

Instructor: Carly Rudzinski
Days & Time:
Credits: 4
In this course, we will explore the idea and process of telling stories with light, and examine how the meaning and experience of a story may be changed by lighting choices, which influence our perception of time, space, mood, composition, focus and story content. Our source material will include illustrations, books, movies, and performing art pieces. We will use the

Strategic thinking and social interactions — PEC2271.01

Instructor: Carly Rudzinski
Days & Time:
Credits: 2
This course explores strategic thinking in social interactions, analyzing these interactions in a game-theoretic framework. We will textually explore the fundamental concepts of the course, employing case studies to provide evidential support for our arguments. Our emphasis will be on the core ideas and intuitions behind the theory rather than their mathematical expressions,

Strategies for Sustainability: Living Life as an Artist — DAN4143.01

Instructor: Elena Demyanenko
Days & Time:
Credits: 4
We have consistently seen that artists are lacking certain skill sets, tools and resources that would empower and strengthen their ability to create work, develop personal stability and envision longevity in a realistic way. How can we approach these issues in a holistic way that addresses the person and well as the artist? This course covers a range of topics that addresses

Strategies of Display (The Museum as Muse) — PHO4102.01

Instructor:
Days & Time:
Credits: 2
This course will present a history of art exhibitions, that artists and curators have embarked upon that have shifted the way we think about exhibitions today. We will look closely at artist-driven exhibitions, and how these displays have impacted artistic production and institutions that exhibit Art. Students will be doing self-directed 

Stravinsky — MHI2101.01

Instructor: Allen Shawn
Days & Time:
Credits: 4
In this course we will explore the musical, intellectual and artistic world of Igor Stravinsky (1882-1971), one of the most exciting artists of the 20th century, and a composer whose range of interests and influences connected him to five hundred years of music and to many of the dominant artistic figures of his own time. We will watch videos of his principal operas and some of

Stravinsky Seminar — MTH4103.01

Instructor: Allen Shawn
Days & Time:
Credits: 2
Stravinsky Seminar will meet for the first seven weeks of the term to focus on four musical works from different phases of Igor Stravinsky’s long creative life. In the class we will analyze, discuss, listen to and, in the case of the ballet scores and the oratorio, watch, Le Sacre du Printemps (1913), Symphonies of Wind Instruments (1920), Oedipus Rex (1927), and Agon (1957).

String Chamber Ensemble — MPF4235.01

Instructor: kaori washiyama
Days & Time: TBA
Credits: 2
Music for string ensemble to be selected according to number and level of participants. Students must have significant previous instrumental training and previous experience. Corequisite: Must participate in Music Workshop (Tuesday, 6:30 - 8pm).

String Chamber Ensemble — MPF4235.01

Instructor: Kaori Washiyama
Days & Time: TBA
Credits: 2
An intensive, performance-oriented exploration of the chamber music literature . Qualified students wishing to form a chamber music group should contact a supervising faculty member to propose a specific group of players and determine the repertoire. Co-requisite: Must participate in Music Workshop (Tues. 6:30pm-8pm)

String Chamber Ensemble — MPF4235.01

Instructor: Kaori Washiyama
Days & Time:
Credits: 2
Music for string ensemble to be selected according to number and level of participants. Corequisite: Must participate and perform in Music Workshop (T 6:30pm - 8:00pm).

String Chamber Ensemble — MPF4235.01

Instructor: Kaori Washiyama
Days & Time:
Credits: 2
Music for string ensemble to be selected according to number and level of participants. Students must have significant previous instrumental training and previous experience. Corequisite: Must participate in Music Workshop (Tuesday, 6:30-8pm).

String Chamber Ensemble — MPF4235.01

Instructor: Kaori Washiyama
Days & Time:
Credits: 2
Music for string ensemble to be selected according to number and level of participants. Corequisite: Must participate and perform in Music Workshop (T 6:30pm - 8:00pm)

Structural Geology and Field Methods — ES4104.01

Instructor: Tim Schroeder
Days & Time:
Credits: 4
Students in this course will learn to visualize and analyze the three-dimensional, dynamic complexity of the solid Earth. Understanding how our planet works requires knowing how to extrapolate limited surface data downward to unseen depths using geometric tools and logical abstractions. The class includes a significant field component to learn data collection techniques. In

Structure and Function of Biomolecules — CHE4278.01

Instructor: Fortune Ononiwu
Days & Time: TBA
Credits: 2

How do collections of inanimate molecules drive complex biological processes that define what it means to be living? There is no simple answer. This course introduces the chemical and physical properties of biological building blocks, with an emphasis on the structure and reactivity of biological macromolecules. These macromolecules are examined in detail to understand how