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Showing 25 Results of 7796

Studio Practice: Combined Forms (with Lab) — DAN4832B.03, section 3

Instructor: Katie Swords Thurman
Days & Time: Tu 10:30AM-12:20PM, F 10:30AM-12:20PM (Lab)
Credits: 1

Studio Practice is designed to offer each student a rigorous and immersive dance study experience. A deep-dive into practices of critical physicality, students will be supported in making direct connections across an abundance of dance forms that rearrange and blur the boundaries between traditional and emerging techniques. Studio Practice courses focus on the relationships

Studio Practice: Combined Forms (with Lab) — DAN4832B.04, section 4

Instructor: Katie Swords Thurman
Days & Time: Tu/F 10:30AM-12:20PM, M/Th 10:00AM-11:50AM (Lab)
Credits: 2

Studio Practice is designed to offer each student a rigorous and immersive dance study experience. A deep-dive into practices of critical physicality, students will be supported in making direct connections across an abundance of dance forms that rearrange and blur the boundaries between traditional and emerging techniques. Studio Practice courses focus on the relationships

Studio Practice: Combined Forms (With Lab) — DAN4832B.02, section 2

Instructor: Katie Swords Thurman
Days & Time: M/Th 10:00AM-11:50AM, Tu/F 10:30AM-12:20PM (Lab)
Credits: 4

Studio Practice is designed to offer each student a rigorous and immersive dance study experience. A deep-dive into practices of critical physicality, students will be supported in making direct connections across an abundance of dance forms that rearrange and blur the boundaries between traditional and emerging techniques. Studio Practice

Studio Practice: Combined Forms (With Lab) — DAN4832B.03, section 3

Instructor: Katie Swords Thurman
Days & Time: Tu 10:30AM-12:20PM, F 10:30AM-12:20PM (Lab)
Credits: 2

Studio Practice is designed to offer each student a rigorous and immersive dance study experience. A deep-dive into practices of critical physicality, students will be supported in making direct connections across an abundance of dance forms that rearrange and blur the boundaries between traditional and emerging techniques. Studio Practice

Studio Practice: Combined Forms (With Lab) — DAN4832B.04, section 4

Instructor: Katie Swords Thurman
Days & Time: Tu/F 10:30AM-12:20PM, M/Th 10:00AM-11:50AM (Lab)
Credits: 4

Studio Practice is designed to offer each student a rigorous and immersive dance study experience. A deep-dive into practices of critical physicality, students will be supported in making direct connections across an abundance of dance forms that rearrange and blur the boundaries between traditional and emerging techniques. Studio Practice

Studio Practice: Contemporary Diasporic Dance Forms — DAN4813B.02

Instructor: Carly Rudzinski
Days & Time:
Credits: 1
Inspired and influenced by artist, choreographer Camille Brown, this course investigates various styles of the African diaspora, fusing and contrasting footwork and shaping of Afro-Caribbean dance and includes step dancing, body percussion, hip hop and street dance. Students in this course will be encouraged to investigate in and through movement the “possibilities of the

Studio Practice: Contemporary Forms/Diving In and Springing Out — DAN2505B.01) (cancelled 1/7/2025

Instructor: Tania Perez
Days & Time:
Credits: 1
An investigation of off-balanced yet precise multi-focused movement and partnering. Classes begin with mindful walking, rolling, and flow pattern practices followed by “yes dance” improvisations to gather our attention and set a tone of tender touch. From there, we progress through a series of spiraling sequences that establish a buoyant relationship with the floor, harness

Studio Practice: Contemporary Forms/Expansion and Continuity — DAN4824B.02, section 2

Instructor: Tania Perez
Days & Time:
Credits: 2
The class integrates a technical movement base with short phrases of full, supple, expansive movements that prepare students to tackle complex phrases at the end of each class. The work in class is designed to enable the student to manipulate his or her energy and strength in ways that are sharp, clear, specific, and contained in one instance and wild, abandoned, expansive and

Studio Practice: Contemporary Forms/Expansion and Continuity — DAN4824B.01, section 1

Instructor: Tania Perez
Days & Time:
Credits: 2
The class integrates a technical movement base with short phrases of full, supple, expansive movements that prepare students to tackle complex phrases at the end of each class. The work in class is designed to enable the student to manipulate his or her energy and strength in ways that are sharp, clear, specific, and contained in one instance and wild, abandoned, expansive and

Studio Practice: Contemporary Forms/Unearthing Physicality — DAN4828B.02, section 2

Instructor: Tania Perez
Days & Time:
Credits: 2
Pulling from contemporary and modern dance forms, this class takes an integrative, technical approach to develop a potent and creatively charged movement practice. We begin with a progressive warm up in center, informed by Horton and contemporary ballet techniques, to organize, awaken, and generate an aliveness in the body. Choreographic sequences and improvisational tasks

Studio Practice: Contemporary Forms/Unearthing Physicality — DAN4828B.01, section 1

Instructor: Tania Perez
Days & Time:
Credits: 2
Pulling from contemporary and modern dance forms, this class takes an integrative, technical approach to develop a potent and creatively charged movement practice. We begin with a progressive warm up in center, informed by Horton and contemporary ballet techniques, to organize, awaken, and generate an aliveness in the body. Choreographic sequences and improvisational tasks

Studio Practice: Contemporary Modern Dance Forms — DAN4809B.01, section 1

Instructor: Carly Rudzinski
Days & Time:
Credits: 2
The class integrates a technical movement base with short phrases of full, supple, expansive movements that prepare students to tackle complex phrases at the end of each class. The work in class is designed to enable the student to manipulate his or her energy and strength in ways that are sharp, clear, specific, and contained in one instance and wild, abandoned, expansive and

Studio Practice: Contemporary Modern Dance Forms — DAN4809B.02, section 2

Instructor: Carly Rudzinski
Days & Time:
Credits: 2
The class integrates a technical movement base with short phrases of full, supple, expansive movements that prepare students to tackle complex phrases at the end of each class. The work in class is designed to enable the student to manipulate his or her energy and strength in ways that are sharp, clear, specific, and contained in one instance and wild, abandoned, expansive and

Studio Practice: Contemporary Modern Dance Forms — DAN4812B.01

Instructor: Carly Rudzinski
Days & Time:
Credits: 1
An investigation of off-balanced yet precise multi-focused movement and partnering. Classes begin with mindful walking, rolling, and flow pattern practices followed by “yes dance” improvisations to gather our attention and set a tone of tender touch. From there, we progress through a series of spiraling sequences that establish a buoyant relationship with the floor, harness

Studio Practice: Hip Hop Under the Scope Intensive - The Clark Method, Street Dance Training Module — DAN2504B.01, section 1

Instructor: Tania Perez
Days & Time:
Credits: 1
We will delve into the art of storytelling, a staple in Hip Hop culture and of African diasporic traditions, using dance forms under the Hip Hop umbrella. Together we will explore our range of artistry using codified techniques and freedom of self-expression. Together we will trail blaze what it means to make street dance work on many frontiers and bring light to the Hip Hop

Studio Practice: Hip Hop Under the Scope Intensive – The Clark Method, Street Dance Training Module — DAN2504B.02, section 2

Instructor: Tania Perez
Days & Time:
Credits: 1
We will delve into the art of storytelling, a staple in Hip Hop culture and of African diasporic traditions, using dance forms under the Hip Hop umbrella. Together we will explore our range of artistry using codified techniques and freedom of self-expression. Together we will trail blaze what it means to make street dance work on many frontiers and bring light to the Hip Hop

Studio Practice: Hip Hop Under the Scope Intensive – The Clark Method, Street Dance Training Module — DAN2504B.03, section 3

Instructor: Tania Perez
Days & Time:
Credits: 1
We will delve into the art of storytelling, a staple in Hip Hop culture and of African diasporic traditions, using dance forms under the Hip Hop umbrella. Together we will explore our range of artistry using codified techniques and freedom of self-expression. Together we will trail blaze what it means to make street dance work on many frontiers and bring light to the Hip Hop

Studio Practices: Mixing Decades — MSR4053.01

Instructor: Senem Pirler
Days & Time:
Credits: 4
This course will offer an overview of studio recording through critical listening sessions, recording sessions, and hands-on exercises. We will reverse-engineer recordings - such as Pet Sounds, Betty Davis, Purple Rain, Mezzanine, Lemonade and others - and reproduce “sound-alikes” using various techniques such as minimalist drum miking, echo chambers, using spill and isolation

Studio Projects and Practices in Ceramics — CER4375.01

Instructor: Barry Bartlett
Days & Time: TBA
Credits: 4
The process of making art work will be the major focus of the class. This studio class is designed to support the development of the creative process in ceramics with an understanding lending itself to all forms of art making. Projects will be conceptually based, requiring investigation on an individual level. Issues to be raised in this class will include functional and

Study Cycle: Symposium — DAN5431B.01, section 1

Instructor: Faculty TBA
Days & Time: TBA
Credits: 2

The goal of the course is to introduce students to material in the form of a symposium.  Students will engage deeply and intimately with ideas and texts presented by visiting artists/scholars and peers.  The symposium is also an opportunity for students to think  through and discuss their own ideas, projects, concerns,

Study Cycle: Symposium — DAN5431B.02, section 2

Instructor: Faculty TBA
Days & Time: TBA
Credits: 2

The goal of the course is to introduce students to material in the form of a symposium.  Students will engage deeply and intimately with ideas and texts presented by visiting artists/scholars and peers.  The symposium is also an opportunity for students to think  through and discuss their own ideas, projects, concerns,

Study Cycle: Symposium — DAN5431B.01, section 1

Instructor: Faculty TBA
Days & Time: TBA
Credits: 1

The goal of the course is to introduce students to material in the form of a symposium.  Students will engage deeply and intimately with ideas and texts presented by visiting artists/scholars and peers.  The symposium is also an opportunity for students to think through and discuss their own ideas, projects, concerns, and

Study Cycle: Symposium — DAN5431B.02, section 2

Instructor: Faculty TBA
Days & Time: TBA
Credits: 1

The goal of the course is to introduce students to material in the form of a symposium.  Students will engage deeply and intimately with ideas and texts presented by visiting artists/scholars and peers.  The symposium is also an opportunity for students to think through and discuss their own ideas, projects, concerns, and

Study Group 1 — DAN5405B.01

Instructor: Donna Faye Burchfield
Days & Time: TBA
Credits: 2

What does studying together offer us critically that studying alone might not? Ariella Azoulay refers to studying with companions as a method of unlearning. What are the shifts experienced when you are studying with and alongside others? What conditions might group study provide that allow different questions and understandings to emerge? If, as Irit Rogoff states, “All

Study Group 1 — DAN5405B.01

Instructor: Carly Rudzinski
Days & Time:
Credits: 2
What does studying together offer us critically that studying alone might not? Ariella Azoulay refers to studying with companions as a method of unlearning. What are the shifts experienced when you are studying with and alongside others? What conditions might group study provide that allow different questions and understandings to emerge? If, as Irit Rogoff states, “All