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Showing 25 Results of 7815

The Right/Wrong/Right Dance: Breaking the Rules of Composition — DAN2147.02

Spring 2016
Instructor: Dana Reitz
Days & Time:
Credits: 1
In this lab we will look at certain (so-called) traditional aspects to a (good) dance and then attempt to break it down and reframe this tradition with a discipline that evokes creative (aleatoric) accidents and the inexplicable nature of the creative process.  A lab that examines how performance is thought about, considered and looked upon, watched, inside and out. 
Dance

The River in Literature — LIT2507.01

Fall 2016
Instructor: Akiko Busch
Days & Time:
Credits: 4
The river may be the geographic feature of the earth that speaks to us most deeply.  It divides and it connects; it is what takes us to things and away from things.  And it comes naturally to us to find some metaphor for human experience in the strength or flow or velocity of a river, to find the familiar in the sight of two rivers peaceably merging, or to imagine a
Literature

The River, The Forest, The Glacier: Classics of American Environmental Literature — LIT4139.02

Fall 2019
Instructor: Akiko Busch
Days & Time:
Credits: 2
How to take measure of place is a question that has long resonated in the American imagination, and this course considers both the geography and the voices that provide the foundation for current environmental writing. The Exploration of the Colorado River and its Canyons by John Wesley Powell, The Maine Woods by H. D. Thoreau, and Travels in Alaska by John Muir offer occasion
Environment Literature

The Romantic Poets — LIT2249.01

Fall 2021
Instructor: Michael Dumanis
Days & Time:
Credits: 4
This course provides an immersion into the work of a group of late 18th century and early 19th century British poets and thinkers who reacted against the rationalism of Enlightenment thought, the tumultuous politics of the day, and the birth of the Industrial Revolution by valorizing imagination over reason, mystery over certainty, nature over artifice, and the sensuous over
Literature

The Romantic Poets — LIT2249.01

Fall 2014
Instructor: mark wunderlich
Days & Time: TBA
Credits: 4
Toward the end of the 18th century, writers, thinkers and artists began to react against the rationalism of the Enlightenment, the coming Industrial Revolution and the political claustrophobia of Europe, and they set out on a new path. The result was the Romantic movement, and it gave us some of the most enduring poetic works. In this course, we will look at both the German and
Environment Literature

The Room Where it Happens: Introduction to Costume Design — DRA2150.01

Fall 2019
Instructor: Charles Schoonmaker
Days & Time:
Credits: 4
This class will serve to introduce and build skills as a costume designer. We will read, analyze and chart scripts, develop research skills and build a fluency in rendering design ideas by working on graphic skills. We will also work on some non-scripted projects, and in various genres of performance possibly including ballet, opera, television and film. We will have in class
Drama

The Russian Modernist Poets — LIT4175.01

Spring 2022
Instructor: Michael Dumanis
Days & Time:
Credits: 2
The period between the 1890s and 1920s was known as the Silver Age of Russian poetry, a time of invention and innovation against the backdrop of revolution, war, societal upheaval, and the eventual formation of the Soviet Union. The Soviet Union's repressive authoritarian regime sought to stamp out artistic experimentation and personal expression that wasn't in service to the
Literature

The Sababa Project at Mount Anthony Union High School —

Fall 2015
Instructor: Susan Sgorbati with Danielle Crosier
Days & Time: TBA
Credits: 4
  The Sababa Project is a Bennington College course taught on the campus of Mount Anthony Union High School. In a collaborative effort between Bennington College and two Mount Anthony Union High School programs (the Quantum Leap Exhibit Program and the Bridges Summer Transitional Program), the Sababa Project attempts to demystify the college experience while providing

The Sababa Project at Mount Anthony Union High School — APA2250.01

Spring 2018
Instructor: Susan Sgorbati with Danielle Crosier
Days & Time:
Credits: 4
The Sababa Project is a Bennington College course taught on the campus of Mount Anthony Union High School. In a collaborative effort between Bennington College and two Mount Anthony Union High School programs (the Quantum Leap Exhibit Program and the Bridges Summer Transitional Program), the Sababa Project attempts to demystify the college experience while providing high school
CAPA

The Sababa Project at Mount Anthony Union High School — APA2250.01

Spring 2017
Instructor: David Bond
Days & Time:
Credits: 4
The Sababa Project is a Bennington College course taught on the campus of Mount Anthony Union High School. In a collaborative effort between Bennington College and two Mount Anthony Union High School programs (the Quantum Leap Exhibit Program and the Bridges Summer Transitional Program), the Sababa Project attempts to demystify the college experience while providing high school
CAPA

The Sababa Project at Mount Anthony Union High School: Civic Education — APA2250.01

Spring 2019
Instructor: Susan Sgorbati
Days & Time:
Credits: 2
The Sababa Project is a Bennington College course taught on the campus of Mount Anthony Union High School. In a collaborative effort between Bennington College and two Mount Anthony Union High School programs (the Quantum Leap Exhibit Program and the Bridges Summer Transitional Program), the Sababa Project attempts to demystify the college experience while providing high school
CAPA

The Sababa Project: Children in Crisis — MED4202.01

Fall 2013
Instructor: Susan Sgorbati
Days & Time: TBA
Credits: 4
There are similarities in children and adolescents all over the world who are in crisis, whether they are youth at-risk in the United States as a result of domestic violence, poverty, drug abuse, or for academic reasons, or if they are youth at-risk in countries that are at-risk, for example, because of horrific violence or issues of economic or environmental sustainability.
Conflict Resolution and Systems Design

The Sababa Project: Media in Action — APA2121.01

Fall 2015
Instructor: Erika Mijlin
Days & Time: TBA
Credits: 4
The Sababa Project: Media in Action is a unique class composed of both Bennington College students and high school students from the Quantum Leap* Exhibit Program at the local high school. Sababa means cool in both Hebrew and Arabic, a word popularized by youth culture in a region of conflict. The Bennington College students in this class are both learners and mentors.
CAPA

The Sababa Project: Youth in Crisis — MED4207.01

Fall 2014
Instructor: daniel michaelson
Days & Time: TBA
Credits: 4
***Time Change*** There are similarities in children and adolescents all over the world, whether they live in the United States and are in crisis as a result of domestic violence, poverty or drug abuse, or if they live in other countries around the world, where there is horrific violence or issues of economic or environmental sustainability. The Sababa Project: Youth in Crisis
CAPA

The Sacred Bridge: Muslim and Jewish Soundscapes of the Middle East — MHI2245.01

Fall 2021
Instructor: Joseph Alpar
Days & Time:
Credits: 4
In an increasingly geo-politicized world, Muslim and Jewish identities are often seen in opposition to one another. Yet this is actually a new perspective, one that neglects the long, intertwined histories of these religious groups. Large Jewish populations lived in the lands of Islam without interruption from the early 7th century through the 20th century and some continue to
Music Society Culture and Thought

The Sacred Bridge: Muslim and Jewish Soundscapes of the Middle East — MHI2245.01

Fall 2024
Instructor: Joseph Alpar
Days & Time:
Credits: 2
In an increasingly geo-politicized world, Muslim and Jewish identities are often seen in opposition to one another. Yet this is actually a new perspective, one that neglects the long, intertwined histories of these religious groups. Large Jewish populations lived in the lands of Islam without interruption from the early 7th century through the 20th century and some continue to
Music

The Salt Print — PHO4121.01

Spring 2018
Instructor: Jonathan Kline
Days & Time:
Credits: 2
This class explores one of the earliest means of creating a photographic image on paper. Invented by William Henry Fox Talbot in England and refined by a number of successive adaptations in France in the 1840's, the salt print has a unique tonal scale ideally suited for contact printing either paper or glass negatives in sunlight. The class will explore various papers,
Visual Arts

The Same and Not the Same: A Close Reading of Primo Levi's "The Periodic Table" — CSL2134.01) (cancelled 5/8/2024

Fall 2024
Instructor: John Bullock
Days & Time:
Credits: 2
Primo Levi studied chemistry in Italy in the 1930s, where he witnessed the rise of fascism. As a Jew, he learned to navigate the treacherous path of being the Other from childhood, but that was little preparation for what was to come. Sent to Auschwitz in 1944, he survived and went on to become one of the greatest writers of the 20th century. His memoir, The Periodic Table,
Science and Mathematics Cultural Studies and Languages

The Science of Consciousness — BIO4123.01

Spring 2014
Instructor: David Edelman
Days & Time:
Credits: 4
Most of us have an intuitive sense of what consciousness is. It is what slips away when we fall asleep and returns when we awaken. It is the awareness of a particular word, object, or scene. It is the feeling of an internal presence. For centuries, nearly all thought about the nature of consciousness was the sole preserve of philosophers, most notably Rene Descartes, John Locke
Science Mathematics and Computing

The Scriptorium: Barbie — WRI2164.02, section 2

Fall 2024
Instructor: Carly Rudzinski
Days & Time:
Credits: 4
The Scriptorium, a “place for writing,” is a class for writers interested in improving their critical essay-writing skills. We will read to write and write to read. Much of our time will be occupied with writing and revising—essai means “trial” or “attempt”—as we work to create new habits and productive strategies for analytical writing. As we write in various essay structures
Writing (BFA)

The Scriptorium: Barbie — WRI2164.01, section 1

Fall 2024
Instructor: Camille Guthrie
Days & Time:
Credits: 4
The Scriptorium, a “place for writing,” is a class for writers interested in improving their critical essay-writing skills. We will read to write and write to read. Much of our time will be occupied with writing and revising—essai means “trial” or “attempt”—as we work to create new habits and productive strategies for analytical writing. As we write in various essay structures
Writing (BFA)

The Scriptorium: Beauty — WRI2155.01

Spring 2021
Instructor: Camille Guthrie
Days & Time:
Credits: 4
This scriptorium, a “place for writing,” functions as a class for writers interested in improving their academic essay-writing skills. We will read to write and write to read. Much of our time will be occupied with writing and revising—essai means “trial” or “attempt”—as we work to create new habits and strategies for our analytical writing. As we write in various essay
Writing (BFA)

The Scriptorium: Beauty — WRI2156.02

Fall 2021
Instructor: Camille Guthrie
Days & Time:
Credits: 2
This scriptorium, a “place for writing,” functions as a class for writers interested in improving their academic essay-writing skills. We will read to write and write to read. Much of our time will be occupied with writing and revising—essai means “trial” or “attempt”—as we work to create new habits and strategies for our analytical writing. Our learning goals include
Writing (BFA)

The Scriptorium: Beauty — WRI2156.01

Fall 2021
Instructor: Camille Guthrie
Days & Time:
Credits: 2
This scriptorium, a “place for writing,” functions as a class for writers interested in improving their academic essay-writing skills. We will read to write and write to read. Much of our time will be occupied with writing and revising—essai means “trial” or “attempt”—as we work to create new habits and strategies for our analytical writing. Our learning goals include
Writing (BFA)

The Scriptorium: Borders and Boundaries — WRI2152.01

Spring 2019
Instructor: Camille Guthrie
Days & Time:
Credits: 4
This scriptorium, a “place for writing,” functions as a class for writers interested in improving their essay-writing skills. We will read to write and write to read. Much of our time will be occupied with writing and revising—essai means “trial” or “attempt”—as we work to create new habits and strategies for our analytical writing. As we practice various essay structures with
Writing (BFA)