Fall 2025

Course System Home Course Listing Fall 2025

Select Filters and then click Apply to load new results

Areas of Study
Course Day & Time(s)
Course Level
Credits
Course Duration
Showing 25 Results of 269

examining space — SCU2214.01

Instructor: John Umphlett
Days & Time: TH 8:30am-12:10pm
Credits: 4

Are you interested in taking a closer look at the  immediate and collective spaces that we live in? What are some of the realities that exist around us and why/ how can we build work that pushes against these basic constructs.

This

Fiddle — MIN4327.01

Instructor: John Kirk
Days & Time: F 1:00PM-1:50PM
Credits: 2

For the experienced (3+years of playing) violinist/violist. Lessons in traditional styles of fiddling – Quebecois, New England, Southern Appalachian, Scandinavian, Cajun, Irish, and Scottish. This course is designed to heighten awareness of the variety of ways the violin is played regionally and socially in North America (and indeed around the world) and to give practical

Form and Process: Introduction to Painting — PAI2107.01

Instructor: Ann Pibal
Days & Time: WE 8:30am-12:10pm
Credits: 4

This course introduces a variety of materials, techniques and approaches to working with oil paint. Emphasis is placed on developing and understanding of color, form and space as well as individual research and conceptual concerns. The daily experience of seeing, along with examples from art history and contemporary art, provide a base from which investigations are made.

Foundations of Global Politics — POL2103.01

Instructor: Rotimi Suberu
Days & Time: TU,FR 8:30am-10:20am
Credits: 4

In this wide-ranging introduction to the study of international politics, we will be exploring how states and non-state actors negotiate their interactions in an increasingly interconnected, interdependent and globalized world. Core themes will include: contending theoretical approaches to international relations (realism, liberalism/idealism, constructivism,

Foundations of Photography/Analog — PHO2204.01

Instructor: Terry Boddie
Days & Time: WE 2:10pm-5:50pm
Credits: 4

This is an analog film-based black-and-white photography course designed for those with little or no experience in photography. Emphasis will be placed on the application of technique in terms of personal expression through the selection and composition of subject matter. The course comprises technical lectures, darkroom demonstrations; lectures on historical

Foundations of Photography: Digital Practice — PHO2153.01

Instructor: Liz White
Days & Time: MO 8:30am-12:10pm
Credits: 4

This course offers an overview of foundational tools and techniques in digital photographic practice and aims to help students find new sources of inspiration, deepen their creative work, and enhance their ability to present it. Students will learn to shoot with

Framed? Literature Heroines on Screen — FRE4809.01

Instructor: Noëlle Rouxel-Cubberly
Days & Time: MO,TH 1:40pm-3:30pm
Credits: 4

French literature and film have always reciprocally inspired one another – as early as 1897, Lumière represented the main characters of Hugo’s Les Misérables. This course will offer students the opportunity to analyze literary representations of women and their film adaptations in terms of intermediality and intertextuality. Adaptations will include: La Princesse de Clèves

Framing the World - Animating the World — MA4212.01

Instructor: Sue Rees
Days & Time: TH 8:30am-12:10pm
Credits: 4

The course will be for sustained work on an animation or projection design project, and should be a space for both experimentation, ambition and consistent endeavor. The first half of the semester will be concerned with conceptualizing and framing the world of the animations or projections, by research, drawings, investigation, imagining. The second half will be creating the

From the Edo to Meiji Period: Examining Equality and Equity through the Examinations of Japanese Society — JPN4302.01

Instructor: Ikuko Yoshida
Days & Time: TU,FR 8:30am-10:20am
Credits: 4

In this low-intermediate course, students will learn and examine Japan’s drastic social changes during the Edo period and the Meiji period to investigate what equality and equity meant to Japanese people.  During the Edo Period (1603-1868), Japan closed its doors to other countries for about two hundred fifty years, and this isolation helped Japan

From the Stoics to Ubuntu: Philosophies of the Good Life — PHI2149.01

Instructor: Paul Voice
Days & Time: TU,FR 2:10pm-4:00pm
Credits: 4

This class examines a variety of answers to the ancient question: How do I live a good life? We’ll engage with thinkers from diverse traditions across time and space as we clarify our own understanding of what makes life worth living and as we articulate a more developed conception of the good life. Readings will include texts from Greek and Roman

Fundamentals of Creative Writing — LIT2394.01

Instructor: Jenny Boully
Days & Time: TU,FR 10:30am-12:20pm
Credits: 4

In this class, we will begin by investigating sound, music, image, and form in poetry and how these poetic elements are presented in fiction. From fiction, we will study narrative, character, plot, and setting. Finally, we will progress towards personal nonfiction, fusing the elements of our poetry and fiction investigations. We will read classical and contemporary texts

GANAS — APA4154.01

Instructor: Jonathan Pitcher
Days & Time: MO,TH 1:40pm-3:30pm
Credits: 4

In terms of public action, Ganas remains a community-driven, cross-cultural association that offers students volunteer opportunities to engage with the predominantly undocumented Latine migrant worker population. We maintain relationships with local organizations and members while developing new ones, along with more conventional classes and readings.

Genome Jumpstart — BIO2117.01

Instructor: Amie McClellan
Days & Time: TU,FR 10:30am-12:20pm
Credits: 4

This course offers an immersive experience into the world of DNA, genes, and genomes in eukaryotic organisms.  In addition to getting a grasp of the foundational biology, students will engage with various online databases and resources, becoming familiar with the computational algorithms and methodologies used to mine and analyze the ever-increasing data

Global Cultural Histories: Brewing Territories — SPA4307.01

Instructor: Faculty TBA
Days & Time: MO,TH 1:40pm-3:30pm
Credits: 4

Through this immersive course, students will advance all four language skills -- listening, speaking, reading, and writing -- exploring the culture and history of Colombia’s iconic Coffee Cultural Landscape, a UNESCO World Heritage Site. Students will gain comparative insights into how global forces have shaped local cultures—and how language reflects those changes.

Global Environmental Politics — POL2108.01

Instructor: John Hultgren
Days & Time: MO,TH 10:00am-11:50am
Credits: 4

Contemporary efforts to confront our most pressing ecological problems are characterized by a tension between the global realities of these problems and the territorial borders and logics that define sovereign nation-states. This course will explore this tension in three parts. First, we will engage with a variety of theoretical and conceptual debates introduced by scholars

Gospel Music; Share the Joy — MUS2256.02

Instructor: Kathy Bullock
Days & Time: M/Th 7:00PM-8:50PM
Credits: 2

This singing ensemble is dedicated to the performance of African American spirituals, gospel music, protest songs, and South African songs as understood in their historical, spiritual, and social contexts. Messages of hope, faith, healing, of striving for justice and peace and of celebrating life will be the focuses for this singing experience. The course will culminate in a

Graduate Research in Dance — DAN5305.01

Instructor: Levi Gonzalez
Days & Time: TBA
Credits: 6

This course is designed to assist graduate students with the research and development of their new work. The weekly format is determined with the students. In class, they show works-in-progress, try out ideas with their colleagues, and discuss issues involved in their creative processes. Though the class meets only once a week, students

Graduate Seminar — DAN5408B.01

Instructor: Faculty TBA
Days & Time: TBA
Credits: 2

This topic driven seminar focuses on current developments within the field of dance and performance. Students will learn to think of dance and performance through their own embodied experiences and by placing dance, movement, and performance in wider disciplinary, cultural and global contexts.

Graduate Teaching Fellowship in Dance — DAN5304.01

Instructor: Levi Gonzalez
Days & Time: TBA
Credits: 4

Graduate Teaching Fellows in Dance are integrated into the dance program as teaching assistants. In consultation with their academic advisors and the dance faculty, MFA candidates develop an assistantship schedule of approximately ten hours weekly; the courses they develop and teach are listed in the curriculum. All Teaching Fellows bring

Graphic Novels in Spanish: Words, Images, and Cultures in Motion — SPA4508.01

Instructor: Faculty TBA
Days & Time: MO,TH 3:40pm-5:30pm
Credits: 4

Contemporary cultures have been radically transformed by the “visual turn” and the constant circulation of images. This course explores how Spanish-speaking communities across Latin America and Spain use graphic novels to address cultural fabrics. Organized around five engaging themes -- National Identities, Social Conflicts, Testimony, History and Memory, and Canon

Haunted by Unnameable Doom — LIT2576.01

Instructor: Manuel Gonzales
Days & Time: WE 2:10pm-5:50pm
Credits: 4

Halfway through John Milton's epic poem, Paradise Lost, he admits to the reader in his call to the Muses that he has "fallen on evil days" and into unwelcome solitude, caught "[i]n darkness, with dangers compassed round." Milton wrote Paradise Lost under epically gnarly circumstances -- jailed and fined for backing the failed removal and execution of the King, going blind,

Historical and Natural Alternative Processes in Photography — PHO4132.01

Instructor: Eddy Aldana
Days & Time: FR 2:10pm-4:00pm
Credits: 2

This 2-credit course will explore working with classical and natural alternative processes including Cyanotypes, Anthotypes, and Chlorophyll prints among others. Students will learn the histories of each process and see how artists are working with those processes in today’s day and age. The Cyanotypes will be produced on fine art paper

How I feel is real but not eternal — PSY2243.01

Instructor: Anne Gilman
Days & Time: TU,FR 2:10pm-4:00pm
Credits: 4

How have psychologists defined feelings over the years, and how is the field continuing to change?  We will begin with the 19th Century, when scientists like Wundt and Charcot brought human perception and mental health symptoms out of the realm of metaphysics.  After briefly considering Darwin’s view of emotion and new perspectives on artwork from early asylums, we