Spring 2026 Course Search

Select Filters and then click Apply to load new results

Course Credits

Studio Practice: Combined Forms (with Lab) — DAN4832B.08, section 8

Instructor: Erick Montes
Days & Time: Tu/F 10:30AM-12:20PM, M/Th 10:00AM-11:50AM (Lab)
Credits: 2

Studio Practice is designed to offer each student a rigorous and immersive dance study experience. A deep-dive into practices of critical physicality, students will be supported in making direct connections across an abundance of dance forms that rearrange and blur the boundaries between traditional and emerging techniques. Studio Practice courses focus on the relationships between curiosity, desire, strength, effort, force, and presence, all while moving within the lineages and histories that inform the ways in which we create and encounter our dancing futures.

Studio Practice: Combined Forms (with Lab) — DAN4832B.06, section 6

Instructor: Erick Montes
Days & Time: M/Th 10:00AM-11:50AM, Tu/F 10:30AM-12:20PM (Lab)
Credits: 2

Studio Practice is designed to offer each student a rigorous and immersive dance study experience. A deep-dive into practices of critical physicality, students will be supported in making direct connections across an abundance of dance forms that rearrange and blur the boundaries between traditional and emerging techniques. Studio Practice courses focus on the relationships between curiosity, desire, strength, effort, force, and presence, all while moving within the lineages and histories that inform the ways in which we create and encounter our dancing futures.

Studio Practice: Combined Forms (with Lab) — DAN4832B.04, section 4

Instructor: Katie Swords Thurman
Days & Time: Tu/F 10:30AM-12:20PM, M/Th 10:00AM-11:50AM (Lab)
Credits: 2

Studio Practice is designed to offer each student a rigorous and immersive dance study experience. A deep-dive into practices of critical physicality, students will be supported in making direct connections across an abundance of dance forms that rearrange and blur the boundaries between traditional and emerging techniques. Studio Practice courses focus on the relationships between curiosity, desire, strength, effort, force, and presence, all while moving within the lineages and histories that inform the ways in which we create and encounter our dancing futures.

Studio Practice: Combined Forms (with Lab) — DAN4832B.07, section 7

Instructor: Erick Montes
Days & Time: Tu 10:30AM-12:20PM, F 10:30AM-12:20PM (Lab)
Credits: 1

Studio Practice is designed to offer each student a rigorous and immersive dance study experience. A deep-dive into practices of critical physicality, students will be supported in making direct connections across an abundance of dance forms that rearrange and blur the boundaries between traditional and emerging techniques. Studio Practice courses focus on the relationships between curiosity, desire, strength, effort, force, and presence, all while moving within the lineages and histories that inform the ways in which we create and encounter our dancing futures.

Studio Practice: Combined Forms (with Lab) — DAN4832B.03, section 3

Instructor: Katie Swords Thurman
Days & Time: Tu 10:30AM-12:20PM, F 10:30AM-12:20PM (Lab)
Credits: 1

Studio Practice is designed to offer each student a rigorous and immersive dance study experience. A deep-dive into practices of critical physicality, students will be supported in making direct connections across an abundance of dance forms that rearrange and blur the boundaries between traditional and emerging techniques. Studio Practice courses focus on the relationships between curiosity, desire, strength, effort, force, and presence, all while moving within the lineages and histories that inform the ways in which we create and encounter our dancing futures.

Studio Practice: Combined Forms (with Lab) — DAN4832B.01, section 1

Instructor: Katie Swords Thurman
Days & Time: M 10:00AM-11:50AM, Th 10:00AM-11:50AM (Lab)
Credits: 1

Studio Practice is designed to offer each student a rigorous and immersive dance study experience. A deep-dive into practices of critical physicality, students will be supported in making direct connections across an abundance of dance forms that rearrange and blur the boundaries between traditional and emerging techniques. Studio Practice courses focus on the relationships between curiosity, desire, strength, effort, force, and presence, all while moving within the lineages and histories that inform the ways in which we create and encounter our dancing futures.

Studio Practice: Combined Forms (with Lab) — DAN4832B.05, section 5

Instructor: Erick Montes
Days & Time: M 10:00AM-11:50AM, Th 10:00AM-11:50AM (Lab)
Credits: 1

Studio Practice is designed to offer each student a rigorous and immersive dance study experience. A deep-dive into practices of critical physicality, students will be supported in making direct connections across an abundance of dance forms that rearrange and blur the boundaries between traditional and emerging techniques. Studio Practice courses focus on the relationships between curiosity, desire, strength, effort, force, and presence, all while moving within the lineages and histories that inform the ways in which we create and encounter our dancing futures.

Performance Pedagogies Of Dance — DAN4816B.01, section 1

Instructor: Cameron Childs
Days & Time: Tu/F 7:00PM-8:50PM
Credits: 3

PODs offer students the opportunity to make connections through multiple access points, especially in areas of performance. PODs are designed to help students recognize the tools and methodologies used in their own creative work both as performers and as choreographers. Structurally each POD is identified by a unique topic. PODs have required rehearsal times and culminate in a public showing.

The artist will create an original work with BFA students through an intensive research and rehearsal process.

Performance Pedagogies Of Dance — DAN4816B.02, section 2

Instructor: Niall Jones
Days & Time: Tu/F 7:00PM-8:50PM
Credits: 2

PODs offer students the opportunity to make connections through multiple access points, especially in areas of performance. PODs are designed to help students recognize the tools and methodologies used in their own creative work both as performers and as choreographers. Structurally each POD is identified by a unique topic. PODs have required rehearsal times and culminate in a public showing.

The artist will create an original work with BFA students through an intensive research and rehearsal process.

Performance Pedagogies of Dance — DAN4816B.03, section 3

Instructor: Danielle Swatzie
Days & Time:
Credits: 3

PODs offer students the opportunity to make connections through multiple access points, especially in areas of performance. PODs are designed to help students recognize the tools and methodologies used in their own creative work both as performers and as choreographers. Structurally each POD is identified by a unique topic. PODs have required rehearsal times and culminate in a public showing.

The artist will create an original work with BFA students through an intensive research and rehearsal process.

Performance Pedagogies of Dance — DAN4816B.04, section 4

Instructor: Mark Haim
Days & Time:
Credits: 3

PODs offer students the opportunity to make connections through multiple access points, especially in areas of performance. PODs are designed to help students recognize the tools and methodologies used in their own creative work both as performers and as choreographers. Structurally each POD is identified by a unique topic. PODs have required rehearsal times and culminate in a public showing.

The artist will create an original work with BFA students through an intensive research and rehearsal process.

Mini Projects: Dance — DAN4030.01

Instructor: Dana Reitz
Days & Time: TU,FR 10:30am-12:20pm
Credits: 1

This is a laboratory for making a mini dance project that can be developed within the short time frame of 3 weeks, right at the start of the term. Students will be working with others in the class to make, teach, and rehearse selections of movement material, culminating in a project that may be shown in Dance Workshop. This is an opportunity for working with instincts, for finding quick solutions and perhaps creating a base for future work.

A Food Citizens Methodology Workshop: Social Kitchen for Collective Wellness — APA4316.01

Instructor: Yoko Inoue
Days & Time: WE 7:00pm-8:50pm
Credits: 4

This class will investigate meaningful pedagogical approaches to Food Studies. Building on the various “Social Kitchen” activities previously pursued at Bennington College through classes, FWT initiatives, internships, work study, extracurricular activities and independent research undertaken by Bennington College students,  we will reexamine the “Social Kitchen” space and its function as a pivotal hub for cultural expression, collaboration, social cohesion, and collective wellness.

After Superflat Directed Project: Nuclear War — VA4407.01

Instructor: Yoko Inoue
Days & Time: FR 10:30AM-12:20PM & FR 2:10PM-4:00PM
Credits: 4

Conducted through research that focuses on the development of Japanese subcultures in the Post World War II period, this course poses various critical inquiries about the effects of nuclear bombings of Hiroshima and Nagasaki on contemporary global consumer society, visual culture and the production of art. We will also bring into focus the trauma revisited up on Japanese citizens and creators by the recent nuclear disaster of Fukushima.

Actions in Practice — DAN4833B.01

Instructor: Sidra Bell
Days & Time:
Credits: 3

Actions in Practice employs Sidra Bell's CONTEMPORARY SYSTEMS, an interior and material approach to movement that encourages provocative thought and an immersive approach to the subject matter of the body. The work demands a high degree of physicality and input from the dancers, encouraging them to execute movement with intention, curiosity, and empathy.

Food and Politics: A Food Citizens Methodology Workshop — APA4160.01

Instructor: Yoko Inoue
Days & Time: WE 10:00am-11:50am & WE 2:10pm-4:00pm
Credits: 4

This class will investigate various pedagogical approaches to food studies by examining curriculums, topics and discourses being taught at some academic institutions. More importantly, we will put focus on researching art collectives, contemporary civic engagement practices, and other non-institutional models developed by creative practitioners and activists, which engage with food as a conduit to undertake social, political and cultural identity issues and to enhance their community cohesion.

BC American Jazz Combo — MPF4274.01

Instructor: Michael Wimberly
Days & Time: WE 4:10pm-6:00pm
Credits: 1

The BC American Jazz Combo explores jazz standards that have become signature works by some of America’s most innovative and enduring composers within the jazz lexicon. Students will explore works by Ornette Coleman, Bill Evans, John Coltrane, Thelonius Monk, Chick Corea, Charles Mingus, and others. Students will develop their sight-reading, improvisation, interpretation, and arranging skills while building community through collaboration and expression. Additional exploration of Broadway and Film themes that have become classic additions to the jazz lexicon will be considered.

Individualized Practice + Process — DAN4817B.01, section 1

Instructor: Donna Faye Burchfield
Days & Time: F 2:00PM-3:00PM
Credits: 1

This course will act as a lab/workshop space for first and second year students in the BFA program; it is linked to Sidra Bell's Actions in Practice course. Students will be guided through the process of developing, researching and rehearsing a performance work,  ultimately bringing the work to a public.

Students earn one credit for this course.

Endeavor Environmental Action Post-Fellowship Course — APA4161.01

Instructor: Alexis Goldsmith
Days & Time: Th 7:00PM-8:50PM
Credits: 1

This is the post-fellowship course for students selected to participate in the Endeavor Environmental Action Fellowship Program. The class is designed to sharpen each student’s skills and capacities for success in their future work, and ultimately, to successfully advance environmental justice issues, address complex societal challenges, and become effective change-makers in the world.

 

Special Projects in Translation: Tolstoy’s War and Peace — LIT4606.01

Instructor: Mariam Rahmani
Days & Time: WE 2:10pm-5:50pm
Credits: 4

This intensive advanced translation workshop focuses on student work. Meant for those who have taken Ethical Translation and learned the nuts and bolts of translation there – or otherwise have translation and/or extensive foreign language experience – here we dig into your longer translation projects. The aim of the course is to transform your approach to a substantive project, enabling you to solidify your methodology.

Theatre Design Collaboration Studio — DRA4369.01

Instructor: Tilly Grimes
Days & Time: TU 2:10pm-4:00pm
Credits: 2

Part 1 of a Page to Stage design Process

Students will work collaboratively to develop design ideas in response to the script for next fall's faculty production. Generating ideas, research and designs all heavily steeped in collaboration and dramaturgy.