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Showing 25 Results of 7815

The Art of Performing — DAN4034.02, section 2

Spring 2027
Instructor: Dana Reitz
Days & Time: MO,TH 3:40pm-5:30pm
Credits: 2

For anyone who wishes to perform work involving movement – dancers, actors, performance artists, etc. – this course is dedicated to developing a deep internal understanding of any action. We will explore nuance – subtle shades of timing, gesture, impulse, and manner of moving. No matter what the circumstance, performing requires a responsive, full mind-body presence in

Dance

The Art of Rehearsing — DAN4229.01

Fall 2023
Instructor: Dana Reitz
Days & Time:
Credits: 4
What happens when you start a rehearsal process and you are not sure what you are wanting yet? How do you present movement phrases, concepts, and structures and incorporate new information from the performers? What is it that you see? How do you change your mind? This is a laboratory setting to explore how to make, teach, and rehearse short selections of movement material.
Dance

The Art of Rehearsing — DAN4229.01

Fall 2025
Instructor: Dana Reitz
Days & Time: MO,TH 3:40pm-5:30pm
Credits: 4

What happens when you start a rehearsal process and you are not sure what you are wanting yet? How do you present movement phrases, concepts, and structures and incorporate new information from the performers? What is it that you see? How do you change your mind?

Dance

The Art of Rehearsing — DAN4229.01

Fall 2026
Instructor: Dana Reitz
Days & Time: MO,TH 3:40pm-5:30pm
Credits: 4

What happens when you start a rehearsal process and you are not sure what you are wanting yet? How do you present movement phrases, concepts, and structures and incorporate new information from the performers? What is it that you see? How do you change your mind?

This is a laboratory setting to explore how to make, teach, and rehearse short selections of movement

Dance

The Art of Spanish — SPA2106.01

Fall 2016
Instructor: Jonathan Pitcher
Days & Time:
Credits: 4
Students with little or no Spanish will learn the language through an immersion in Latin American painting. While there will be some discussion of standard tactics such as stylistic nuances and artists’ biographies, it is expected that we will rapidly develop sufficient linguistic ability to focus on movements, ranging from the republican art of nation-building in the 19th
Languages

The Art of Spanish I: Language Through Painting — SPA2107.01

Fall 2013
Instructor: Jonathan Pitcher
Days & Time: TBA
Credits: 4
Students with little or no Spanish will learn the language through an immersion in Latin American painting. While there will be some discussion of standard tactics such as stylistic nuances and artists' biographies, it is expected that we will rapidly develop sufficient linguistic ability to focus on movements, ranging from the republican art of nation-building in the 19th
Languages

The Art of Spectacle — DRA4291.02

Fall 2020
Instructor: Michael Giannitti
Days & Time:
Credits: 4
This class will be a focused study of Spectacle - or writing the impossible play -- in conjunction with a short study of the Poetics.  We will investigate how spectacle can be deeply connected to the perception shift (when done correctly).  Reading will include a wide breadth of works from Robert LaPage and the Rude Mechs, to B.J. Jenkins and Young
Drama Literature

The Art of Stage Design — DRA2250.01

Fall 2023
Instructor: Michael Giannitti
Days & Time:
Credits: 4
A set design communicates lots of information to an audience, and provides the physical world in which a performance takes place. In his book The Dramatic Imagination, the great set designer Robert Edmond Jones wrote: “…we may fairly speak of the art of stage designing as poetic, in that it seeks to give expression to the essential quality of a play rather than to its outward
Dance Drama

The Art of Stage Design — DRA2250.01

Fall 2021
Instructor: Michael Giannitti
Days & Time:
Credits: 4
A set design communicates lots of information to an audience, and provides the physical world in which a performance takes place. In his book The Dramatic Imagination, the great set designer Robert Edmond Jones wrote: “…we may fairly speak of the art of stage designing as poetic, in that it seeks to give expression to the essential quality of a play rather than to its outward
Drama

The Art of Stage Design — DRA2250.01

Spring 2019
Instructor: Michael Giannitti
Days & Time:
Credits: 4
A scenic design communicates lots of information to an audience, and provides the physical world in which a performance takes place. In his book The Dramatic Imagination, the great set designer Robert Edmond Jones wrote: “…we may fairly speak of the art of stage designing as poetic, in that it seeks to give expression to the essential quality of a play rather than to its
Drama

The Art of the Interview — APA2450.02

Spring 2022
Instructor: Susan Sgorbati
Days & Time:
Credits: 2
****moved to 2nd 7 weeks as of 2/18/2022**** Interviewing has been called an “art” by many writers. Some interviews require extensive preparation, others cursory, while still others are conducted with none. Students in this course will get experience in a variety interviewing genres and techniques. We will also watch, listen to and read several examples of interviews to
CAPA

The Art of the Interview — APA2450.02

Spring 2024
Instructor: David Bond
Days & Time:
Credits: 2
Interviewing has been called an “art” by many writers. Some interviews require extensive preparation, others cursory, while still others are conducted with none. Students in this course will get experience in a variety of interviewing genres and techniques. We will also watch, listen to, and read several examples of interviews to further analyze various approaches. We will
CAPA

The Art of the Staged Reading — DRA2159.01

Fall 2018
Instructor: Dina Janis
Days & Time:
Credits: 4
In the professional world, particularly in the area of new play development, actors, writers and directors will be often be required to present staged readings of new or classic work. How does one master the art of the staged reading? In this class, we will explore the specific techniques of acting and staging involved. When acting in a staged reading, one must make strong
Drama

The Artist as Curator: Exhibition as Medium and the Politics of Display — VA4124.02

Spring 2018
Instructor: Anne Thompson
Days & Time:
Credits: 2
Artists throughout history have played signal roles in shifting the parameters around and definitions of exhibition making. This course considers the various ways that artists working in and outside conventional structures have shaped art history and radicalized curatorial practice. Readings and assignments will cover artist groups and collaborative networks; artists who create
Visual Arts

The Arts of Spain and the Politics of Cultural Heritage — AH4116.01

Spring 2018
Instructor: Razan Francis
Days & Time:
Credits: 4
Not long after Muslims had conquered most of the Iberian Peninsula in 711, the Spanish Christians declared their intent to reconquer the land for Christianity. With the fall of Granada in 1492 and the subsequent repression of Jews and Muslims, the reconquest was finally complete. However, the many centuries of coexistence and mutual influence meant that the art and architecture
Visual Arts Society Culture and Thought

The Baroque Imaginary — AH4117.01

Fall 2017
Instructor: Vanessa Lyon
Days & Time:
Credits: 4
The concept of the Baroque has long fascinated—and incensed—historians, literary critics, and philosophers. Often aligned with an artistic ‘Golden Age’ exemplified by the complex and discomfiting works of Bernini, Rubens, Velázquez, and Vermeer, the Baroque has also been associated with ruinous decadence and excess, irrationality, preciosity, and effeminacy—rhetorically charged
Visual Arts

The Baroque Imaginary — AH4117.01

Fall 2024
Instructor: Vanessa Lyon
Days & Time:
Credits: 4
The Baroque has fascinated--and incensed--historians, cultural critics, and philosophers from Walter Benjamin and Erwin Panofsky to Gilles Deleuze and Peter Greenaway. Often aligned with an artistic ‘Golden Age’ exemplified by the complex and discomfiting works of Bernini, Rubens, Velázquez, and Vermeer, the Baroque has also been associated with ruinous decadence and excess,
Visual Arts

The Basic Calligraphy Strokes for Beginners — CSL2003.01

Spring 2023
Instructor: Ginger Lin
Days & Time:
Credits: 1
Mastering the eight basic calligraphy strokes requires great patience and concentration. However, once those and stroke order are mastered one will be able to copy any of the thousands of standard Chinese characters. Calligraphy has also been shown to be an effective form of meditation and art therapy. This class will provide the students with foundational theory and practice
Cultural Studies and Languages

The Beautiful City: Plato's Republic — PHI4402.01

Spring 2023
Instructor: Catherine McKeen
Days & Time:
Credits: 4
Plato’s Republic stretches its insistent intellectual tendrils into just about every corner of the Western intellectual tradition. The Republic is ostensibly about constructing a maximally just political community. This is the kallipolis, the “beautiful city.” Along the way, however, Socrates and his interlocutors wrestle with inter-tangled philosophical questions about truth,
Society Culture and Thought

The Beautiful City: Plato’s Republic — PHI4402.01

Spring 2021
Instructor: Catherine McKeen
Days & Time:
Credits: 4
In Plato’s masterwork, Republic, Socrates sets out to construct a political community that is maximally just. This is the kallipolis, the “beautiful city.” Central elements of this city are problematic. The kallipolis is decidedly undemocratic, artistic expression is strictly limited, and jobs are assigned, not freely chosen. On the other hand, the Republic radically reimagines
Society Culture and Thought

The Bible and Conflict Resolution — MOD2137.02

Spring 2016
Instructor: Michael Cohen
Days & Time:
Credits: 1
The Bible provides many examples and lessons about conflict resolution. This three-week module will focus on some of the most important texts in the Bible when it comes to conflict resolution. Those selected texts will be examined using two thousand years of commentary and analysis. Modern conflict resolution theories, which provide contemporary approaches, will be integrated
CAPA Modules: Transferable Approaches

The Bible and Conflict Resolution — MOD2137.02

Spring 2017
Instructor: Michael Cohen
Days & Time:
Credits: 1
The Bible provides many examples and lessons about conflict resolution. This three-week module will focus on some of the most important texts in the Bible when it comes to conflict resolution. Those selected texts will be examined using two thousand years of commentary and analysis. Modern conflict resolution theories, which provide contemporary approaches, will be integrated
CAPA Modules: Transferable Approaches

The Bible and Conflict Resolution — MOD2137.04

Fall 2014
Instructor: michael cohen
Days & Time: TBA
Credits: 1
The Bible provides many examples and lessons about conflict resolution. This three-week module will focus on some of the most important texts in the Bible when it comes to conflict resolution. Those selected texts will be examined using two thousand years of commentary and analysis. Modern conflict resolution theories, which provide contemporary approaches, will be integrated
CAPA Modules: Transferable Approaches

The Bible and the Environment — MOD2254.03

Spring 2016
Instructor: Michael Cohen
Days & Time:
Credits: 1
This module will analyze the environmental dimensions and lessons of the Bible with a primary focus on the books of Genesis and Psalms. Through the use of ancient and contemporary commentators the environmental messages of the Biblical texts will be examined as a means to confront and explore our relationship to the environment. The course will also examine the scores of
Environment Modules: Transferable Approaches

The Bible and the Environment — MOD2254.03

Spring 2017
Instructor: Michael Cohen
Days & Time:
Credits: 1
This module will analyze the environmental dimensions and lessons of the Bible with a primary focus on the books of Genesis and Psalms. Through the use of ancient and contemporary commentators the environmental messages of the Biblical texts will be examined as a means to confront and explore our relationship to the environment. The course will also examine the scores of
CAPA Environment Modules: Transferable Approaches