Spring 2026

Course System Home Course Listing Spring 2026

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Showing 25 Results of 280

Life and Death: Buddhism in Modern Japanese Films — JPN4604.01

Instructor: Ikuko Yoshida
Days & Time: MO,TH 1:40pm-3:30pm
Credits: 4

In this sixth-term Japanese course, students will examine how Buddhism influenced Japanese thought on the afterlife and analyze how Japanese views on the relationship between life and death are depicted in Japanese films.  In the first seven weeks of the course, students will examine and discuss the history, beliefs, and deities of Buddhism, as

Linguistic Field Methods — LIN4116.01

Instructor: Alexia Fawcett
Days & Time: MO,TH 3:40pm-5:30pm
Credits: 4

This course is designed to equip students with the basic methodologies necessary to carry out linguistic fieldwork with speakers/users of un(der)documented languages. Students will be trained in the skills and tools of language documentation and description by working with a speaker of a language previously unknown to them. Learning and

Literature and History of the Holocaust — LIT2582.01

Instructor: Michael Dumanis
Days & Time: MO,TH 1:40pm-3:30pm
Credits: 4

The Holocaust is one of the most ethically challenging, traumatic, and consequential occurrences in modern history. This seminar aims to give students a granular understanding of the mass oppression, enslavement, and genocide that occurred in Europe in the 1930s and 1940s, in order to then consider how it has been represented in poetry, drama, fiction, and nonfiction both by

Lyric Theory — LIT4616.01

Instructor: Franny Choi
Days & Time: TU 10:30am-12:20pm
Credits: 2

What is the lyric? How did lyric poetry emerge as a genre, and how have reading practices evolved alongside it? This is a 2-credit survey class exploring theoretical engagements with the modern idea of the lyric, including readings in genre theory, new criticism, structuralism,  post-structuralism, and beyond. Drawing primarily from <

Malicious Compliance, or The Canterbury Tales — LIT2580.01

Instructor: Manuel Gonzales
Days & Time: WE 2:10pm-5:50pm
Credits: 4

According to "All Englang," Joan Acocella's essay in The New Yorker, Geoffery Chaucer, author of The Canterbury Tales, "was the freshest, clearest, and sweetest of the great English poets." She goes on to say that, living in the 14th century, he was also perhaps the first great English poet. Still. Henry Wadsworth Longfellow wrote of Chaucer that "He is the poet of the

Mandolin — MIN2229.01

Instructor: John Kirk
Days & Time: W 2:00PM-2:50PM
Credits: 2

Beginning, intermediate and advanced group lessons on the mandolin will be offered. Students will learn classical technique on the mandolin and start to develop a repertoire of classical and traditional folk pieces. Simple song sheets with chords, tablature, and standard notation, chord theory, and scale work will all be used to further skills. History of the Italian origins

Meisner Technique — DRA4268.01

Instructor: Jennifer Rohn
Days & Time: MO,TH 1:40pm-3:30pm
Credits: 4

“If you are really doing it, you don’t have time to watch yourself doing it.” Sanford Meisner was an actor and founding member of the Group Theater. He went on to become a master teacher of acting who sought to give students an organized approach to the creation of truthful behavior on stage within the imaginary circumstances of a play. This class focuses on

Metric Spaces and Geometry — MAT4162.01

Instructor: Andrew McIntyre
Days & Time: TU,FR 8:30am-10:20am
Credits: 4

Everything is geometry! This class is about two things: first, about how mathematicians have extended the concept of "geometry" beyond triangles and circles, into higher-dimensional spaces, curved spaces, spaces of functions, discrete spaces, and more. Second, about how this extension of "geometry" can allow us to apply our powerful geometric intuition to a wide range of

Morning Dance: Beginning-level Dance Technique — DAN2365.01

Instructor: Mina Nishimura
Days & Time: M 8:00AM-9:50AM
Credits: 1

This beginning-level dance course requires no previous dance training and welcomes absolute beginners who would like to start a day with physical practice and body attunement. Students are introduced to some basic principles of dancing by learning various movement patterns, choreographed sequences and by engaging in improvisational and

Mouvements — FRE4610.01

Instructor: Stephen Shapiro
Days & Time: MO,TH 10:00am-11:50am
Credits: 4

This course will examine movement–travel, migration, and transition–in the French-speaking world. We’ll examine the travel tale as philosophical form (Candide), the sonnet, Orientalism, the graphic novels of Marjane Satrapi, films of Josephine Baker, queer movement in the work of Abdellah Taïa, the North Atlantic Triangle (Maboula Soumahoro), and the gender transition of

Multilingualism and Cognition — PSY4249.01

Instructor: Anne Gilman
Days & Time: MO,TH 10:00am-11:50am
Credits: 4

How are language and thought connected, and does speaking multiple languages affect these connections?  Most people have had the experience of struggling to come up with a particular word or phrase, sometimes recalling it after a substantial delay.  This course will unpack the mental processes involved in that experience and explore the ways that cognitive

Multivariable Calculus — MAT4301.01

Instructor: Andrew McIntyre
Days & Time: MO,TH 1:40pm-3:30pm
Credits: 4

Multivariable calculus is one of the core parts of an undergraduate mathematics curriculum. Introductory calculus mostly concentrates on situations where there is one input and one output variable; multivariable extends differentiation, integration, and differential equations to cases where there are multiple input and output variables. In this way, multivariable calculus

Music Composition Project — MCO4802.01

Instructor: Allen Shawn
Days & Time: WE 10:00am-11:50am
Credits: 2

This is a course for composers who have taken composition courses previously and have good notation skills.  Enrollment is limited to 10 students. Each student will produce a sizable piece for String Quartet. The class time will be used for analysis and study of works composed for string quartet and for examination of the student’s works-in-progress.

Musing on Miles - An American icon — MHI2214.01

Instructor: Michael Wimberly
Days & Time: TH 10:00am-11:50am
Credits: 2

Miles Dewey Davis III (May 26, 1926 – September 28, 1991) was an American icon whose approach and innovation on the trumpet set him apart from the mainstream. Davis explored new approaches to creating and composing music. Davis was a trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music. When

Needs, Wants, and Economic Rights — PEC2279.01

Instructor: Emma Kast
Days & Time: TU,FR 10:30am-12:20pm
Credits: 4

Commodities such as cars, smartphones, laptops, and refrigerators were initially considered luxuries but are now widely viewed as everyday necessities. This shift suggests that our understanding of need is shaped by social, historical, and cultural context. In this class we will explore questions such as: how do we distinguish what we want from what we need to live a

Onstage Games: Danger and Revelation — DRA4371.01

Instructor: Abe Koogler
Days & Time: FR 2:10pm-5:50pm
Credits: 4

Three-Card Monte. Blind Man's Bluff. Poker. Charades. Chicken. What do onstage games reveal about our characters? Are onstage games always dangerous? How can the play itself become a game played with the audience? In this course, we will read plays in which characters play games onstage (The Birthday Party by Harold Pinter, Topdog/Underdog by

Patternmaking and Garment Construction — DRA4119.01

Instructor: Richard MacPike
Days & Time: TU,FR 4:10pm-6:00pm
Credits: 2

This course is designed to teach the student the many steps involved in creating a finished garment from a simple idea, piece of research, or sketch. Students will learn the basics of draping, flat patterning, and fitting. Construction of a final garment will allow them to explore and employ sewing skills beyond the fundamentals.

 

Peacebuilding — APA2212.03

Instructor: Vahidin Omanovic
Days & Time: MO,TH 3:40pm-5:30pm
Credits: 1

This Module will serve as an introduction to the work of Peacebuilding around the world, both in theory and practice. Vahidin Omanovic, Director of Center for Peacebuilding in Bosnia, will be joining us to reflect on his work and introduce us to key topics in peacebuilding, including: peacebuilding in a local community, obstacles for

Performance Project: Cultivating Resilience: A Score for Movement & Light — DAN4377.01

Instructor: Dana Reitz
Days & Time: MO,TH 3:40pm-5:30pm
Credits: 4

Resilience deals with not only the expected but also the unexpected.  During this period of time, Dana Reitz will create a new dance work with the entire group, in sections and as a whole, that will rise from the participants. During class and outside of class, everyone will be involved in creating individual movement material and delving

Photobooks — PHO4371.01

Instructor: Luiza Folegatti
Days & Time: FR 8:30am-12:10pm
Credits: 4

This course explores how photographers translate artistic concepts into the materiality of bookmaking, giving students insight into the basic steps of creating a photobook. The course will experiment with different book designs, paper qualities, digital printing, binding techniques, sequencing exercises,

Photographs as Narratives — PHO2108.01

Instructor: Terry Boddie
Days & Time: WE 2:10pm-5:50pm
Credits: 4

How do we read photographs? What are the stories contained within their borders? How does two, three, or a sequence of images convey a narrative? In this intermediate course, students are guided through a series of assignments that explore the photograph as a narrative pictorial space using analog and digital processes. Structurally the assignments may take a traditional

Physics II: Electricity and Magnetism (with Lab) — PHY4327.01

Instructor: Tim Schroeder
Days & Time: M/Th 10:00AM-11:50AM, W 8:30AM-12:10PM (Lab)
Credits: 5

How does influence travel from one thing to another? In Newton’s mechanics of particles and forces, influences travel instantaneously across arbitrarily far distances. Newton himself felt this to be incorrect, but he did not suggest a solution to this problem of “action at a distance.” To solve this problem, we need a richer ontology: The world is made not only of particles,