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Showing 25 Results of 7796

Political Theory Workshop — POL4402.01

Instructor: John Hultgren
Days & Time: WE 10:00am-11:50am
Credits: 2

“For those who are concerned with the history of political theories,” Sheldon Wolin wrote in a 1969 essay, “the vocation has become a demanding one at the present time.” If Wolin was alarmed then by the drive to render the study of politics “scientific” – thus relegating political theory to the dust-bin of

Politics and Governance in Africa — POL4237.01

Instructor: Rotimi Suberu
Days & Time: TBA
Credits: 4
Among regions of the world, Africa is more or less unique for its large number of fragile and unstable states, poor governance, explosive social and demographic pressures, and recent hopeful economic and political transitions. This course surveys the big questions, enduring challenges, and leading theories of contemporary African politics and governance. Themes to be explored

Politics and Governance in Africa — POL4237.01

Instructor: Rotimi Suberu
Days & Time:
Credits: 4
Among regions of the world, Africa is more or less unique for its large number of fragile and unstable states, poor governance, explosive social and demographic pressures, and recent hopeful economic and political transitions. This course surveys the big questions, enduring challenges, and leading theories of contemporary African politics and governance. Themes to be explored

Politics of Judgment: Who Am I to Judge? — POL2106.01

Instructor: Eileen Scully
Days & Time:
Credits: 4
The faculty of judgment might be thought of as the capacity to make decisions and choices in the absence of principles or procedures that dictate or generate "correct" answers. In this course we will ask what is required of "good judgment" in politics and of whom its practice should be required, with particular attention to democratic theory and practice. Is

Polynomials and Geometry — MAT2117.01

Instructor: Andrew McIntyre
Days & Time:
Credits: 4
This course builds on and extends high school algebra, trigonometry, and geometry. It develops these topics from a classical and historical perspective. It is one good entry point for students who are confident with high school algebra and precalculus, and it may be used as a prerequisite for Calculus A, Linear Algebra, and some other more advanced mathematics classes. Topics

Polyrhythms — MPF4124.01

Instructor: Susie Ibarra
Days & Time:
Credits: 2
This performance ensemble will study polyrhythmic theory practiced in the Sub-Sahara, Southeast Asia , Caribbean , and Western music cultures. The individuals and ensemble will learn to play music that incorporates playing two or more contradicting rhythms at once. Each student will compose a piece for the ensemble to perform that is influenced by one or more of the

Pop Culture in Modern China — CHI4401.01

Instructor: Ginger Lin
Days & Time:
Credits: 4
Understanding pop culture in modern China is no small effort. This course is not designed to do a comprehensive survey of popular culture in modern China. Instead we will explore ways of listening, speaking, reading, watching, seeing and writing to learn Mandarin Chinese through various forms of pop culture including TV shows, films, sports, newspapers, rock music, and posters

Pop Culture in Taiwan — CHI4123.01

Instructor: Ginger Lin
Days & Time:
Credits: 4
In this course, a selection of audio, video, and print media on pop music, food, fashion, and social media, among other aspects of popular culture In Taiwan, will serve as a source of authentic input for the study. Students will explore the role of pop culture in shaping modern Taiwanese and Chinese societies through in-class discussions while developing their competencies in

Pop-Up: Election 2016 and What Comes After — POP2271.03

Instructor:
Days & Time:
Credits: 1
In this pop-up module we will talk about the election and what comes after. We will talk about different ways of approaching voting--single issue voter? party stalwart? on the fence? trying to take everything into account? We will explore together what issues and concerns drive our thinking about the election and voting tendencies. We will watch the final presidential debate of

Pop-Up: Feminist Praxis — POP2325.03

Instructor:
Days & Time:
Credits: 1
During the month of April, 2016 Utopia Is No Place, Utopia Is Process will transform Usdan Gallery into a platform for critical feminist pedagogy. The project was inspired by Bennington’s experimental curricula and its history as a women’s college. In lieu of a traditional exhibition, resources such as a library, screening series, printing press, meeting space, and discussion

Pop-Up: Gravitational Waves: Observing Spacetime for the First Time — POP2256.02

Instructor: Hugh Crowl
Days & Time:
Credits: 1
Early in the morning on September 14, 2015, two 4 kilometer long laser tunnels in opposite corners of the country measured a very subtle expansion and contraction, significantly smaller than the diameter of an atom. The minuscule flexing of space, detected by the LIGO project, was caused by gravitational waves passing through Earth. These waves originated from the merger of two

Pop-Up: Resistance 101: Organizing in a Time of Uncertainty — POP2276.04

Instructor:
Days & Time:
Credits: 1
The election has engendered a deep desire to organize and resist the potentially reactionary politics that lie ahead. In order to so effectively, it is necessary to learn from the giants who have come before us. This course proposes to do so by engaging with theories, models and histories of social movement organizing. We'll do so mainly through the lens of three activist

Pop-Up: The Semiotics of Trump — POP2260.03

Instructor:
Days & Time:
Credits: 1
In this pop-up course, we will be deconstructing a media spectacle by studying its signs, symbols, and discourse. Using the Donald Trump presidential campaign as a case study, we will observe the visual codes and linguistic scaffolding of political ‘branding’ and messaging. We will explore various registers of populist and authoritarian rhetoric by carefully analyzing how those

Pop-Up: Understanding PFOA in Our Water — POP2257.02

Instructor: David Bond, Janet Foley, Tim Schroeder
Days & Time:
Credits: 2
The water supply of Hoosick Falls, NY, Bennington’s western neighbor, has been contaminated with Perfluorooctanoic acid (PFOA) by past industrial activity. PFOA is an “emerging contaminant” that is correlated with a range of health problems. This course will investigate the social and physical aspects of this ongoing disaster, from how the regulation of chemicals in the US

Pop-Up> Nepal: Before and After the Earthquake — MOD2154.01

Instructor: Noah Coburn
Days & Time:
Credits: 1
The recent tragic earthquake in Nepal thrust the small country of 25 million into the media spotlight, taking little time to reflect on the lives of those living in the damaged region. What is the existing political and cultural context into where this rebuilding effort will take place? What is the devastation and flood of aid money likely to alter? This course is a study of

Popular Culture and Music in Post-Colonial Africa — MET2140.01

Instructor: Joseph Alpar
Days & Time: TU 2:10pm-4:00pm
Credits: 2

In this course we will examine the role of music as a vehicle for political and social change in Africa. Our focus will be music-making throughout the continent of Africa during the nationalist struggles that resulted in independent African states and how musicians responded (and continue to respond) to the persistent challenges faced by those post-colonial states. We will

Popular Culture and Music in Post-Colonial Africa: From Palm Wine to Kuduro — MHI2253.02

Instructor: Joseph Alpar
Days & Time:
Credits: 2
In this course we will examine the role of music as a vehicle for political and social change in Africa. Our focus will be music-making throughout the continent of Africa during the nationalist struggles that resulted in independent African states and how musicians responded (and continue to respond) to the persistent challenges faced by those post-colonial states. We will

Popular Rule and its Discontents — POL2113.01

Instructor: Eileen Scully
Days & Time:
Credits: 4
Nearly 2,500 years ago in Greece, a new word was coined, demokratia, combining the terms demos (“the people”) and kratos (“to rule”). From the moment of its Greek inception to the present day, when nearly every nation on earth claims to be democratic, the concept of popular rule has been a site of deep contestation in Western political theory and

Population and the Environment: From Population Bomb to Environmental Justice — ENV2172.01

Instructor: Carly Rudzinski
Days & Time:
Credits: 4
What is the connection between human population and environmental change? This seemingly simple question is one with a long and complicated history that is filled with inequality, violence, and suffering as well as with cases of justice, inclusion, and hope that demonstrate the real possibilities for positive and transformative change. This course will explore exactly what is

Population Ecology and Ecological Models — BIO4116.01

Instructor: Katie Montovan
Days & Time:
Credits: 4
This course provides a theoretical and quantitative exploration of the processes and principles associated with population dynamics. We will learn about key ideas in population ecology (such as density dependence, competition, evolution, predation, and parasitism) and then learn about how to represent these theories as mathematical models. We will learn to use the programming

Portable Nature — DA4112.01

Instructor: Farhad Mirza
Days & Time:
Credits: 4
Portable Nature is a collaborative course between students from Bennington College and students from the school of Art, Media + Technology at Parsons School of Design. It begins with the notion that nature is a constantly evolving and negotiated experience between humans and their environments. What we consider to be ‘natural’ is cultural, simultaneously managed and

Portfolio 1 — DAN5406B.01, section 1

Instructor: Carly Rudzinski
Days & Time:
Credits: 6
During this course, students will begin to reflect, gather, articulate, and compose their extensive body of professional work in the field of dance by organizing their work into a text which will be bound. The portfolio is developed to include a thoughtful and critically developed artist statement, current CV, written narrative of their work, press public reviews, and a list