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Are We There Yet: Visions of Dystopia — LIT2518.01
It is a commonly felt experience, in our current age of climate crisis, misinformation, pandemics, declining birth rates, late-stage capitalism, and the apparent twilight of democracy, etc., that we are living through (or at, or near) the end of the world. Where do we look for precedents for this feeling? To what extent does this dark life imitate art, or vice
Art and Entrepreneurship — APA2445.01
Art Deco Style — DRA4320.01
Art Exhibitions as Site for Contemplation and Research — VA4138.01
Art Exhibitions as Site for Contemplation and Research — VA4117.01
Art in America Since WWII — AH2286.01
Art in America Since WWII — AH2286.01
Art in Captivity: The Images, Sounds, and Rhetoric of Freedom — APA2345.03
Art in Public Spaces as connective tissue — DAN4380.01
In this course, we will explore various projects that aim to connect people with their surroundings and communities.
We will also explore the strategies that various artists have implemented to increase their audiences and interest in the arts.
We will analyze and design projects that seek sustainability, diversification, and access to the experience of art and
Art in the Public Realm II: Bennington and China — APA4107.01
Art in the Public Realm: Oslo Project — VA4107.01
Art in the Public Realm: Oslo Project II — VA4107.01
Art Intervention Projects Class: Mapping Projects on Climate Change — APA2216.01
Art of Alterity: Representation and Otherness in American Visual Culture, 1839-1939 — AH2347.01
Art of Auditioning — DRA2178.01
Art of Resistance: The Bennington College Poster Project (part 1) — VA2118.02
Art of Resistance: The Bennington College Poster Project (part 2) — VA2119.01
Art of Stage Design — DRA2250.01
Art of Stage Design — DRA2250.01
A set design communicates lots of information to an audience, and provides the physical world in which a performance takes place. In his book The Dramatic Imagination, the great set designer Robert Edmond Jones wrote: “…we may fairly speak of the art of stage designing as poetic, in that it seeks to give expression to the essential quality of a play rather than to