Fall 2026

Course System Home Course Listing Fall 2026

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Showing 25 Results of 264

Linear Algebra: An Introduction — MAT2482.01

Instructor: Joe Mundt
Days & Time: T/Th 6:30PM-8:30PM
Credits: 4

Together with calculus, linear algebra is one of the foundations of higher-level mathematics and its applications. This is NOT just the algebra you know from high school. There are several perspectives one can take on linear algebra: it is a method for handling large systems of linear equations, it is a theory of linear geometry (including in dimensions larger than three),

Looking at the Big Picture: Large Format Photography — PHO4372.01

Instructor: Eddy Aldana
Days & Time: TU 2:10pm-4:00pm
Credits: 2

This 2-credit course will introduce the use of large format cameras and explore the 4x5 film format to analyze the differences between this format and the smaller ones. Students will be using pinhole cameras, 4x5 field cameras, 4x5 monorail cameras, and some extra tools that the photography area has dedicated for large format photography.

L’Afrance: un livre/un film — FRE4607.01

Instructor: Noëlle Rouxel-Cubberly
Days & Time: MO,TH 10:00am-11:50am
Credits: 2

Vive l’Afrance! This film title (Gomis, 2001) summarizes the goal of this course: an exploration of the rich variety of shared and conflicting francophone identities. Constructed within or outside of France, the texts studied in this course will encompass West African, French, and/or Caribbean spaces. The discussion of notions such as « créolisation » will allow students to

Mallet Percussion Ensemble — MPF4106.01

Instructor: Michael Wimberly
Days & Time: MO,TH 3:40pm-5:30pm
Credits: 4

Mallet Percussion Ensemble offers an environment for students to explore several mallet keyboard instruments, including the marimba, xylophone, glockenspiel, vibraphone, and African balafon. MPE's coursework is designed to link music theory, improvisation, and composition through the bi-weekly practice of playing scales, arpeggios, modes, and chord progressions while

Mandolin — MIN2229.01

Instructor: John Kirk
Days & Time: W 2:00PM-2:50PM
Credits: 2

Beginning, intermediate and advanced group lessons on the mandolin will be offered. Students will learn classical technique on the mandolin and start to develop a repertoire of classical and traditional folk pieces. Simple song sheets with chords, tablature, and standard notation, chord theory, and scale work will all be used to further skills. History of the Italian origins

Mediation, Negotiation and Complex Systems Analysis — APA2455.01

Instructor: Susan Sgorbati
Days & Time: TU,FR 10:30am-12:20pm
Credits: 4

This class will examine contemporary cconflicts through the lens of complex systems. The class will include a 16 hour training in Mediation and Negotiation skills. Through readings, discussion, exercises and role-plays, the class will examine and deconstruct the complexities of current democratic and environmental issues related to local, national and global governance, We

Meisner Technique — DRA4268.01

Instructor: Jennifer Rohn
Days & Time: TU,FR 2:10pm-4:00pm
Credits: 4

“If you are really doing it, you don’t have time to watch yourself doing it.” Sanford Meisner was an actor and founding member of the Group Theater. He went on to become a master teacher of acting who sought to give students an organized approach to the creation of truthful behavior on stage within the imaginary circumstances of a play. This class focuses on

Metalshop; Foundations — SCU2217.01

Instructor: Phoenix Malanga
Days & Time: FR 8:30am-12:10pm
Credits: 2

This course is recommended for all students considering working in sculpture and interested in mild steel design/fabrication methods. It is open to anyone with a curiosity about materials and building processes. There are fundamental introductions to gas, arc, electric welding, forging, fabrication techniques like cutting and grinding

Minimalism — MTH4210.01

Instructor: Nicholas Brooke
Days & Time: WE 4:10pm-6:00pm
Credits: 2

A seminar in analyzing the diverse streams of musical minimalism. We'll look at minimalism's conceptual roots in the 1960s, and trace influences from the visual arts, as well as early works of Steve Reich, Philip Glass, Fluxus, Cage, and the UK's Scratch Orchestra. The seminar will combine on-the-score and aural analysis, contrasting open score,

Morning Teatime: Discovering Japanese Language and Culture Through Art and Pop Culture — JPN2115.01

Instructor: Ikuko Yoshida
Days & Time: MO,WE,TH 8:30am-9:50am
Credits: 5

Start your day with a cup of tea and a journey into Japan’s vibrant cultural world. This introductory-level Japanese course offers a relaxed, immersive introduction to the Japanese language and culture, paired with an exploration of the visual art, history, and traditions that shape contemporary Japan

Movement Practice: Sénémali 2 — DAN2421.01

Instructor: Kaolack Ndiaye
Days & Time: TU,FR 4:10pm-6:00pm
Credits: 2

This course is an introduction to Sabar (traditional dance, drum, and ceremony) from Sénégal and Gambia and Traditional West African Mandingo dance and music forms. We will build an improvisation practice that explores the dynamics between the musicians and dancers as well as how movement and live music can be experienced as a singular, integrated entity. We will also

Movement Practice: Contemplative Action — DAN2429.01

Instructor: Daria Faïn
Days & Time: MO,TH 10:00am-11:50am
Credits: 1

These two-hour movement-based classes weave physical, emotional, and energetic awareness into a single focus.

Deeply rooted in Asian somatic philosophies, this work prioritizes cultivating "being in one’s own skin" over outward achievement. The practice maintains a strong contemplative core while working at the thresholds of perceived possibility.

Movement Practice: Stretching and Conditioning — DAN2428.01

Instructor: Levi Gonzalez
Days & Time: TU,FR 10:30am-12:20pm
Credits: 2

This course is open to students at all levels of experience with body conditioning and/or dance. Class sessions will be approached as a form of exercise as well as a way to recover from injuries, misuse, excess or lack of physical activity. Incorporating tools and exercises from various physical practice modalities, including yoga,

Music Lecture Series — MHI2000.01

Instructor: Nicholas Brooke
Days & Time: MO 7:00pm-8:50pm
Credits: 2

The class will meet weekly for 12 lectures, workshops, and performances on a wide range of musical topics, given by faculty and visiting speakers on a rotating basis. The course will provide snapshots into musical performance and scholarship, across genres, cultures, and histories. Classes will consist of active participation, even performance, in

Music Theory 1 - Applied Fundamentals — MTH2274.01

Instructor: John Kirk
Days & Time: TU,FR 10:30am-12:20pm
Credits: 4

An introduction to music theory course. Music theory fundamentals will be taught utilizing voice (singing) and an instrument in hand. Knowledge of the piano keyboard will be learned and utilized. Curriculum will span the harmonic series, circle of 5ths, scales and chords to ear training, harmonic and rhythmic dictation, and beginning composition. Score reading, listening,

New Play Development Lab — DRA4353.01

Instructor: Abe Koogler
Days & Time: WE 2:10pm-5:50pm
Credits: 4

This advanced class will be modeled after a professional playwrights development lab. Each writer will focus on intensively revising 1-2 plays, with the goal of having these plays submission-ready by the end of the term. Writers will have several opportunities during the term to workshop their plays with actors from Dina Janis' New Play Development

Out of the Woods: Advanced Reading in Conservation and Ecology — BIO4191.01

Instructor: Caitlin McDonough MacKenzie
Days & Time: WE 2:10pm-4:00pm
Credits: 2

The idea of old growth forests evokes romantic notions of "wild" and "natural" landscapes, especially in Vermont where our settler-colonial history includes rapid and widespread deforestation for logging and agriculture. How do ecologists identify "old growth" and what lessons about ecological structure, function, and processes can we learn from these

Patrick J. Leahy Public Policy Forum: Saving Democracy Together — APA2154.01

Instructor: Susan Sgorbati
Days & Time: Th 7:00PM-8:50PM
Credits: 2

Almost a century ago, Franklin D. Roosevelt alerted Americans to the impending global conflict pitting democracies founded on individual liberty against rising fascist dictatorships pursuing “final solutions.” Drawing inspiration from John Dewey’s progressive philosophy, FDR emphasized, ""In this conflict the part which education plays in each ideology is crucial. Democracy

Pedagogies: Theory and Practice — EDU2113.01

Instructor: Jonathan Pitcher
Days & Time: MO,TH 3:40pm-5:30pm
Credits: 4

This course will focus on teaching methods. While applicable to college, they’ll mostly be of the K-12 variety. Proleptically, it should always already recognize the false dichotomy rather too neatly encapsulated in its subtitle.

On the one hand, yes, weekly, we’ll scour the history of education, the issues most pertinent to it, its possibly

Performance Pedagogies of Dance — DAN4816B.03, section 3

Instructor: Mark Caserta
Days & Time: Tu/F 4:10PM-6:00PM, Tu/F 7:00PM-8:50PM
Credits: 2

Performance Pedagogies of Dance (PODs) courses offer students the opportunity to make connections through multiple access points, linking studio practice, choreographic research processes and performance. Through participation in choreographic projects facilitated by faculty and guest artists, PODs are designed to help students recognize tools, practices and processes that

Performance Pedagogies of Dance — DAN4816B.04, section 4

Instructor: Cameron Childs
Days & Time: TBA
Credits: 2

Performance Pedagogies of Dance (PODs) courses offer students the opportunity to make connections through multiple access points, linking studio practice, choreographic research processes and performance. Through participation in choreographic projects facilitated by faculty and guest artists, PODs are designed to help students recognize tools, practices and processes that

Performance Pedagogies of Dance — DAN4816B.01, section 1

Instructor: Katie Swords Thurman
Days & Time: Tu/F 4:10-6:00PM & Tu/F 7:00PM-8:50PM
Credits: 2

Performance Pedagogies of Dance (PODs) courses offer students the opportunity to make connections through multiple access points, linking studio practice, choreographic research processes and performance. Through participation in choreographic projects facilitated by faculty and guest artists, PODs are designed to help students recognize

Performance Pedagogies of Dance — DAN4816B.02, section 2

Instructor: Marguerite Hemmings
Days & Time: Tu/F 4:10PM-6:00PM & Tu/F 7:00PM-8:50PM
Credits: 2

Performance Pedagogies of Dance (PODs) courses offer students the opportunity to make connections through multiple access points, linking studio practice, choreographic research processes and performance. Through participation in choreographic projects facilitated by faculty and guest artists, PODs are designed to help students recognize